Abstract
Spindle Whorls are among the main cultural materials and needs of animal husbandry and semi-”frozen” societies and are among the works that are directly related to the pattern of livelihood and production in the clothing family and fibers of early societies. to be. Which are interpreted in the analysis of the findings of ancient sites. The area behind Malayer Plain Poshteh-Forodgah Tepe is no exception to this feature, and the number of 123 Spindle Whorls found among its archaeological excavation findings has a significant presence in terms of type and f. The main stones of this area can be divided into two groups: convex and conical, each of which is divided into two sub-branches: painted and simple, and in terms of quality of construction, they can be divided into two groups: medium and Roughly divided. All Spindle Whorls are made of baked clay with a mixture of herbs and in different sizes. The purpose of this research is in the first stage, typology and study of saddles and in the second stage, analysis of livelihood model related to the production of textiles in the hills posht forodgah. A significant number of Poshteh-Forodgah Tepe and its application in the production of yarn by analyzing it on the produced fibers and how to organize this production can help a lot. The method of the present research, based on comparative studies and with a descriptive-analytical approach, seeks to answer these questions: What kind and forms of hymns discovered Poshteh-Forodgah Tepe and what threads are used in its production? Given the Semi-Unilateral of the Tepe communities Poshteh-Forodgah Tepe and the abundance of Sardok, the production of textiles in this area has been for local and domestic use and trans-regional trade? Considering the Semi-Unilateral and nomadic settlement and the method of economic production based on animal husbandry in the early communities of the Central Zagros and the hills Poshteh-Forodgah Tepe, it seems that based on the variety of mounds in type of material, quality of species, shape and size, these wool fibers They are mainly used for local use and trade outside the region to meet basic needs.
Keywords: Late Neolithic, Chalcolithic, Poshteh-Forodgah Tepe, Typology, Spindle Whorl.

Introduction
Spindle Whorl is a cultural object and cultural material that is mainly made of stone, bone, wood, etc., which provides the first manifestations and old evidence from different stages of fabric production.
Analysis and typology of Spindle Whorls provide good information on how ancient tissues rotate, but it is necessary to establish a methodological typology of this type of ancient cultural finds. Type and packaging in type, shape and size provide an effective way to determine how yarns work. The shape, type and appearance of each yarn is directly related to the type of production, spinning. Therefore, the appearance and functional typologies of saddles are other ways of knowing the type of spinning and other stages of textile production. For example, the typology, shape and function of a highly effective method of the characteristics of the fibers produced and used and the final product produced from yarn or fibers (such as: wool, silk, fabric, etc.) are presented through rotation in the production of clothing. Gives. Among these, the “weight” of Spindle Whorls is considered as one of the most important factors determining the properties of production fibers. Among these, the “weight” of Spindle Whorls is considered as one of the most important factors determining the properties of production fibers. Finally, sawdust should be placed in significant categories that determine spinning and textile production, and these categories are based on the characteristics that determine the use of sawdust. Spindle Whorls discovered from the Poshteh-Forodgah Tepe The most abundant cultural finds in the hills behind the Poshteh-Forodgah Tepe after pottery are all kinds of Spindle Whorls. These chestnuts come in a variety of shapes and sizes, from circular and semi-circular to conical, all made of fine-grained clay and then heated. The Spindle Whorls of the hills behind the polished Poshteh-Forodgah Tepe, in terms of simple appearance, is less decorated and less decorated. Alone and on some of them, a linear and crescent-shaped dimple (or a kind of sign and symbol) can be seen, which is apparently created with nails. The Spindle Whorl have a hole in the middle for the passage and the wooden handle to rotate. The central hole of the Spindle Whorl is usually made in such a way that it is narrower at one end to prevent the movement of the wooden rod that was placed in this hole. And the thread was twisted around it; However, some cases of Spindle Whorls have been obtained from this area that did not have holes. It seems that the process of making these Spindle Whorls is incomplete and due to the similarity of Spindle Whorls, they can not be classified as Token or counting objects. It should be noted that no stones were found on the slopes of the Poshteh-Forodgah Tepe From all the new Neolithic stages to the Old Copper Age and the Stone Age of the Poshteh-Forodgah Tepe, three main types of oval, pyramidal and conical shapes have been obtained. These Spindle Whorls do not have the desired construction quality in the lower layers (new Neolithic of phase c). Because it is deformed and rough in appearance, and in terms of cooking, it gets a little hot and a kind of raw hand can be seen in making them. With the development of higher stages and the age of copper and old stone, Spindle Whorls have advanced in terms of variety and quality in terms of construction and have gained high resistance.
These heads vary in weight. The lightest Spindle Whorls weigh about 5 grams and the heaviest Spindle Whorls discovered from this hill weigh about 160 grams. From this point of view, it can be said that the production of yarn and the use of fibers in this region also have a diameter. Produced from the thinnest yarn to the thickest. As mentioned, the weight and diameter of the saddle circle is the most important determining factor in the process of spinning and yarn production, which is one of the important features among Poshteh-Forodgah Tepe saddles. What can be said about the diameter and size of Spindle Whorls in this area? In order to increase the diameter of the rotating shaft with the light weight of the saddle, the hollow feature of the saddle has been used so that the weight of the saddle does not increase. This feature (in the emptiness of the saddles) is one of the examples of the ridges of Qalangap hill (Abdollahi and Sardari Zarchi Figure 14, 130: 1392) and Chaghamish... and Tal Bakun (Alizadeh 1382: 349, (Figure 9) is also considered and large and hollow Spindle Whorls are produced to produce the weight of thin fibers with high flexibility and elasticity.
Poshteh-Forodgah Tepe headboards are made in the simplest possible way in terms of decoration, and the least amount of decoration is seen in terms of design compared to other areas, and only a few examples of designs are created compactly (Figure 7). The simple-edged conical saddle, which is also one of the most common types of saddles, is similar to the conical specimens of the Tel Bakun, which in some cases have compact linear or circular shapes (Alizadeh 2004: 146 and 349)

Conclusion
Using a comprehensive comparative method, 123 Spindle Whorls obtained from a season of excavation at the Malayer Plain Poshteh-Forodgah Tepe were discussed in response to questions:
In response to the first question, in addition to a coherent typology, this type of cultural findings (based on compatibility with Spindle Whorl of Charo, Chaghamish, Tal Bakun and Qalagap regions) were identified in 6 species.
The heads of this region are divided into two main groups: convex (oval and two-sided pyramid) and conical (one-sided and cylindrical pyramid).
Each group is divided into two subgroups, carved and simple, and in terms of construction quality, they are in two groups, medium and rough.
All chests are made of clay with vegetable chamotte and in different sizes (2 to 5 cm and weighing 5 to 160 grams). Some heads have pressure patterns created by a sharp tool. Depending on the type of semi-resident settlement and the method of economic production based on herding (sheep and goats) in the early communities of Central Zagros and also the Poshteh-Forodgah Tepe area due to the high volume of goat bones (due to jaws and horns) based on the variety of Spindle Whorls in this area In terms of shape, size and weight of the species, these Spindle Whorls are mostly used in fleece fibers.
Accordingly, heavy and long Spindle Whorls with high rotation axis are used to twist thick and long fibers (goat hair) and small short Spindle Whorls with low rotation axis are used to twist thin and short fibers (fleece) with different thicknesses. In this study, Spindle Whorls weight was considered as test variables on yarn diameter, yarn rupture and elasticity and yarn warp.
In response to the second question, considering the semi-monolithic location of the Poshteh-Forodgah Tepe based on various ash deposits to a depth of about 160 cm and the vertical migration approach of the communities present in it, it seems that most textile products are for endogenous use and sometimes for trade. It has been trans-regional in meeting basic needs.

Abstract
The present descriptive-analytical study and its findings are based on field and document studies, and examines and analyzes the tombstones of the Qajar period of Dar al-Salam Cemetery in Shiraz, and tries to study and understand the designs of the tombstones of Dar al-Salam Shiraz, their symbolic themes, and their traces of mythical and religious beliefs of each historical or cultural period. Studies on tombstones related to the Qajar era of Dar al-Salam Cemetery in Shiraz prove that these tombstones contain various designs of human, animal, plant, geometric, and inscriptions. In general, most of these motifs, while having special meanings and symbols, are influenced by the culture of the region, beliefs, and their temporal and spatial place. On the other hand, due to the predominance of nationalist thought in the Qajar period, the images of these tombstones show a continuation of the motifs of the Sassanid and Achaemenid eras, which were created with a relatively different form and content. On the other hand, due to the predominance of nationalist thought in the Qajar period, the images of these tombstones show a continuation of the motifs of the Sassanid and Achaemenid eras, which were created with a relatively different form and content.
Keywords: Shiraz, Daral-Salam Cemetery, Tombstone, Nationalism, Achaemenid, Sassanian.

Introduction
Fars province, like other regions of the Iranian plateau, has been inhabited by various groups and ethnic groups since ancient times, and in this regard, several cemeteries have been established to bury their dead. Dar al-Salam Shiraz is one of the seven old cemeteries in Shiraz that Moinuddin Abolghasem Junaid Shirazi mentioned in his book. There are tombstones from the early Islamic centuries to recent times, which indicate the importance of this cemetery. There are several designs on the tombstones of Dar al-Salam cemetery. Including human motifs, animal motifs, plant motifs, geometric motifs, calligraphy, and inscriptions. In general, discovering the meaning and concept of the designs created on tombstones and their symbolic nature can unify many of the forgotten secrets and points of regional and national history, art, and culture with more unity and meaning. In this regard, the present study examines and analyzes the tombstone motifs of Shiraz Dar al-Salam Cemetery, especially the tombstones of the Qajar period, and by examining them, in addition to identifying the created motifs and their symbolism, seeks to trace the motifs through periods and among the mythical beliefs and religions of past periods.
Research & Hypotheses Questions: 1- What are the designs of the tombstones of Dar al-Salam Shiraz and what are their symbolic themes? 2- The designs created on the tombstones of Dar al-Salam Shiraz shows which traces of mythical and religious beliefs of the historical or cultural period of Iran?
1. These tombstones contain various designs of human, animal, plant, geometric, and inscription images. In general, most of these motifs, while having special meanings and symbols, are influenced by the culture of the region, beliefs, and their temporal and spatial place. 2. Considering the predominance of nationalist thought in the Qajar period, the images of these tombstones show the continuation of the motifs of the Sassanid and Achaemenid periods, which was created with a relatively different form and content.

Classification of Tombstones of the Qajar Period of Dar al-Salam Shiraz
In general, the images engraved on the tombstones of Dar al-Salam Shiraz, except lines and inscriptions, can be divided into a general category into the following groups: 1- Plant motifs, 2- Human motifs, 3- Animals and birds Motif, 4- Patterns of objects and geometric and abstract shapes

Conclusion
The study of the tombstones of the Qajar period of Dar al-Salam Cemetery in Shiraz proves that these tombstones have various designs, including anthropogenic images, animal, plant, geometric, calligraphy, and inscription. Studying the motifs of this group of works and examining the social, political, and religious situation of the Qajar era, shows that most of these motifs are symbolic and rooted in the history and culture of Iran and are influenced by the region’s culture, beliefs, and temporal and spatial position. Also, the images of these tombstones are a kind of continuation of the motifs of the Sassanid and Achaemenid periods, which have been created with a relatively different form and content. The motifs of cypress trees and lotus flowers are among the main paintings of Persepolis and the human images with lotus flowers in his hands, in a way reminiscent of the role of the Achaemenid kings in Persepolis and palace paintings. Sassanid monuments such as Bishapour Palace, which are among the first examples of images in Iran with a flower in hand. Horsemen and hunting scenes of animals such as lions, which are often seen on the tombstones of the Qajar period Dar al-Salam Dar al-Salam Shiraz; It has its roots in the history and culture of Iran, especially in the Persian region; Such patterns can be seen on Achaemenid seals found in Persepolis and other places, as well as on Sassanid gold and silver vessels. Finally, it should be acknowledged that among the reasons for creating these common themes between the tombstones of Dar al-Salam Shiraz and the remnants of ancient civilizations of Iran such as the Achaemenids and Sassanians, in addition to the rule of nationalist thought in the Qajar period and the influence of the Persian climate (from The cypress tree, which is one of the special trees and vegetation of the region and is found in abundance in the region (especially Shiraz), is the location of Dar al-Salam Cemetery in a place that was once the center of the rule of the Achaemenid and Sassanid states, which itself is the main The most influential factors on the thoughts of the people of the Qajar period and the continuity of the designs of the past.

Abstract
Archaeological excavations in Yelsuie Germi Castle, very rich findings and valuable documents such as pottery, architecture and other handicrafts were identified and excavated from under a mound of soil that can play an important role in the detailed analysis of this area. One of these landmarks is an unknown structure with complex architecture and building elements located on the hills of the castle near the Sambur Chay River. This building has sections and spaces of four corners that the presence of water conduction paths into the building on the walls and water outlet channels in the floor, has increased the importance of the building and has made it more difficult to identify and evaluate the main function of the building. In this regard, the present research is descriptive-analytical and based on field studies and review of library documents, while identifying and introducing the mentioned building, seeks to find a logical answer to the following questions: What is the usage of the unknown building of Yelsuie Castle and how did it work? What era does the unknown building of Yelsuie Castle belong to? Studies were carried out show that the unknown building is due to the presence of ponds and inlets and outlets water conduction paths was in association with water usage, which is probably used for the preparation and processing of clay, and accordingly by the authors, The name of the building is called “clay processing building”. On the other hand, the study of pottery obtained from different spaces of this building and its comparison with other areas, confirms that this building belongs to the Islamic Middle Ages and the Seljuk period.
Keywords: Germi, Yelsuie Castle, Clay Processing Building, Pottery, Medieval Islam.

Introduction
The current research method is based on a descriptive-analytical and historical approach and its data collection is in the form of library and field studies and archaeological excavations in the area. According to this, at first, the whole building and its various spaces have been drawn, designed and three-dimensional with the help of various software; Also, in order to achieve the most accurate information and general analysis of the building, the obtained pottery from inside the brick building has been compared and matched with the pottery works of other areas of the Islamic era. The ancient place of Yelsuie Castle in the Ingot section of Germi city consists of a small castle on top of a high natural hill and a residential area located in its southwestern part. Yelsuie Castle is located in the watercourse of Sambur Chay River. Easy access to river water resources as well as the precipice situation in the southern and eastern part of the hill on which the castle was built, is one of the most important strategic features that has been influential in choosing this place to form such an area. In general, this area can be considered as one of the most key Islamic area in northwestern Iran. The brick building is located on the eastern side of the castle and on the watercourse of the Sambur Chay River. In this regard, in order to identify this brick building, a workshop called Workshop No. 4 was created in this part of the area by the excavation team. While continuing the excavation process, a brick building with special architecture and unknown usage was discovered. The mentioned building has an almost rectangular plan that includes several spaces inside. The main materials used in the structure of this building are bricks with gypsum and lime mortar, and in some parts, especially in the outer parts of the building, river rubble has been used. The walls of the brick building are completely smooth and flat and are made with an average width of 50 cm and the height of all of them is the same and is about 70 cm.

Discussion
In general, according to the general structure of the brick building, the most reasonable usage for this architecture is being a pottery workshop and processing and preparing clay in it. One of the most important steps before making pottery is to find the right clay or grinding clay, without clods and other materials. Therefore, for this purpose, it is necessary for the pottery clay to be well shaped, sifted, cleaned and prepared. It seems that small ponds that are embedded lengthwise in different parts of the brick building; Along with water inlet and outlet channels, they are made for just such a use.  In fact, in this building, water is directed into these ponds and collected in them through small canals that are embedded on the walls. After filling them, in the next stage, the clay, which was suitable for pottery, was mixed with water inside these basins and became a slurry. While mixing the clay with water, the water flow is redirected into these ponds again, and during this operation, the excess material inside of the soil as well as other additional materials are poured out of the ponds along with the excess water into large side spaces. And was led out  of the building by floor channels. Also, the grains of sand that may have been inside the clay, due to the weight of the bottom of the ponds and the parts that are embedded in the bottom of the floor, were deposited. After doing this, the water flow was cut off and the produced clay was deposited in the ponds for a few days and remained there until it was soft and smooth and so-called settled. After a few days, the prepared clay was collected and transferred to pottery workshops and then to pottery kilns. 

Conclusion
In fact, it should be added that the existence of various pottery in various forms, styles and techniques in Yelsuie Castle indicates the possible presence of pottery kilns in this site, which also confirms the fact that the brick building is a workshop for producing high quality clay. On the surface of Yelsuie Castle, there are limited traces of pottery balls that indicate the presence of pottery kilns in the area, so that with the help of these balls, the temperature of the kilns was regulated. In this article, 3 maps and 13 images including the castle itself, its geographical location, as well as the brick building and its various parts are given. Also, in two tables, the types of obtained pottery from the brick building are displayed, and in another table, similar samples of obtained pottery from other sites of the Islamic period in other parts of Iran have been compared and matched. According to potteries and other artifacts, the date and time of construction of this building should be belong to the Middle Ages of Islam and the Seljuk era.

Abstract
South Rudbar Plain, with an area of more than 6000 square kilometers, is one of the important archaeological areas in the southeast of the Halil-Rood cultural area. This area, due to its favorable environmental conditions, including the permanent water of the Halil-Rood River, the fertile and vast plains, and the pasture heights in the northern part, as well as due to its geographical capacity and the communication route between Sindh and Sistan to Jiroft, was the foundation for the presence of human societies with the livelihood structures such as sedentary lifestyle and nomadic. As a result of two seasons of Archaeological surveys in South Rudbar plain during the last two decades, a number of ancient settlements were identified in this area. However, in these surveys, the focus is on pre-historic sites, while the sites of the Islamic era have not been studied deeply and completely, and only their GPS points have been recorded and incomplete descriptions of them have been provided. Therefore, answers have not yet been provided to questions about the role and influence of environmental factors on the distribution of Islamic settlements and the formation of livelihood organizations. In the following article, for the first time, the effect of environmental factors on Settlements of the Islamic era in Rudbar plain was studied with an analysis based on the findings of two archaeological surveys, documentary studies, and the preparation and interpretation of GIS maps. For this purpose, the settlements of Rudbar plain were divided into two time periods based on relative dating: “first to early middle Islamic centuries” and “late centuries (from the 10th century AH onwards)”. Then, environmental factors such as altitude above sea level, resources water, amount and direction of the slope of the lands, soil characteristics, and condition of roads in connection with settlement evidence were analyzed. The results of the research show that the most important factors affecting the formation, distribution, and organization of the livelihood of the Rudbar plain settlements in the Islamic era are the Halil-Rood River and the Aqueducts as the water sources in the peripheral parts, the trade route of Jiroft to Sind and Sistan, and the unevenness of the north and northeast for benefit from the potential of animal husbandry.
Keywords: South Roudbar, Environmental Factors, Distribution of Residence, GIS, Islamic Archaeology.

Introduction
The environment and its substrates are very important in examining the distribution pattern of ancient sites in a region. According to archaeological research, Rudbar plain has been a suitable place for human societies to live since at least the Copper Age (cf. Daneshi and Eskandari, 2016). This area as a commercial crossing (Yacoubi, 1963: 62) and one of the important areas of agricultural and livestock production (Sarhadi, 2017: 24), is very important in the archaeological studies of the Halil Road cultural area. However, the settlements of the Islamic era in the Rudbar plain do not have a share in the previous archeological studies and there are questions about this, which of the environmental factors and at what qualitative and quantitative level is effective in the distribution of settlements in the Rudbar plain in the south of Halil Roud cultural region during the Islamic era?
Based on this, the main purpose of this research is to investigate and analyze environmental factors affecting the formation and development of the Islamic settlements of Rudbar plain with a focus on geological features, altitude, water resources, and trade routes. Despite the numerous narratives of the early Islamic geographers about this region (see: Yaqoubi, 1963; Ibn Hawqal, 1966; Istakhari, 1994), no independent research has been done to identify and investigate the Islamic era settlements in Rudbar plain; and this issue shows the necessity and importance of this research. Also, the results of this research can help to understand the roots of the urban culture of this region in the early Islamic Middle Ages. 
The current research is historical research and a descriptive-analytical method was used. Research data has been collected by documentary and field methods. 

Discussion
The statistical database under study includes 53 sites and historical monuments, which are divided into two groups of settlement evidence, “first to seventh century AH” and “late Islamic centuries (Safavid and Qajar)” based on relative chronology (Tables 1 and 2). In order to explain the impact of environmental factors on the location of these sites and evidence, a geographic information system (GIS) has been used.

1. The effect of the height coefficient on the distribution of settlements
To explain the effect of height above sea level on the formation of the landscape and the distribution of the studied settlements, the height of the Rudbar plain is classified into eight classes (Figure 3, Chart 1). The largest number of cultural evidence representing the settlements of the Islamic era have been formed in this region at an altitude between 500 and 600 meters above the surface of open water, while only 4 sites have been found at an altitude of less than 400 meters above sea level. It seems that the large number of settlements at altitudes between 500 and 600 meters, which exactly covers the slopes of Rudbar Plain, is proof of the predominance of nomadic livelihoods in the Rudbar Plain during the Islamic era, and on the other hand, the small number of sites at an altitude of less than 400 meters can be analyzed in relation to the swampy condition of the Rudbar plain and the greater extent of the Jazmurian bed in the past.

2. The effect of water resources on the distribution of settlements
According to the maps obtained from GIS, most of the sites and evidence related to the settlements are located at a close distance from the surface water network, especially the Halil Rood River (Figure 4, Diagram 2). So, 17 sites, equivalent to 32% of the sites, were developed less than 5 kilometers away from Halil Rood River and under the direct influence of this water source. Another source of water is the Aqueduct. Among the sites of the Rudbar plain, especially those located on the edge of the plain and on the surface of the alluvial cone, were developed in connection with this water source (Figure 5).

3. The influence of the roads on the distribution of settlements
South Rudbar Plain was one of the important communication crossings of the Islamic era due to its location on the old communication and trade route from Indus to Jiroft (Yaqoubi, 1963: 62). According to the explanations of geographers about this ancient road, the current route of Rudbar to Iranshahr has been determined as a part of the aforementioned ancient route and the sites found have been investigated based on this route. As a result of this analysis, 17 sites with a significant linear extension in the west-east direction are located at a distance of 500 meters to 5 kilometers from this main communication road of the region (Figures 6 and 7, Diagram 3).

4. The influence of the slope of the land and its direction on the distribution of settlements
Based on the distribution map of sites and cultural materials related to the settlement of Islamic centuries in the Rudbar plain, we are facing a relatively flat land (Figure 8, Diagram 4). Regardless of the slope of the heights, we are facing a large and relatively flat plain where all the sites found were developed on a bed with a maximum slope of 5%. In fact, in terms of the relationship between the location of the sites and the slope of the land, no significant pattern can be defined. The settlements are located in various slope directions, including south, southeast, and southwest (Figure 9). Considering that the Rudbar plain is one of the tropical areas of the Halil River basin, it seems that the direction of the slope with a southern tendency is not logical. Therefore, it is clear that other environmental factors play a more important role in choosing a place of residence.

5. The effect of land use on the distribution of settlements
As a result of the land classification of Rudbar Plain based on the type of land use in the present era, four types of land use including pasture, agriculture, slopes, and the bed of Jazmurian Lake were investigated. Referring to the output map according to the type of land use, it seems that this factor played a decisive role in the distribution of settlements (Figure 10, Diagram 5). Considering the location of the settlements in connection with pasture and agricultural lands, the pattern of distribution can be interpreted in direct relation with the nomadic livelihood structure with a wider level and the agricultural structure with a smaller level during the Islamic era in the Rudbar Plain.

Conclusion
Rudbar plain is at the southern end of the Halil Rud cultural landscape and corresponds to the current city of Rudbar Jonoob. This region has been the foundation for the presence of human societies during the Islamic era due to its environmental talent, including the permanent water of the Halil River, fertile plains, and pasture heights, as well as being located on the ancient Sind-Jiroft trade route. Based on the analysis of settlement distribution and settlement evidence of the Islamic era and taking environmental factors into consideration, it seems that the cultural landscape of Rudbar plain during the Islamic era was mostly influenced by the variables of altitude, land use, and roads. As a result of the analysis, out of a total of 54 sites and settlement effects found, 50 points are affected by surface water sources such as Halil Rood River and aqueducts, as well as in connection with large pastures and small agricultural lands. Four other local evidence of settlement in the eastern end of the central plain, due to the lack of environmental facilities where they were formed, can only be explained in connection with the ancient road from Indus to Jiroft. Apart from these last four cases, the location of 13 sites/artifacts in the central plain of Rudbar, in addition to showing the relationship with other factors such as height and land use, has also been influenced by the road factor. In general, under the influence of the geographical and ecological factors of the Rudbar plain, the dominant livelihood of the people of the region during the Islamic era was formed based on providing resources through animal husbandry, agriculture, and trade.