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Volume 3, Issue 3 (12-2020)
KCR 2020, 3(3): 53-62 |
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Namdar S. Investigating and Technical Studying of Advertising Paintings at the Entrance of Cinemas. KCR 2020; 3 (3) :53-62
URL: http://journal.richt.ir/kcr/article-1-200-en.html
URL: http://journal.richt.ir/kcr/article-1-200-en.html
M.A conservation and restoration of historical and cultural objects, Tabriz Islamic Art University, Iran.
Abstract: (1140 Views)
Promotional cinema facade paintings were created in the early 1950s to attract audiences to cinemas. With the advent of digital printing technology in the 1980s, these paintings lost their prominence and gradually fell into oblivion. Over time, they have become historical artifacts that require preservation and restoration. This study aims to identify the materials used in cinema facade paintings. The research employs a descriptive methodology, utilizing classical chemical laboratory techniques, digital and polarizing microscopes, and infrared spectroscopy. The results indicate that the paintings consist of three layers: support, base, and pigment. The support layer is made of cotton and fabric fibers, and silk is used in restoration efforts. The base composition includes gypsum, calcite, and white lead, while the pigments contain compounds such as white lead, calcite, Prussian blue, and black iron oxide.
Type of Study: Research, Original, Regular |
Subject:
Application of modern sciences, technologies, equipment, materials and methods
Received: 2025/02/15 | Accepted: 2020/12/20 | Published: 2020/12/20
Received: 2025/02/15 | Accepted: 2020/12/20 | Published: 2020/12/20
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