The depiction of camel fighting in rock art to express certain rituals of human can be traced back to the late Paleolithic period and is believed to have originated in present-day northwestern Kazakhstan. After the domestication of Bactrian camels, depictions of camel fighting developed a relatively standardized format, primarily presenting paired camels engaged in aggressive biting matches. This motif of camel fighting may have originated in the Karate and Baikonur regions of Kazakhstan during the Bronze Age. Due to geographical proximity, the custom of camel fighting was introduced to the Sarmatians in the Ural steppes early on, and through the Sarmatians, it spread to the Huns (Xiongnu) in the north and the Qiemo people in Xinjiang, China, and later to Kangju. The camel fighting depicted in the Sulaek petroglyphs in the Minusinsk Basin should be attributed to the Kyrgyz, and its origin is likely the Huns. The fighting camels in the Loulan mural tombs may have been inherited from Qiemo or originated from the Huns. The camel fighting motif in Persian miniature paintings first emerged during the Timurid period in the latter half of the 15th century CE. The Timurid Empire was founded by Timur, a noble from the Barlas tribe historically affiliated with Mongol aristocratic lineages. This Central Asian polity maintained profound Mongol cultural influences. Notably, camel fighting had already been practiced as courtly entertainment in the Yuan Dynasty (established by the Mongols) as early as the first half of the 14th century CE. This chronology demonstrates that the Mongols long upheld camel fighting rituals, and the motif in Persian miniatures was transmitted westward through Mongol cultural and political influence.