fa علت‌های مرمت نادرست در کتیبه‌های نوشتاری بناهای دوران اسلامی ایران؛ برمبنای نظریۀ داده‌بنیاد میان‌رشته‌ای Interdisciplinary پژوهشي Research <div style="text-align: justify;">کتیبه‌نگاری در تزئینات بناهای دوران اسلامی، از قرون اولیۀ اسلامی تاکنون موردتوجه هنرمندان قرار گرفته است. کتیبه‌ها به‌مرور زمان و در اثر عوامل مختلف آسیب می‌بینند و نیاز به مرمت پیدا می‌کنند. با توجه به این‌که هرساله در کشور، حجم گسترده‌ای از عملیات مرمتی برروی آثار تاریخیِ آسیب‌دیده، ازجمله کتیبه‌ها انجام می‌شود. با بررسی‌های صورت‌گرفته دیده شد که در اکثر موارد مرمت‌های انجام‌شده، سلیقه‌ای و گاه نادرست است. برای رسیدن به مهم‌ترین علت‌های مرمت نادرست در کتیبه‌های نوشتاری از روش کیفی و برای تجزیه و تحلیل اطلاعات از روش نظریۀ داده‌بنیاد (گراندد تئوری) بهره برده شد؛ این پژوهش ازنظر هدف، کاربردی است. داده‌ها ازطریق مشاهدات میدانی و مصاحبه با 12 نفر از افراد در ارتباط با مرمت کتیبه‌ها و به‌شیوۀ نمونه‌گیری هدف‌مند جمع‌آوری شد و داده‌ها تا زمان رسیدن به اشباع نظری ادامه یافت. نتایج پژوهش نشان‌داد که‌ علاوه‌بر نبود معیار موافق با مبانی نظری مرمت، با توجه به مطرح بودن مقولۀ خط و خوشنویسی، عواملی مانند تجربه‌گرایی خودمدار، تنوع دیدگاه و عدم شناخت و آگاهی کتیبه‌نگار و استادکار سنتی از قوانین مرمتی و نبود دیدگاه هنری استادکار سنتی نسبت به وجوه مختلف کتیبه‌نگاری، سوق‌دهنده به مرمت‌های نادرست بوده و البته عدم برگزاری دوره‌های آموزشی ازطرف نهادهای متولی امر مرمت نیز دخیل بوده است؛ هم‌چنین تنوع رویکردها در مرمت کتیبه‌ها و عدم توجه به قواعد حاکم‌بر هنر کتیبه‌نگاری، به‌عنوان مهم‌ترین پیامدهای مرمت کتیبه‌ها به‌شمار می‌آید.&nbsp;</div> <div style="text-align: justify;"><strong>Abstract</strong><br> Inscriptions in the decorations of building of the Islamic period have been noticed by artists since the early Islamic centuries. Overtime, inscriptions are damaged by various factors and need to be restored. Considering that every year in the country, a large amount of restoration operations are carried out on damaged historical monuments, including inscriptions. It was seen through the investigation that in most cases the restorations are tasteful and sometimes incorrect. In order to find the most important causes of incorrect restoration in written inscriptions, the qualitative method was used, and the grounded theory method was used to analyze the data. This research is practical in terms of purpose. The data was collected through field observations and interviews with 12 people related to the restoration of inscriptions and by purposeful sampling, and the data continued until theoretical saturation was reached. The results of the research showed that in addition to the lack of criteria that agree with the theoretical foundations of restorations, due to the prominence of the calligraphy and category, factors such as self-centered empiricism, the variety of viewpoints, knowledge and awareness of the traditional master craftsman and the rules of restoration and the lack of the artistic perspective of the traditional master craftsman. For various reasons, inscriptions have led to incorrect restorations, and of course, the lack of training courses by the institutions in charge of restoration has also been involved. Also, the variety of approaches in the restoration of inscriptions and lack of attention to the rules governing the art of inscriptions are considered as the most important consequences of the restoration of inscriptions.&nbsp;<br> <strong>Keywords:</strong> Written Inscription, Incorrect Restoration, Foundation Data Theory, Architecture of The Islamic Period of Iran.<br> <br> <strong>Introduction</strong><br> With the beginning of the Islamic era and the restoration of human and animal depictions, the use of inscriptions with religious, literary and historical themes reached its peak with various calligraphy methods and styles. This enduring art that is inscription is still performed by artists to this day. Inscription like other historical works, suffer from various physical, chemical, biological and human damages, and from various perspectives of value, aesthetics, originality, legibility, unity and integrity they suffer serious damage. Therefore, despite the important characteristics mentioned about this category of written works, the need to pay attention to this category of work is revealed in restoration operations. The importance of paying attention to the issue among other valuable historical and cultural work is important in the sense that there is a lake of criteria in accordance with the theoretical foundations of restoration, for the restoration of areas lacking in this category of valuable written works. Although in most cases, the restoration of this category of works is often done under the supervision of restoration experts, the approach and methods of doing the work in different examples are not subject to scientific principles and are mostly tasteful and sometimes incorrect and without regard to the ruling principles, they are restored on the art of calligraphy and inscriptions and it has caused distortion and sometimes loss of the of the inscription, its values and message.<br> According to examples of the restoration of written inscriptions ,when the restoration of a written inscription is done incorrectly , in fact, readability , integrity and beauty ( Beauty is in &nbsp;harmony , balance, proportion , even beauty in observing the rules and recognizing the values and materials have been used (Qutbi, 1352, 31) the inscription is distorted and the audience , when viewing an inscription that has been incorrectly restored , gets the visual pleasure of seeing the harmony and connection between the words in an inscription will bs deprived. In fact, carrying out the restoration operation should reduce the inconsistency caused by the lack of space and help to read the work better.<br> <br> <strong>Method Research</strong><br> The upcoming research is applied research in terms of its purpose, because the researcher seek to obtain information that can be used in practical situations or solve a problems by means of them and obtain a solution to a problem. This research is a qualitative research in terms of method and in terms of data collection, it is based on field studies, interviews, observation and collection of documents and texts within the framework of the grounded theory method. The interview was conducted with the purposeful sampling method and until the theoretical saturation was reached 12 people were interviewed among the restoration experts, inscription artists and master traditional craftsmen. Grounded theory and systematic coding were used to analyze the interviews.<br> <br> <strong>Research Background</strong><br> Although restoration of inscriptions has always been one of the concerns of restorers, it seems that a comprehensive, coherent and effective study has not been done in this field. For example, the following can be mentioned: the Scientifics specialized and professional restoration community has not restoration of inscriptions of mosaic tiles in Iran (Soleimani et al., 2014), researchers have criticized the methods of restoration of mosaic tiles but there is no mention of the causes of its correct restoration. Also, sources such as Quchani (1365: 51), Bler (1394: 30) and Qader (1391: 86 &103) mention the non-original restorations of the reason for that has not been discussed. By checking the databases related to non-Persian theses, unfortunately, no example similar to the subject of this research was found. In line with above investigations, Persian sources were also carefully checked.&nbsp;<br> <br> <strong>Conclusion</strong><br> Inscriptions are one of the most important and valuable works of the Islamic period and they are a living document from different perspectives such as historical, artistic etc. Restoration of inscription has always been one of the concerns of restorers. But the results of the interview and data showed that the main factor in the variety of approaches in the restoration of inscriptions and the lack of attention to the rules and regulations of inscriptions in the process of restoration operations is self-centered empiricism. Among the traditional craftsmen and even the scribes who are somehow related to the restoration process of the inscriptions, ignorance of the restoration rules or even ignorance of the different aspects of the inscriptions can be seen. Also, looking at the conducted interviews, it can be pointed out that the role of the custodian institutions in relation to the restoration of inscription is weak, unfortunately, in this field , training courses are not held for the inscription writers and traditional masters, and it seems that by holding training courses and obliging inscription writers and traditional masters to participate in these classes, recognizing the values of the works and observing various aspects in the matter of restoration are institutionalized. Even though in most cases, restoration operations are carried out under the supervision of restoration experts unfortunately, due to the lake of standards in the restoration of inscriptions shortage areas, diversity of approaches in the restoration of inscriptions and even incorrect restorations can be seen, also, it seems that one of the challenges in the field of protection and restoration of written inscriptions is the theoretical issues related.<br> To the restoration of this category of valuable written works: because the theoretical reliance of the theoretical discussions of conservation and restoration is often focused on Western theorists and their studies and theories, which have been explained from the viewpoint of a group of researchers and following the statements of summits, charters and such. Especially, when these theoretical rules are put forward in a general way and without considering the spatial, temporal and cultural background, they usually face constructions. In order to correct and solve these problems, attention should be paid to the local knowledge, which can be a way forward in view of the existing knowledge in the field of Iranian architecture and the rules governing the art of inscriptions, and in order to add new concepts and foundations to the field of conservation knowledge and restoration can be considered.&nbsp;</div> کتیبه‌های نوشتاری, مرمت‌های نادرست, نظریۀ داده‌بنیاد (گراندد تئوری), معماری دوران اسلامی ایران. Written Inscription, Incorrect Restoration, Foundation Data Theory, Architecture of The Islamic Period of Iran. 327 343 http://journal.richt.ir/mbp/browse.php?a_code=A-10-432-1&slc_lang=fa&sid=1 Tahereh Shishehbori طاهره شیشه‌بری t.shishehbori@gmail.com No Ph.D. Student of Restoration of Cultural and Historical Objects, Faculty of Conservation and Restoration, Isfahan Art University, Isfahan, Iran. دانشجوی دکتری مرمت اشیا فرهنگی و تاریخی، دانشکدۀ حفاظت و مرمت، دانشگاه هنر اصفهان، اصفهان، ایران. Hossein Ahmadi حسین احمدی h.ahmadi@aui.ac.ir Yes Associate Professor of the Department of Preservation and Restoration of Historical Monuments, School of Preservation and Restoration, Isfahan University of Arts, Isfahan, Iran دانشیار گروه حفاظت و مرمت آثار تاریخی، دانشکدۀ حفاظت و مرمت، دانشگاه هنر اصفهان، اصفهان، ایران Ahmad Salehikakhki احمد صالحی‌کاخکی No Associate Professor, Department of Archaeology, Faculty of Conservation and Restoration, Isfahan University of Arts, Isfahan, Iran. دانشیار گروه باستان‌شناسی، دانشکدۀ حفاظت و مرمت، دانشگاه هنر اصفهان، اصفهان، ایران.