logo
year 7, Issue 24 (8-2023)                   Parseh J. Archaeol. Stud. 2023, 7(24): 287-310 | Back to browse issues page


XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Garakani Dashteh S, Mortezaei M. (2023). Turban Helmets, from the Il-khanid Period to the Safavid Era. Parseh J. Archaeol. Stud.. 7(24), 287-310. doi:10.30699/PJAS.7.24.287
URL: http://journal.richt.ir/mbp/article-1-800-en.html
1- Ph.D. of Archaeology, Science and Research Branch, Islamic Azad University, Tehran, Iran. , shaahin.dashteh@gmail.com
2- Associate Professor of Archaeology Department of Cultural Heritage and Tourism Research Institute, Tehran, Iran
Abstract:   (2813 Views)
The Turban helmet is a type of war helmet during the 14th to 16th centuries AD in Middle East countries. This type of helmet has become known by Western scholars by this name because of the special decorations that made it look like a turban as well as the visibility of the helmet from under the warriors’ turban. Based on the numerous documents remaining, one can say that the use of Turban helmets was popular in Middle East territories’ armies during the Middle Ages. Despite being widely used and in style for more than two centuries and among many west Asian countries, among all the remaining samples of this type of middle eastern helmet, only two distinct styles, the Turkoman and the Ottoman styles, have been examined and introduced. This can be due to a large number of remaining samples of these two being kept for years in the armouries of the Ottoman Empire. Apart from these two known styles, few studies have been done so far on investigating other possible types of turban helmets. The purpose of this research is to study the turban helmets that were popular among the armies of the Il-khanid, Jalayirid, Muzaffarid, Timurid, Turkoman, and Safavid that ruled respectively in the cultural Iran region, by relying on the remaining documents from the 14th to the 16th centuries, such as the collection of helmets and illustrated manuscripts. The results of this research reveal that the changes that occurred in the making of turban helmets during the 14th to the 16th centuries have led to the representation of four different types of helmets: Mongolian style, Timurid style, Turkoman style, and Qizilbash style.
Full-Text [PDF 1436 kb]   (922 Downloads)    
Type of Study: Research | Subject: Special Archeology
Received: 2022/11/20 | Accepted: 2023/02/28 | Published: 2023/08/20

References
1. - Afshar, I., (2002). “The translated version of ‘Khavaran Nameh’”. Baharistan, 6: 539-540.
2. - Ahmadov, S., (2019). “14th and 15th century Shirvan weaponry at ‘Shirvanshahs legacy in world museums’”. Exhibition, Cultural heritage of Azerbaijan, 1 (38): 24- 31.
3. - Alexander, D. G., (1983). “Two Aspects of Islamic Arms and Armor”. Metropolitan Museum Journal, 18: 97-109.
4. - Alexander, D. G., (2015). Islamic Arms and Armor in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art.
5. - Azhand, Y., (2010). Painting in Iran, a research in the history of painting in Iran. Tehran: Samt.
6. - Baysunqur Shahnameh, (1971). Baysunqur Shahnameh in Ketabkhaneh-i Saltanti-i Iran. Tehran: Setad-i Jashn-i Shahanshahi.
7. - Behroozipour, H. & Ghazizadeh, K., (2020). “Recovering the Characteristics of the Shiraz Painting School in Painting of Al-Inju and Al-Muzaffar Period and its Impact on Iranian Painting”. Parseh J Archaeol Stud., 4(13): 137-159. (DOI: 10.30699/PJAS.4.13.137).
8. - British Museum, (n. d.). Available from. https://www.britishmuseum.org/collection/object/W_1948-1009-0-49. Accessed November 14, 2022.
9. - Canby, S. R., (2004). Persian Painting. Tehran: University of Art.
10. - Castelluccia, M. & Dan, R., (2013). “Urartian Bronze Helmets1”. Ancient Civilizations from Scythia to Siberia, 19(2): 277-313.
11. - Chester Beatty Library (n. d.). https://chesterbeatty.ie/?gclid. Accessed November 14, 2022.
12. - Dezsö, T. & Curtis, J., (1991). “Assyrian iron helmets from Nimrud now in the British Museum”. Iraq, 53: 105-126.
13. - Farrokh, K.; Karamian, G.; Kubik, A. & Oshterinani, M. T., (2017). “An Examination of Parthian and Sasanian military Helmets (2nd-century BC-7th century CE)”. Crowns, Hats, Turbans and Helmets: The Headgear in Iranian History, 1: 121-63.
14. - Getty Images (n. d.). https://www.gettyimages.ae/detail/news-photo/assault-on-the-fortress-of-the-knights-of-st-john-at-smyrna-news-photo/577690309. Accessed November 14, 2022.
15. - Hermitage Museum (n. d.). https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection. Accessed November 22, 2022.
16. - Ionescu, D. T., (2017). “The Use of the Tiara as a symbol of Persian Achaemenid Kingship: why Alexander the Great didn’t adopt it?”. In: Crowns, hats, turbans and helmets, Maksymiuk, K; Karamian, G (Eds.) Siedlce: Siedlce University of Natural Sciences and Humanities: 21-33.
17. - Khorasani, M. M., (2006). Arms and Armor from Iran: The Bronze Age to the End of the Qajar Period. Tübingen: Legat Verlag.
18. - Khorasani, M. M., (2007). The Magnificent Beauty of Edged Weapons Made with Persian Watered Steel. Journal of Asian Martial Arts, 16(3): 8-21.
19. - Khorasani, M. M., (2011). “Linguistic terms describing different types of armour in Persian manuscripts”. Gladius, 31: 149-188.
20. - Kremlin Museum (n. d.). https://collectiononline.kreml.ru. Accessed November 22, 2022.
21. - Kubik, A., (2018). “The Kizil Caves as a terminus post quem of the Central and Western Asiatic pear-shape spangenhelm type helmets. The David Collection helmet and its place in the evolution of multisegmented dome helmets”. Historia i Świat, 7: 141-156.
22. - Kubik, A. L. (2017). “Sasanian lamellar helmets”. In: Crowns, hats, turbans and helmets. The headgear in Iranian history, 1, Maksymiuk, K; Karamian, G (Eds.) Siedlce: Siedlce University of Natural Sciences and Humanities: 195-210.
23. - Kuhnel, E., (2010). “The history of painting”. In: A survey of Persian Art, Pope, A.U. (ed.), Azhand, Y.(tr.), Tehran: Mola: 46-62.
24. - Memarian, G. H., (2012). Iranian Architecture of Niarsh. Tehran: Elam o Sanat University.
25. - Metropolitan Museum (n. d.). https://www.metmuseum.org/art/collection. Accessed November 10, 2022.
26. - Mielczarek, M., (2017). “Arms and Armour on Kušān coins. Royal images”. Crowns, hats, turbans and helmets, 1, Maksymiuk, K; Karamian, G (Eds.) Siedlce: Siedlce University of Natural Sciences and Humanities: 53-68.
27. - Nicolle, D., (1999). Arms and Armour of the Crusading Era 1050-1350. London: Greenhill Book.
28. - Nicolle, D., (2017). “One-piece Sasanian and Early Islamic Helmets”. In: Crowns, hats, turbans and helmets, 1, Maksymiuk, K; Karamian, G (Eds.) Siedlce: Siedlce University of Natural Sciences and Humanities: 223-253.
29. - O’Kane, B., (2012). “The design of Cairo’s masonry domes”. In: Proceedings of the Masons at Work Conference, University of Pennsylvania: 1-18.
30. - Pakbaz, R., (2007). Iranian painting from ancient times to today. Tehran: Zariin and Simin.
31. - Raeiszadeh, M. & Mofid, H., (2010). Revival of the forgotten arts: Basics of traditional architecture in Iran. Tehran: Mola.
32. - Rezanezhad, E. & Shariatpanahi, M., (2018). “Study on the Form, Design, and decorations of the Timurid War Weapons and its Reflection in Herat School Paintings”. Negarineh Islamic Art, 5(15): 42-58. (doi: 10.22077/nia.2019.1788.1142).
33. - Royal Armouries collections (n. d.). https://collections.royalarmouries.org/object/rac-object-1672.html. Accessed November 14, 2022.
34. - Russell Robinson, H., (1967). Oriental Armour. New York: Dover.
35. - Salihov B. M., (1985). “Kalkninskij mogilnik”. In: Drevne kultury Severo Vostochnogo Kavkaza, M. M. Mamaev (ed.), Makhachkala: 167-187.
36. - Sedaghat, F., (2006). “Manuscript of Khavaran Nameh, a masterpiece of religious paintings by Turkoman Qara Quyunlu and Aq Quyunlu”. Motaleat-i, Islamic Art Studies, 2 (4): 103-120.
37. - Seyedbonakdar, S. M., (2016). “Examining the Position of Taj-i Qizilbash in the Political Developments of the Safavid Period”. Shi’ite Studies, 14(56): 195-218.
38. - Smirnov, S. V., (2017). “Revising Seleukid Iconography: A Person Wearing Helmet and Conflict of Imageries”. In: Crowns, hats, turbans and helmets, Maksymiuk, K; Karamian, G (Eds.) Siedlce: Siedlce University of Natural Sciences and Humanities: 35-42.
39. - Smithsonian National Museum of Asian Arts (n. d.). https://asia.si.edu/object/S1986.175/#object-content. Accessed November 17, 2022.
40. - Sothebys, (2011). Available from, https://www.sothebys.com/en/auctions/ecatalogue/2011/arts-of-the-islamic-world-l11220/lot.376.html. Accessed November 10, 2022.
41. - Stöcklein, H., (2015). “Armories”. In: A Survey of Persian Art, From Prehistoric Times to the Present, Pope, A. U; Ackerman, P. (Eds.), Tehran: Elmi va Farhangi: 2961-2993.
42. - The British Library (n. d.). https://www.bl.uk/catalogues-and-collections. Accessed November 14, 2022.
43. - Zaky, A. R., (1961). “Introduction to the Study of Islamic Arms and Armours”. Gladius, 1: 17-29.
44. - Zamani, N. & Farrokhfar, F., (2020). “The description and the study of Rostam’s array in Shahnameh, Paris manuscript 953HG”. The Journal of Epicliterature, 16(1): 157-179. (DOI: 20.1001.1.23225793.1399.16.1.7.1).

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.