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Khabat Derafshi, Sarem Amini, Naser Rezaei, Hesam Amini,
year 3, Issue 9 (12-2019)
Abstract

Abstract
In geoarchaeology, a complete and accurate understanding of archaeological site-formation processes can be obtained by identifying and examining the sedimentary deposits and stratigraphy of archeological layers. This study presents the results of preliminary geological studies in Kafiristan Yasen archaeological area to provide a general understanding of local geology and geomorphology of the area.  Kafiristan Yasen archaeological sites are mainly built on hillslope erosional terraces. In settlement sites, such as Gerdekulisi, it seems that ancient architectural structures acted as sediment traps for deposition of debris sediments and recent hillslope alluvial sediments (Holocene) on the hillslope terraces. Unlike other ancient sites in the Yasen area, Zargolesi site is built on a single natural ridge consisting of siltstone and sandstone rocks overlooking the Oshkoul-Dareh River. The study of surface sedimentary deposits in natural soilas well asexcavation trenches shows that two sedimentary units consisting of very coarse gravelly sediments and fine gravelly sediments in a clay-rich matrix could be distinguished in most of the areas. Archaeological artifacts can sometimes be found in the context of coarse gravelly sediments and in some places are covered by fine-grained alluvial sediments. The gravelly sediments appear to be related to an older sedimentary phase that might have deposited in a different surface morphology to the present situation. The fine-grained alluvial sediments are mainly confined to the surface layers and probably represent historical sediments which have been deposited in a hillslope profile similar to the present situation. In some places these sediments have been cut by a later drainage system.
Keywords: Geoarchaeology, Geomorphology, Archeological Site, Kafiristan Yasen.

Introduction
Geoarchaeology is a rather new interdisciplinary approach that studies the past of human history using geological methods. In geoarchaeology, a complete and accurate understanding of ancient records can be obtained by identifying and examining the sedimentary content and stratigraphy of archeological layers and materials. Geology has been available to archaeologists over the past two decades as a basic tool for reconstructing ancient environments and understanding the long-term climatic and anthropogenic conditions and interactions of pre-historic human with the surrounding environments. These studies are particularly influential in understanding the Pleistocene and Holocene archaeological and geological backgrounds and materials. Geoarchaeological studies in Iran are mainly confined to Paleolithic sites and the use of geological methods such as sedimentology to describe the details of ancient records in caves and rock shelters. Geoarchaeology is an interdisciplinary discipline between geological sciences and archeology that examines the role of geological factors in the rise, continuation, and fall of ancient settlements. In this field, techniques and methods common in earth sciences such as aerial photography and satellite imagery, sampling, microscopic studies, chemical analysis, etc. are used to solve archaeological problems.On the other hand, inarchaeological geology, archaeological data are used to solve geological problems, particularly in relation to dating of Quaternary deposits, ancient seismological studies, and ancient mining. Large-scale archaeologists study most of the natural landforms and anthropogenic structures and small-scale archaeologists study the soil, natural sediments, and anthropogenic deposits. Archaeo-geology also occasionally covers other interdisciplinary studies such as ceramic petrography, archaeomineralogy, archaeometallurgy, radiometric dating, etc.

Identified Traces
This study presents the results of preliminary geological studies in the area of Kafiristan Yasen archaeological site to provide a general understanding of local geology and geomorphology of the area. The Yasen Kafiristan archaeological site comprises a set of settlement and cemetery sites located 35 km southeast of Deylaman. According to previous studies, thechronology of sites in the area varies from the Iron Age to the early Islamic period. Therefore, the present study seeks to map the environmental conditions of the Kafiristan Yasen archaeological sites in terms of geology, geomorphology and climate and to understand the relationship between environmental elements with the cultural and archaeological features of the cultural sites in the study area.Research method of this study is descriptive-analytical and field study which uses the spatial data related to the research problem to evaluate and investigate the relationship between environmental and cultural characteristics in the ancient sites of Kafiristan Yasen in southeastern Deylaman in Guilan province and to answer the research questions.Gathering information in the field surveys done with the using of observation, survey of landforms and geomorphological and geological processes in an ancient site, justification of features displayed on geological, topographic and climatic maps of the site, as well as utilization of software such as GPS and GIS.

Conclusion
The ancient site of the Kafiristan Yasen comprises a series of settlement and cemetery sites located 35 kilometers southeast of Deylaman. The approximate dating of antiquities in this area, according to previous studies, varies from the Iron Age to the early Islamic period. Yasen ancient site enclosures are mainly built on hillslope erosion terraces; the difference between the erosion of the soft layers and the hard layers is probably the main controlling factor for the formation of these hillslope terraces. In settlement sites, such as Gerdekulisi, it seems that ancient architectural structures acted as sediment traps for deposition of debris sediments and recent hillslope alluvial sediments (Holocene) on the hillslope terraces level. Unlike other ancient sites in the Yasen area, Zargolesi site is built on a single natural promontory consisting of silty and sandy rocks overlooking the Oshkoul-Dareh River. The study of surface sedimentary deposits in natural profiles and the wall of drill trenches shows that two sedimentary sections consist of very coarse gravelly sedimentary rocks and fine gravelly sediments in the clay-rich can be separated in most of the areas. Archaeological artifacts can sometimes be found alongside coarse gravelly sediments and in some places are covered by fine-grained alluvial sediments. The gravelly sediments appear to be related to an older sedimentary phase that may have deposited in a different hillslope profile to the present situation. The fine-grained alluvial sediments are mainly confined to the surface layers and probably represent historical sediments which deposited in a hillslope profile similar to the present situation. In some places these sediments have been cut by a later watercourse system.

Farshid Mosadeghi Amini,
year 5, Issue 17 (12-2021)
Abstract

Abstract
Despite obvious differences which we know on subjects, sights, methods and results of Development Projects and Archaeological Research, It appear that there are evident similarities among them: theoretical debates, field investigations, team-works, order and organization, planning, provisions, supporting, discussions and judgment, governmental beginnings, national rules, foreign patterns, management progresses, specialty approaches, expert obligations and public utilizations. Also, when we add “sustainable” to development our discourse will be extent and we however confront with cultural phenomena. It seems evaluating of distinctions and comparison of similarities between «Development» and «Archaeology» will be background for systemic survey their interactions especially in the counter together time. Establishment of laws and communication of circulars are solutions to problems and reach to coordination among development projects and archaeology. But satisfaction and persuasion are a supplement factors for taking decisions. In this article after a review on meaning, concept and implications of Development and explanation contents and aims of Archaeology we Assess importance and relations them in cultural and developmental realms from intertextually view.
Keywords: Comparative Survey, Archaeology, Sustainable Development, Material Culture, Reductionism, Intertextuality Approach, Hermeneutics.

Introduction
Despite the thematic, approach and strategic differences between “archeology” and “development”, it seems to have a similar basis in terms of the beginning of changing ideas and perspectives and changing methods and traits of “development” in the post-World War II. Also, we can find some temporal-spatial symmetries in the evolution of practices and norms and sometimes consistencies in the context of the dynamics and intellectual challenges of the “archeology” and “development”. 
This article discusses the importance of providing a comprehensive, concise, and effective scenario for arranging plans and directing common scenes between “development” and “archaeology” rather than turning scenes into the meaningful sequences. Thus, interactivity of coherent and effective narratives replaces broken, incoherent, tense, and failed examples.
Most of the views, the most visible scenes, the most controversial encounters, the most newsworthy intersections, the most difficult relations and the most acute conditions between “archeology” and “development” are usually in the “field” and with the beginning and continuation of the various small and large improvement projects. Therefore, to find a way to prevent such unintended events or to reduce the cultural and civilizational damage, one must “cure the incident before it occurs.” According to the author, the most important context, the most effective possibility and the most efficient approach in concluding evaluations of what we have said, is to pay attention to the “theoretical realm” - that is, the precondition of every rational action and the precondition of every thoughtful will - among “archeology” and “development”. In this way, common principles and perspectives can be raise in the framework of comprehensive intertextual and interpretation-oriented strategies.
Method: This article is based on both theoretical and practical experience contexts. Considering the constant confrontation of developmental projects with ancient sites and historical monuments, the author, based on his administrative and experimental backgrounds and his research responsibilities too,   Analytical and explain his analysis and inference from the two areas of “archeology” and “development”. The strategic theme of this paper is the reduction of “archeology” and “development” to their roots and foundations, in-text reviews, and out-of-text comparisons from an intertextual perspective.
Aim: What has been discussed so far from developmental approaches - both “ improvement” and “sustainable” - in the field of cultural heritage issues hadn’t have systematics relations or efficient interpretation between the two and the neglected theme was the processing of “plan” for “action”. Therefore, the present article can be considered as the first example in terms of intertextual and interpretive approaches in the area of “archeology and sustainable development” in Iran

Discussion
Antiquities and historical monuments are one of the challenging areas in development policies and research planning, organized or restoration interventions or orbital protection plans of the Iranian cultural heritage. Archeology in terms of research materials, the focus of topics, the source of discussions, the field of functions and the source of ideas based on static phenomena, in situ remains, in place evidence, closed contexts, suspended systems, elapsed periods and historical moments. Such a context is being elucidated in the light of field research, scientific exploration, technical documentation, comparative evaluations, laboratory research, repeated insights, and rational-empirical discoveries, and gradually the content, its dimensions and aspects become meaningful.
But “development” in content, in form and in its implementation or process is based on views that seek to reconstruct attitudes and approaches, to design actions and patterns, to prepare directions, to build institutions and to establish structures. “Development” is the hope of achieving desires beyond what is possessed, and the pursuit of desires is ahead of what is. “Development” is looking for unintentional intentions and asking for unfulfilled wishes. The output of such an arrangement of features in the field of development is “endeavor” and in a word “dynamic”.
Geographical diversity and ecological capabilities in the land of Iran make the identification and location of each of the natural phenomena and human phenomena in order to develop and provide the most optimal social life a priority in planning and goal setting. Such a basis is the clearest argument for gaining the necessary foresight - or what is called “inquiry” - from geographical areas.

Findings
In general, and in normal circumstances, the three “threat factors”, “danger sign” and “cause of destruction” of ancient sites and historical monuments can be found in the “design, implementation and operation of construction projects”. “Continuation of agricultural activities and increase of cultivated area” and “Illegal excavations and looting of cultural-historical property” were summarized.
Despite some inherent similarities and functional similarities, each of these phenomena in different territories and climates of administrative levels, social issues, legal regulations, legal rules and solutions. Expertise in the prevention, remediation, remediation of injuries, mitigation of damages, preservation and introduction of samples and the presentation of samples and their own reference and practical examples. But in a conceptual interpretation of the above-mentioned three, development projects should be considered the “most inevitable”, agriculture and farming the “most common and continuous”, and looting of historical sites and cultural property “the most unfortunate” phenomenon. - influences on archeological remains.

Conclusion
It seems that the reduction of the body, branch and fruit of the product of both phenomena (archeology and sustainable development) to the foundations and roots, if not from the organic links between them, at least reveals some origins or some similar relationships and transit routes. Visualizing, drawing, and explaining such similarities will show the causes and contexts of the distances, and will make it possible to return to the position or process the interactive scenes.
With such a view, it can be said that “development”, especially in its sustainable form, in the sense of a strategy for the comprehensive provision of human present and future affairs, and “archeology” in the sense of an approach to recognizing and preserving its past are essentially human phenomena. One of the needs, approaches and examples of sustainable development to be aware of the nature of man, to know his identity and to know what his needs is “archeology”. For this reason, actions must be overlapping and methods must be convergent, except by extending the “cognitive” aspect of archeology to issues beyond its body and structure, and including the “sustainability” of development into contexts. And more comprehensive components will not be possible than changing the status quo.

Mohsen Bahraminia, Kamal Aldin Niknami, Alireza Khosrowzadeh,
year 6, Issue 20 (9-2022)
Abstract

Abstract
Miankouh Area is contractually known as a district of southern part of the Central Zagros in the southwest of Iran. Despite its small area (680 km2), due to its location between highlands there are two distinct micro ecozones with natural resources and an abundance of plant and animal species and has been suitable for the vertical seasonal movements throughout the year in order to access to various resources in the subsistence from the Pleistocene to the present. Our knowledge of its Mousterian cultures is derived from three-season field surveys between 2009 and 2011 years in both Low Altitude (LAZ) and High Altitude Zones (HAZ) with an average altitude of 1510 and 2601 meters above sea level (m.a.s.l). This paper seeks to answer (1) what is the position of Miankouh’s MP cultures among the well-known Mousterian cultures in the Zagros Mountains of Iran? And (2) what is the radius of movement of MP hunter-gatherers of in the landscape of Miankouh through the study of the stone assemblage of both LAZ and HAZ? Totally, 1454 stone artifacts were collected from the Middle Paleolithic Open-air sites of both zones. Preliminary results show that the MP hunter-gatherers of Miankouh exploited both zones with relatively a homogeneous tool kit influenced by the permanent rivers in LAZ and pool resources available in HAZ within the daily radius of movement at a distance of 5 to 20 km, which had often been turned into flakes and various tools using several techniques. They also used the type of tools that are commonly recognizable in the stone industries of other MP cultures of Zagros.
Keywords: Zagros, Bakhtiari Highlands, Stone Industries, Mousterian.

Introduction
One of the largest bodies of research on montane adaptation comes from the Zagros Mountains of Iran and Iraq. Most of the Palaeolithic archaeological researches of Zagros have focused on, north, south (Azadi, 2017; Dashtizadeh & Hosseini, 2008; Conard et al., 2006; Rosenberg, 1985) as well as the north parts of Central Zagros (see Abdi, 1999; Adams, 1954; Biglari & Abdi, 1999; Coon, 1951; Dibble, 1984; Jaubert et al., 2009; Trinkaus & Biglari, 2006; Young & Smith, 1966; Roustaei et al., 2002; Roustaei et al., 2004). Broadly, it can be declared that there is no comprehensive evidence about conditions of the Palaeolithic sites in the Bakhtiari region in Southern part of the central Zagros.
This paper presents an analysis of a group of MP lithic assemblages collected from a set of open-air localities during field surveys conducted in both Lower Altitude (LAZ) and Higher Altitude Zones (HAZ) of Miankouh District with an area of approximately 680 km2 and an average elevation of 1510 and 2601 meters above sea level (m.a.s.l) in Chaharmahal and Bakhtiari (ChB) Province, Iran (Khosrowzadeh, 2011, 2010a, 2009).
For the aims, these assemblages provide insights into mobility, landscape-use, and lithic technological decision-making in high-altitude environments by the MP hunter-gatherers in the Zagros Mountains and beyond.
These data presented in the current paper originates from the area of the Miankouh highlands (Bahraminia et al., 2022) from where MP evidence can help further elucidate the issues identified with the Zagros Mousterian as an explanatory framework for MP seasonal mobility and land-use patterns in the Zagros Mountains (Lindly, 1997; Skinner, 1965).
This paper seeks to answer (1) what is the position of Miankouh’s MP cultures among the well-known Mousterian cultures in the Zagros Mountains of Iran? And (2) what is the radius of movement of MP hunter-gatherers of in the landscape of Miankouh through the study of the stone assemblage of both LAZ and HAZ?

Materials and Methods
To record the surface findings, as soon as the first artefact was found, a radius of 200 meters around the point of this find was evaluated in different directions by a group of five people. By focusing on the MP period, 177 MPO locales in the form of points with XY coordinates incorporating 1454 stone artefact were analyzed. In order to assess the techno-typological aspects of the lithic assemblages in the region we used advanced analytical tools (SPSS tool boxes) at the local landscape level. 

Results
From the surface of both ecozones a low density of lithic artefacts ranging from 1 to 36 pieces was identified for the MP each identified here as a specific “locale”. The area under study provided a large number of cultural materials including lithic artefacts from MP UP and EP as well as a considerable amount of potteries from the Neolithic, Chalcolithic as well as the Late Islamic period. For the purpose of this paper, we only examined stone assemblage of the MP period. 
A total of 1454 lithic artefacts (whole and fragmented) were collected during the Miankouh survey, with 874 pieces from 113 MPO locales coming from LAZ, and 580 pieces from 63 MPO locales from HAZ. We identified four main groups including core, tool, unretouched flake, and debris.
In terms of lithic technology, preferential and recurrent Levallois methods are clearly used in the production of flakes. Recurrent methods of unipolar, bipolar, and centripetal were used to knap the flakes. Moreover, the dorsal scar patterns among the cores, tools and unretouched flakes indicate non-Levallois semi-pyramidal and discoidal methods are other debitage techniques in the MP stone industry of Miankouh.
For 970 artefacts which were categorized as tool, scrapers and blades represent highest frequency of tool types in assemblage which were followed by retouched flakes, points, notch/denticulates, borer/burins, and hand axes. In process of tool-making have generally been used the Plain/flat and faceted platforms more than other types. Points of both LAZ and HAZ are the end products in this group because about 82 % of them do not have any cortex on their dorsal face. Also, 50.88 % of total unretouched whole flakes have cortex on the dorsal face. Geneste has already classified such samples in the early stages of the reduction system in the tool production cycle (Geneste, 1985). 

Conclusion
The use of Levallois technique was initially reported not to be present in the Mousterian Zagros assemblages (Skinner, 1965). Its widespread use within Zagros Middle Palaeolithic assemblages was however eventually confirmed by Dibble (1984) (Bahraminia et al., 2022) (and papers in Olszewski and Dibble, 1993). That the utilization of Levallois technique in the region cannot however be expected to be universal has recently been established through excavations at Qaleh Bozi close to the Miankouh field survey area, where a relative absence of Levallois technique was reported (Biglari et al., 2009).
Unfortunately, we do not have reliable metric core data and other lithic artefacts from other MP sites of the Zagros in order to support our results. In order to better understand the effects of elevation on size and weight as well as its effect on the quality and quantity of MP toolkits, we need to measure metric values of lithic assemblages from other sites/locales within the Zagros Mountains at different elevations from a ‘landscape-oriented’ or ‘siteless’ approach.
The overall composition of the Miankouh lithic assemblage from a techno-typological point of view includes relatively short flakes. Retouched pieces on flake are other features of this collection. A glance at all cores from Miankouh reveal that in LAZ usually larger stone cobbles have been used as cores in comparison with HAZ. The mean weight of those from LAZ is 56.66 grams while in HAZ it is 41.98. In the case of core reduction strategies, the high frequency of cortical flakes, unretouched flakes, irregular retouched flakes, and typical tools suggest that the knapping processes were accomplished at some of localities of LAZ. It seems that the production of tools on cortical flakes (for example notch/denticulates) has been a common tool making tradition in the study area. The presence of short flakes in the Miankouh lithic assemblage may reflect the fact that the use of short flakes had been a common tradition at the MP sites in high-altitude environments. It can be raised that some Mousterian debitage strategies for the production of flakes and tools were commonly presented in Miankouh where stone raw material in the form of river pebbles and chert nodules of limestone outcrops were available in this mountainous region.

Farhad Amini, Khalilollah Beik Mohammadi,
year 6, Issue 20 (9-2022)
Abstract

Abstract
Since there are few works of painting from the Seljuk period, and on the other hand, most of them were written without data and place, so there are no common opinion about most of the painting works of this period. On the other hand, because most researchers, do not use the correct scientific method in their research, it adds to the existing problems in this field. One of the painting works of this period, which is the subject of this research and has a writing data, is the Al-Tariaq book attributed to Galen, which has written in 595 AH/1199 AD, written and kept in the National Library of Paris. Due to the fact that the place of its writing is not included in this manuscript, there is a difference of opinion about where the said version was written and illustrated. This version has been attributed by different people to different places such as Iran, Jazireh, Dyarbakr, Mousel and Baghdad. Therefore, the basis of the main problem of the current research is the location of the place of writing and illustration of this manuscript, which is analyzed and criticized by descriptive-analytical and comparative methods based on library studies, and the views of researchers will be examined with comparison, it will be shown that the version of Al-Tariaq cannot be attributed to any other country than Iran. By examining and comparing the illustrations of this book and other Iranian works of arts, especially pottery and metalwork, it can be said that the view of most researchers of the illustrations of Al-Tariaq book is more similar to the way of recording Iranian art than to Iraq, so, it can be said that the origin of this manuscript is Iran and other views are incorrect. 
Keywords: Al-Tariaq, , Iran, Jazireh, Baghdad Method, Mosul.

Introduction
Since there are few works left about book painting and illustration in Seljuk period Iran, and on the other hand, most of them are without date and place of writing, so most of the works of painting of this period are discussed and disputed. Apart from these problems, the failure to apply the correct scientific method and also the involvement of some prejudices, which of course are not worthy of a scientific research, have caused the existing problems in the field of painting in this period to be added, one of the works of this periods, which fortunately has a writing date, is a copy of the Al-Tariaq book attributed to Galen, which was written in 595 AH and is kept in the National library of Paris. Due to the fact that the place of writing is not mentioned in this manuscript, most of the researchers, if it is found in the text in its entirety, argued with very weak reasons and without scientific basis that this version was written in the Jazireh or Mosul and has nothing to do with Iranian art, so the purpose of this the research is a complete review of the writing and illustration of the Al-Tariaq book.
Research question and hypothesis: The main proposition of the research is to locate the place where the manuscript of Al-Tariaq was written and illustrated in Paris, and by examining the artistic style and the role of the materials used in the illustrations of the Al-Tariaq book, the question is raised, which one of the most similar styles and materials of this book are there art school? By assuming the connection and compatibility of the motifs illustrated in the mentioned book with various works of art, including the paintings of Iran’s enameled and gold-colored pottery, as well as the motifs used on the metal works of the Seljuk and Khwarazmshahi periods, it is possible to determine the place of its writing and illustration, attributed to Iran. 
Research Method: The research method in this research is a descriptive-analytical and comparative method based on library studies in criticizing the views of the researchers about the Al-Tariaq manuscript, which is related to the enameled and golden pottery and also the role of the materials used on the metal works of this period in Iran. The research problem has been discussed. 

Inroduction of the Manuscript of Al-Tariaq
The book of Al-Tariaq is a translation from the book of Galen, a Greek physician and pharmacist who lived in the second century AD. This book was translated from Greek to Arabic by Ibn-Ishaq in the 9th century AD. The subject of the book is written about toxicology and antidotes, which the author narrates with legendary stories. There are two illustrated versions of this book. The first version was written in 595 AH and is kept in the National library of Paris. The second version is undated and it is attributed to the middle of the 13th century. This manuscript is kept in the Vienna National Library. In this research, the dated version of the National library of Paris will be examined. This version has 12 images, the first of which begins with an image that is repeated twice. In the middle of the painting, a woman is sitting holding a moon crescent and two people are standing on either side of her. This page is surrounded by a frame made of intertwined dragons. 4-winged people can be seen on the four sides of this frame (Fig 1). After that, nine doctors of the period, including Galen himself, have been settled along with their names and biographies (Fig 2).

Conclusion
Based on the investigations and the comparison made between the pictures of Al-Tariaq book with the paintings of Zarinfam enamel pottery and Iranian metal vessels, it was found that there is a complete similarity in terms of stylistics, the way the pictures are drawn and the composition between the Al-Tariaq book and these works. Therefore, attributing this manuscript to the Jazireh is incorrect. The only reasons mentioned by some researchers are human monographs and other interwined dragons, however, if it is mentioned in full, similar to it has been seen in other regions, the image of two interwined dragons, a completely similar example of which is depicted in Mianrodan, but on the golden bowl from Kashan, so based on what has been described, this manuscript is Iranian and has the characteristics of Iranian art of Seljuk and Khwarazmshahi periods. The titles of the book are also written in Kufic script, which all researchers agree that it is Iranian. It is appropriate to attribute ir to Iran rather than to the Jazireh. It is necessary to remember that based on the available evidence, it has sometimes been seen that a copy has the artistic characteristics of one region but was illustrated for ruler another land. In such examples, the issue is not out of two situations, or that the copy in question was made outside the territory of the said ruler and was given to him or written on his order. There are many examples of this type. Like Ferdowsi’s Shahnameh, which was written in Tus and sent to Sultan Masoud’s court in Qazneh. Or, an artist migrated from one place to another and painted there, in which case he followed the style of his origin and his art shoud be attributed to his origin, to the place where the art is performed. Apart from all of these, the examples of paintings that are attributed to the Mousel or the Jazireh, were mostly influenced by the style of Baghdad, although the influence of Seljuk painting can also be seen in some of them, like the ways of drawing clothes, there are two ways of working in the paintings of this area, one is Baghdad style and the other is a combination of Baghdad style and Iranian painting. This method is mostly seen after the Mongol attack on Iran. In this method, some clothes are made in the style of Baghdad, which are pleated and shaded and others are drawn in the Iranian way. In Iranian paintings, the clothes are mostly simple or geometric and plant designs can be seen on them, however, in some examples the influence of Baghdad style pleated clothes can be seen. The faces are also influenced by Iranian art, but they are drawn a little more formally and seriously. As mentioned earlier, among the examples of mixed works illustrated in Mosul, we can mention the copy of Al-Aghani’s book, in which the clothes of the clothes of the courtiers are painted in the style of Iran. The expression of the faces is also influenced by Seljuk art, but it has differences from it, which can be clearly seen by comparing them with the Al-Tariaq version. Therefore, if this version was painted in Mosul or on the Jazireh, these clothes or a part of them should be pleated in the style of Baghdad, if such a thing is not visible in them. (Fig 28). But where was this version written and painted, finally, it can be said that it was during the Seljuk and Khwarazmshahi periods, according to the illustrations in the Al-Tariaq book and the examples compared with Iranian pottery and metal vessels. It is believed that this version was mostly likely painted by an artist in the Isfahan region, especially Kashan, less likely elsewhere in Iran. 

Fereidoun Biglari, Abdolreza Dashtizadeh, Sepehr Zarei, Sarem Amini, Taher Ghasimi,
year 7, Issue 24 (8-2023)
Abstract

Iran holds great significance for the question of the eastward expansion of the Acheulean hominins, as it is situated between the Arabian Peninsula and the Indian subcontinent, both of which have long and rich records of the Acheulean techno complex. Despite its strategic location, Iran has produced little evidence of the Acheulean techno complex. The only notable examples have been found in the western and northwestern regions of the country. The absence of Acheulean sites in southern Iran cannot be justified. Because this region, located in the northern parts of the Persian Gulf, was one of the main dispersal routes for Acheulean hominins towards the east. Here, we present a report on the discovery of a Lower Paleolithic locality near Dehtal, located in the northern region of the Persian Gulf. Additionally, we discuss the techno-typological characteristics of the lithics found in the area. Dehtal yielded a small, but characteristic lithic assemblage, which included a handaxe, a massive scraper, a large flake, and a flake core. The raw materials used are sandstone and fossiliferous limestone rock, which can be found as cobbles and boulders in secondary contexts on the northern slopes of Par-e Lavar. In addition to these findings, two boulder cores with large removal scars were also documented in the area, indicating large flake production in this locality. The site offers a unique opportunity to study a lithic assemblage in a relatively unknown area within the distribution range of the Acheulean technocomplex.


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