logo
Volume 41, Issue 4 (Winter 2020)                   Athar 2020, 41(4): 394-414 | Back to browse issues page

XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Ainechi S, Valibeig N. (2020). The Typology of Karbandis Based on the Geometry of the Teachings of Traditional Master Builders from the Point of View of Theoretical and Practical Geometry. Athar. 41(4), 394-414.
URL: http://athar.richt.ir/article-2-758-en.html
1- PhD in Restoration of Historic Buildings and Textures, Department of Architectural and Urban Conservation, Faculty of Conservation and Restoration, Art University of Isfahan, Isfahan, Iran , Ainechi.shahrzad@yahoo.com
2- Assistant professor, Department of Architectural and Urban Conservation, Faculty of Conservation and Restoration, Isfahan University of Arts, Isfahan, Iran
Abstract:   (2950 Views)
Due to the geometric and structural capabilities that are evident in karbandi, this structure has been developed in different periods of Iran's history and many species have been isolated from it. The lack of common literature among the few existing resources in the field of drawing karbandies and the specific terms each impedes the understanding of these methods. In this research, first the theoretical (plan and 3D design) geometric data was collected, then, based on the teachings of the traditional master builders and using the previously scattered material a logical order and specific category was created. To do so, various samples were classified and then compared in terms of geometric shape and space usage based on the teachings of traditional master builders and researchers in this field. Therefore, the present research is causal-comparative. Data gathering was done by direct observation, taking pictures of the samples and analysis of library resources and related documents. According to research findings, each of the masters provided their own methodology for the typology of karbandies. In the traditional drawing method of karbandi, the basic step of determining the field of karbandi is based on the shape and proportions of the base. Studying covers that have karbandi shows that formal structure plan is effective on the form of karbandi. This means that on a specific base with a length to width ratio profile special karbandies can be assigned which are affected by various factors. These factors can affect the architect’s style and decision making. Studying karbandi requires a comprehensive look. An attitude that takes into account both structural and form considerations. Karbandies are named and categorized based on the polygonal proportions of the base, the location of the shamseh relative to the sides of the base, the number, the pair or the individual of the sides, the way of placement and interference of the quadrangles of the base, the way of connecting the dividing points on the peripheral circle of the polygon, the base, and etc.
Full-Text [PDF 1590 kb]   (1201 Downloads)    
Type of Study: Original Research Article | Subject: Conservation and Restoration
Received: 2021/03/3 | Accepted: 2021/04/25 | Published: 2021/05/30

References
1. Ahmadi, M. P. (2014). A basic method for naming Persian Karbandis using a set of numbers. Nexus Network Journal, 16(2), 313-343. [DOI:10.1007/s00004-014-0192-x]
2. Aine-chi, S., Vali-Beig, N., & Tehrani, F. (2019). Comparison of Geometry and Drawing Method of Karbandi Vault Samples 10, 12, 14, 16-sided Karbandis. Soffeh, 29(1), 73-91. [DOI:10.29252/soffeh.29.1.73]
3. Ainechi, S, Valibeig, N & Tehrani, F. (2019). Karbandies' Traditional Construction Technique in Tabriz and Isfahan. International Journal of Architectural Heritage. [DOI:10.1080/15583058.2019.1618971]
4. Akbar, Z. l., A. (2016). Geometry in the art of architecture and its application in mathematical education. Isfahan: Cultural and Recreational Organization of the City of Isfahan.
5. Alsayed, E & Parman A. (1998). Geometric roles in Islamic art (M. Rajabnia, Trans.). Tehran: soroush.
6. Chenaghlou, M. R., Ebrahimi, A. N., Shahbazi, Y., Kheirollahi, M., & Mohammadi, A. A. (2017). Structural morphology of a masonry space dome in historical Tabriz bazaar complex. Paper presented at the Proceedings of IASS Annual Symposia.
7. Clark, R. (2008). Analysis and critique of architectural masterpieces (s. aghaii, Trans.). Tehran: malayek.
8. Fallahfar, S. (1999). Dictonary of Iranian traditional architecture. Tehran, Iran.
9. Farabi, A. N. (1969). Ahsaol Olom (H. Khadioum, Trans.): Iranian Culture Foundation.
10. Garofalo, V. (2016). The Geometry of a Domed Architecture: A Stately Example of Kārbandi at Bagh-e Dolat Abad in Yazd. Nexus Network Journal, 18(1), 169-195. [DOI:10.1007/s00004-015-0286-0]
11. Memarian, G. (2012). Persian Architecture: Niaresh. Naghme-ye Noandish Press, Tehran, Iran.
12. Mohamadian Mansoor, S., & Faramarzi, S. (2011). Typology and Compilation of the Geometric Structure of Karbandi in Iranian Architecture. Journal of Fine Arts, 48, 97-109.
13. Mohammadi, A. A., Asefi, M., & Ebrahimi, A. N. (2018). The geometrical regularization for covering irregular bases with Karbandi. Nexus Network Journal, 20(2), 331-352. [DOI:10.1007/s00004-018-0373-0]
14. Navaie, K & Ghasemi, K. H. (2011). Khesht-o Khial; an Interpretation of Iranian Islamic Architecture. Tehran-Iran: soroush.
15. Necipoglu, G & al Asad, M. (1995). The Topkapi scroll-geometry and ornament in Islamic architecture, with an essay on the geometry of the Muqarnas. by Mohammad al-Asad, the Getty center for the history of art and the humanities.
16. Pirnia, M.-K., & Bozorgmehri, Z. (2006). Hendese Dar Memari (Geometry in Architecture). Tehran: Sazman-e Miras-e Farhangi-ye Keshvar (Iranian Cultural Heritage Organization)(in Farsi).
17. Pirnia, M. (1991). Dome in Iranian architecture. Asar, 8, 54-121.
18. Pirnia, M. K. (1983). Islamic Architecture. In. Tehran: Tehran university.
19. Pirnia, M. K. (1983). Islamic Architecture In. Tehran: Tehran university.
20. Poornaderi, H. (2000). She'rbaf and his works. Second volum: Girih & implementation. Tehran: Cultural Heritage Organization.
21. Raeiszadeh, M & Mofid, H. (2011). Ehyā-ye Honar Hā-ye Az Yād Rafteh: Mabāni-ye Me'māri-ye Sonati Dar Iran Be Revāyat-e Ostād Hossein-e Lorzādeh (Revival Of Forgotten Arts: Basics Of Traditional Architecture In Iran As Narrated By Master Hossein-E Lorzadeh). Tehran: Entesharate Moula. In: Moula Publications.
22. Raeisi, M, Bemanian, M & Tehrani, F. (2013). Rethinking the Concept of Karbandi Based on theoretical geometry, practical geometry and building function. Maremat & Me'mari-e Iran, 3(5), 33-54.
23. Rafiei Sareshki, B, Rafizadeh, N & Ranjbar Kermani, A. (2003). Mehrazi Culture (Architecture) of Iran. In: Tehran: Building and Housing Research Center Publication.
24. Sharbaf, A. (2006). Gereh va Karbandi (Gereh and Karbandi). Tehran: Sazman-e Miras-e Farhangi-ye Keshvar (Iranian Cultural Heritage Organization)(in Farsi).
25. Tehrani, F. (2012). Anew look on karbandi and introducing special karbandi. Journal of Scientific ,technical and art quarterly Asar 53, 86-96.
26. Zamarshidi, H. (2010). Dome and elements of architectural coverings in Iran. In: Zaman Press, Tehran.

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.