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year 9, Issue 32 (8-2025)                   Parseh J. Archaeol. Stud. 2025, 9(32): 371-395 | Back to browse issues page


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Rahimi F, Razaghi ‎ A. (2025). Analysis and Typology of the Concept of Identity in Cultural-Historical Relics with a Look at UNESCO and ICOMOS Documents. Parseh J. Archaeol. Stud.. 9(32), 371-395. doi:10.61882/PJAS.1023
URL: http://journal.richt.ir/mbp/article-1-1023-en.html
1- Ph. D Student of Restoration of cultural and historical objects, Department of Restoration of Cultural and Historical Objects, Faculty of Conservation and Restoration, Iran University of Art, Tehran, Iran.
2- Associate Professor, Department of Restoration and Conservation of Historical Buildings and Urban Fabrics, Faculty of Conservation and Restoration, Iran University of Art, Tehran, Iran (Corresponding Author). , razeghi@art.ac.ir
Abstract:   (906 Views)
Abstract
Identity is one of the concepts that has a wide meaning in humanities. In recent years, ‎the issue of identity has become more important in the face of globalization. ‎Therefore, the identity of cultural-historical rilcs with different concepts has been ‎the subject of many international documents, including the Scientific and Cultural ‎Educational Organization of the United Nations, UNESCO and the International ‎Council of Monuments and Sites, ICOMOS. How the concept of identity has been ‎considered in international documents related to cultural heritage, such as UNESCO ‎and ICOMOS, is a question that this research addresses. Based on this, in the current ‎research, the characteristics and dimensions of the concept of identity in these ‎documents were examined and related concepts were extracted and analyzed. For ‎this purpose, the identity contained in the mentioned documents was examined from ‎the framework of social sciences. Studies related to social sciences have been used ‎interpretatively and content analysis method to examine international documents. In ‎the content analysis, after a detailed study of the texts, key phrases and codes were ‎extracted and classified into three main categories and ten subcategories. The main ‎categories include identity, identity characteristics and identity dimensions. By ‎analyzing the obtained results, a model for investigating the identity of a cultural-‎historical relic was explained. According to this model, the identity type of the ‎cultural-historical relics is one of the seven types of identity, which includes three ‎one-dimensional types, three two-dimensional types, and one three-dimensional ‎type. This model is useful in understanding the dimensions and identity aspects of ‎cultural-historical rilcs. The importance of this model lies in the ‎comprehensiveness of knowledge that is obtained in relation to cultural-historical ‎relices, because the comprehensiveness of knowledge of cultural-historical relics ‎makes it possible to take the most appropriate way to face them.
Keywords: Identity, Cultural-Historical Relics, UNESCO, ICOMOS, International Documents.

Introduction
In the contemporary century, with the emergence of the new trend of globalization, the main values ‎related to cultural heritage faced emerging social and economic facts as well as sustainable environmental ‎development. On the other hand, industrial developments were another factor that affected the ‎disappearance of many cultures and even previous industries. For this reason, along with the growth of ‎modern industrial society and globalization, sacred landscapes and sites are facing the danger of ‎extinction. So that after the ‎‏19‏th century, we have witnessed the complete decline of some cultures, which ‎have buried with them the knowledge of the location and meaning of the sacred sites and have erased ‎them from our minds. However, there are many areas that still preserve their traditions.  Accordingly, the ‎issue of cultural identity has become one of the central issues in modern cultural policies and has become ‎the subject of many international documents in different ways. Therefore, the purpose of this research is: ‎‎”to explain how the concept of identity in cultural-historical relics is based on UNESCO and ICOMOS ‎documents‏”‏
In relation to how to deal with a relic, many documents have been compiled in recent years that have ‎tried to help the protection of historical relics. Here there are questions related to the concept of identity, ‎which are: How is the identity of cultural-historical relics explained in UNESCO and ICOMOS ‎documents? How can the intrinsic and credit dimension of the identity of cultural-historical relics in the ‎documents of UNESCO and ICOMOS be explained? The present research qualitatively answers the ‎questions raised by relying on induction in ICOMUS and UNESCO documents. The content analysis ‎method was used to study the documents. First, the main sentences related to the aforementioned study ‎axes were selected and then the key sentences were extracted from the main sentences. In the next step, ‎key sentences were coded. These codes were determined based on the concepts in the sentences. In the ‎next step, the extracted codes were placed under subcategories and in the final step, the subcategories were ‎classified under the main categories. ‎
In this research, the statistical population includes ‎‏15‏‎ documents related to UNESCO and ICOMOS, ‎which include regulations, recommendations and international charters from ‎‏1956‏‎ to ‎‏2005

Identified Traces 
Based on content analysis in UNESCO and ICOMOS documents, three main categories have ‎been formed under the title of identity, characteristics of identity, dimensions of identity‏. ‏
‏That is, in these documents, attention has been paid to the concept of identity in the ‎subcategories of cultural diversity, diversity of values and assets. In fact, in the documents, the ‎concepts related to the identity characteristics of the cultural-historical relics were extracted, which includes the ‎subset of aesthetic, cultural, social and special characteristics‏. ‏
A number of extracted codes were placed in the main categories of identity dimensions based ‎on the topic and content. These codes were classified in the subsets of intrinsic dimension, ‎primary credit dimension and secondary credit dimension‏. ‏
It can be said that the identity of the cultural-historical relics is based on having different dimensions, and the ‎difference in their identity is due to the difference in their dimensions. Therefore, some cultural-historical relics ‎are one-dimensional, some are two-dimensional, and some are three-dimensional. In fact, the ‎effect is the result of the performance of these dimensions‏. ‏
Based on the said identity dimensions, it is possible to explain a model based on limit cases for ‎a cultural-historical relic. The importance of these limit states is that it makes it easy to ‎understand the identity dimensions of the relics and avoids identifying some identity ‎dimensions. It also guides us to know which part of the identity of the relic is damaged. As a ‎result, it contributes to the pre-studies of conservation and restoration and causes them to be ‎pathological, as a result, identity measures are carried out in such a way as to avoid the identity ‎crisis of the cultural-historical relic. ‎ 

Conclusion 
In cultural-historical relics, the mentioned dimensions in interaction with each other form the ‎identity of the relic. Interaction in identity in one-dimensional relics is formed among the ‎characteristics of the same dimension, and in relics with two-dimensional and three-‎dimensional identity, the interaction between the characteristics of each dimension is formed ‎with other dimensions. In two-dimensional and three-dimensional cases, it is formed with an ‎intermediate space between its different dimensions. In this space, the identity dimensions of ‎the relic interact with each other to create a common space. This space is actually an ‎intermediate space that is formed between different dimensions of the relic, which is different ‎in each relic according to its unique position. The identity dimensions of the relic interact with ‎each other at the point of intersection, and this makes each relic express its identity according ‎to which one of the dimensions is closer. Identity development is not the result of a single ‎aspect. Rather, it is a formative thing based on the dialogue of different aspects of the relic. ‎This means that all aspects of the relic are in a mutual relationship and none of these aspects ‎alone can form the identity of the historical-cultural relic.‎
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Type of Study: Research | Subject: Interdisciplinary
Received: 2024/03/5 | Accepted: 2024/05/5 | Published: 2025/08/23

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