Volume 8, Issue 3 (11-2025)                   KCR 2025, 8(3): 16-47 | Back to browse issues page


XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Bater M, Rastin M. Technical Study, Laboratory Investigations, and Damage Assessment of the Stucco ‎Inscription of Aq Qaleh ‎ Mosque in Sabzevar and Its Conservation and Restoration. KCR 2025; 8 (3) :16-47
URL: http://journal.richt.ir/kcr/article-1-395-en.html
Assistant Professor, Faculty of Art, University of Birjand, Birjand, Iran. ‎
Abstract:   (14 Views)
The stucco inscription of Aq Qaleh Mosque in Neqab, Sabzevar, represents one of the most significant Ilkhanid architectural ornaments in eastern Iran, distinguished by its artistic, historical, and technological value. This study aims to identify the construction and execution techniques, diagnose patterns of deterioration, conduct laboratory analyses, and develop a scientifically grounded approach for the conservation and restoration of the inscription. Initially, field surveys and imaging techniques were employed to document the overall condition of the monument, including its structural characteristics, paint layers, stucco carving, and decorative elements. Subsequently, X-ray diffraction (XRD) and X-ray fluorescence (XRF) analyses were performed to determine the mineralogical structure and chemical composition of the pigments, indicating the use of natural mineral colorants such as red ochre and ultramarine. The diagnostic phase identified multiple deterioration factors, including damage caused by moisture, thermal fluctuations, structural stresses, chemical and biological agents, and inappropriate earlier interventions. Based on these findings, the restoration process comprised cleaning, consolidation, reconstruction of missing decorative and inscriptional elements, chromatic reintegration, and final stabilization, all carried out in accordance with the principles of reversibility, Limited intervention and compatibility in appearance. In addition, a set of preventive conservation measures aimed at ensuring preservation for an extended period was proposed, encompassing environmental control, the installation of protective barriers, staff training, and the mitigation of structural moisture. What distinguishes this research from previous studies on Ilkhanid stucco conservation is the integrated application of advanced laboratory analyses and in situ diagnostic investigations to develop a coherent, tailored conservation framework for polychrome stucco inscriptions, an approach that has not been systematically articulated within previous studies of eastern Iranian architectural ornamentation.
     
Type of Study: Research, Original, Regular | Subject: Conservation and restoration of historical-cultural architectural objects and decorations.
Received: 2025/10/9 | Accepted: 2026/01/20 | Published: 2025/11/30

References
1. Abbasi, J., Bahadori, R., Cappa, F., Jembrih-Simbuerger, D., Schreiner, M., & Beheshti, S. I. (2023). Laboratory studies on materials and pigments used in inscriptions and mural paintings in the tomb of Ghadmagah in Neishabour. Parseh J Archaeol Stud, 7(23), 325-356. (In Persian).
2. Azarkhord, F., Hashemi Zarjabad, H., & Zarei, A. (2022). "An Investigation and Study of the ‎Applied Geometry in the Ilkhanid Mosques of Khorasan: A Case Study of Jameh Sabzevar, Agh ‎Qaleh Mosque, Kermaniha Mosques, and Jameh Qa'en.” Proceedings of The third national ‎conference on the role of Khorasan in the flourishing of Iranian-Islamic art and architecture, ‎Mashhad.‎
3. Bater, M., & Nazari Boron, A. (2021). Structural study and laboratory survey of the decoration of Kaboudani Mosque in Khaf. JRA, 7(1), 167-186. (In Persian).
4. Blair, S., & Bloom, J. (2007). Islamic Mongols: From the Mongol invasions to the Ilkhanids. In M. Hattstein & P. Delius (Eds.), Islam: Art and Architecture.
5. Farahmand Boroujeni, H., Abed Esfahani, A., & Shishebori, T. (2013). The study of materials and techniques of mural painting in five Ilkhanid monuments of Yazd city. Maremat-e Asar VA Baft-haye Tarikhi-Farhangi, 2(4). (In Persian).
6. Godar, A. (2008). The Works of Iran (Vol. 2, 5th Ed.). Translated by Abolhasan Sarvaghad Moghadam. Mashhad: Foundation for Islamic Research Publications, Astan Quds Razavi. (In Persian).
7. Grube, E., & Chierato, U. (1997). Ilkhanid and Timurid Art. Translated by Yaqoub Azhand. Tehran: Mola Publications. (In Persian).
8. Gurkan Dasht, S., & Mortezaei, M. (2025). A Study of the History of Aq Qala City in Khorasan with Regard to the Periodic Journeys of the Ilkhanids and the Urban Structures of the Yuan Dynasty. Parse Archaeological Studies, 9(31), 260-272. (In Persian).
9. Hamzavi, Y. (2021). Structural study of pigments on Stucco inscription on the porch of Seyyed Shams-din tomb (Yazd-Iran). Journal of Architecture in Hot and Dry Climate, 8(12), 24-42. doi: 10.29252/ahdc.2021.15122.1433. (In Persian).
10. Hamzavi Y, Koochakzaei A, Negarestani A. (2021). Characterization of Colored Mortar of Boumsab Gypsum Arrays of Ganjali Khan School (Caravanserai) in Kerman. Parseh J Archaeol Stud. 5(17), 14 doi:10.30699/PJAS.5.17.28. (In Persian).
11. Hamzeloo, M. (2001). Applied arts at Soltaniye Dome. Tehran: Makan.
12. Hill, D., & Grabar, O. (1967). Islamic Architecture and Decorations. Translated by Mehrdad Vahdati Daneshmand. Tehran: Scientific and Cultural Publications. (In Persian).
13. Hosseini, M. (2014). Historical Mosques of Khorasan (Volume 1). Mashhad: Astan Quds Razavi Publications. (In Persian).
14. Karimi, A., & Holakoee, P. (2008). Architecture and decorations in Pirhamze Sabz Posh in Abarkoh. Gholestan Honar Magazine, 14, 18–29. (In Persian).
15. Kiani, M. Y. (1998). Period Islamic architecture of Iran with related decorations. Tehran: The Cultural Heritage Organization. (In Persian).
16. Labaaf Khani, R. (1988). Report on the excavation of the Ilkhanid city of Aq Qala [Unpublished manuscript]. Archive of the Iranian Cultural Heritage and Tourism Organization, Razavi Khorasan. (In Persian).
17. Labaaf Khani, R. (2003). Report on the Archaeological Survey and Identification of the Jowin County. Tehran: Iranian Cultural Heritage Organization. (In Persian).
18. Mahdinejad Moghadam, L., & Godarzi, M. (2014). The Mihrab and the motifs used in it (Seljuk and Ilkhanid periods). Naghsheh-Maye, 8(19), 7-18. (In Persian).
19. Makkinezhad, M. (2008). Art history of Iran in the Islamic era: Architecture ornaments. Tehran: The Organization for Researching and Composing University Textbooks in the Humanities (SAMT). (In Persian).
20. MIT OpenCourseWare. (2002). Religious architecture of the Ilkhanids. Retrieved from https://ocw.mit.edu/courses/4-614-religious-architecture-and-islamic-cultures-fall-2002/pages/lecture-notes/ilkhanids/.
21. Mohtasham, A., Salehiyoun, L., & Ahmadi, K. (2014). Technical study of stucco ornaments in the Shah-Shahan House using XRD, SEM–EDS, and wet chemistry. Journal of Advanced Materials and Technologies, 3(2). (In Persian).
22. Najiboglu, G. (2000). Geometry and Decoration in Islamic Architecture (Topkapi Scroll). Translated by Mehrdad Qayoumi Bidehendi. Tehran: Rozaneh Publications. (In Persian).
23. Nekoee Isfahani, M., Khatabakhsh, F., Yazdani, M., Jabalamelli, R., & Omrani, R. A. (2005). Understanding and conservation of Oljaito Altar in Isfahan Mosque. In R. Vatandoust (Ed.), 7th Conference on Conservation and Restoration of Historical Objects, Architecture, and Decorations (pp. 428–451). Tehran: Cultural Heritage Research Center. (In Persian).
24. Papeli Yazdi, M.H (1988), Iran's Encyclopedia of Villages and Religious Places, Mashhad: Astan-e-‎Ghods Razavi Islamic Research Institution.‎ (In Persian).
25. Pop, A. (1994). Architecture of Iran (3rd ed.). Translated by Gholamhossein Sadri Ashfar. Farhangan Publications. (In Persian).
26. Razani, M., Kordi, M., Mortazavi, M., & Sedghi, Y. (2022). Study of colorants materials on the decoration patterns on the north and southeast porches of Soltanieh Dome, Zanjan, Iran. Archaeological Research of Iran, 11(31), 265-288. (In Persian).
27. Sadaqat, M. (2005). Religious Themes in the Epigraphy of Tombstones and Mihrabs at the National Museum. Islamic Art Studies, 2(3), 77-96. (In Persian).
28. Sajadi, A. (1996). The Evolution of the Mihrab. Tehran: Iranian Cultural Heritage Organization Publications. (In Persian).
29. Salehi Kakhki, A., Taghvinajad, B., & Rashidnia, Z. (2016). A study of the decorative features of plasterwork by Kerman artists from the Ilkhanid to early Timurid periods. Negareh Quarterly, 11(37), 19-31. (In Persian).
30. Shekofteh, A. (2013). The most significant visual characteristic in stucco decorations of Ilkhanid architecture of Iran. Journal of Iranian Architectural Studies (JIAS), 1(2), 79–98. (In Persian).
31. Shekofteh, A., Ahmadi, H., & Oudbashi, O. (2015). Seljuk brickwork decorations and their sustainability in Khwarezmid and Ilkhanid decorations. Islamic Architecture Research, 3(1), 84–104. (In Persian).
32. Shekofteh, A. (2022). The most significant visual characteristic in stucco decorations, Ilkhanid architecture of Iran. Journal of Iranian Architecture Studies, 1(2), 79-98. (In Persian).
33. Shirvani M. (2019). Study of Pigments in Decorations of Exterior Porch Painting in Soltanieh Dome of Zanjan. JRA. 5(1), 129-142. (In Persian).
34. Torabi, S. (2009). Study on the technology of wall painting in Pir Bakran Tomb. ‎Maremat & Pazhohesh, 2(2), 71–82. (In Persian)‎.
35. Taghavi nejad B. (2019). The Comparative Study of Geometric Ornaments of Plaster Mihrabs Created during Seljuk Period versus the Ones Created during Ilkhanid Period in Iran. Mmi 2019; 9 (20) :21-40. (In Persian).
36. Wilber, D. N. (1967). Islamic Architecture of Iran: The Ilkhanid Period. Translated by Abdullah Faryar. Tehran: Book Translation and Publication Company. (In Persian).
37. Younesi, M., Askarpour, V., & Askarpour, V. (2017). Archaeometry of the western mihrab of the northern shabistan of Kashan Jami Mosque. Kashan-Shenasi, 10(1), 68–87. (In Persian).

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.