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Alireza Khosrowzadeh, Siamak Sarlak,
year 2, Issue 3 (5-2018)
Abstract

Abstract
Due to few is excavated Sasanian sites in southwestern Iran and Persian Gulf, the region still lacks a securely dated pottery assemblage from this period, which renders identification of the Sassanid sites there extremely difficult. Therefore, a reliably dated ceramic collection is essential for better understanding of the Sassanid period. The present paper addresses this issue and sets to introduce one of the typical type of Sassanid pottery of southeast Iran based on material recorded during surveys and excavations at Southeast of Iran and northern and southern coast of Persian Gulf. This type which is famous to fine orange painted ware or “Namord” Widely distributed in the Northern and Southern coasts of the Persian Gulf and Southeast of Iran. This type was only obtained from excavated sites at Kush, Mleiha and ed-Dur in United Arabian Emirate, Tape Yahya in Kerman and Tame Maroun in Minab. Also many of these types have been found in survey of these areas. There are two type of Namord ware; one type is belonging to late Parthian period and another one dated back to early and middle Sassanid period. Due to the wide distribution of the Namord ware in southeast of Iran and northern and southern beaches of the Persian Gulf, probably, this type of pottery in the Persian Gulf has been used as a kind of commercial goods. The absence Namord ware in Kuwait, Bahrain, and Saudi Arabia is representing close relationships between eastern parts of the Persian Gulf (Emirates and Oman) and south and southeast beaches of Iran. Also, the existence of Namord ware in Gana of Yemen, is represents expanding the trade of this pottery to the east beaches of the Indian Ocean.
Keywords: Namord Ware, Sassanid, Southeast, Persian Gulf.

Introduction
As we know, pottery in the Sassanid period like the Parthian period has been local style, and each region of Iran in this period have been a special style of pottery. One of the areas, that Sassanid pottery in it little known, is southeast of Iran and the Persian Gulf beaches. A very large part of southeastern Iran (Kerman, Hormozgan, Sistan and Baluchestan provinces) in terms of archeology is less recognize than other parts of Iran. Unfortunately, due to the lack of archaeological excavations in this area of Iran, we can’t present correct theory about Sassanid pottery this area. One of the most important sites in the south east (that has the Sassanid period) is Tape Yahya in the southeast of Baft county near of Soghan. The Tame Maroun is another important Sassanid site. Sarlak based on the pottery obtained from different layers of this site, five cultural periods have been identified on this site (Sarlak, 2011: 374). Emirates and Oman (that have done more excavations in them) are located in the cultural area of the southern of Persian Gulf. The Sohar excavations in Oman, and excavations of Addor, Koush, and Meliha in Emirates are most important excavations in this area. Koush is important of site in southern beaches of the Persian Gulf that has a fairly accurate chronology. Based on excavations done in this site, period 1 is the oldest settelement in Koush, includes two steps of brick building that can be related to 6th and 7th century AD (Kennet, 2005). From this period (6th and 7th century AD) has been obtained large number of pottery related to Namord. In addition to excavation, a lot of surveys have also been conducted in this cultural area. These surveys have been done by Descartes, Potts, and … In these surveys have been obtained large number of pottery related to Namord.
Pottery dispersion of Namord in southeast of Iran and northern beaches of Persian Gulf
In 1983 Seyyed Mansour Seyyed Sajjadi with an archaeological team was surveyed Rodbar valley in southern Kerman. Seyyed Sajjadi was obtained Namord ware from the four sites of Ghaleh Kharg, Dogari, Tamb Namord, and Sitamb. Also, this pottery has been obtained from the layer 1 of Tape Yahya. Furthermore, Namord ware has been obtained from the third period of the Tame Maroun. Namord ware in third period of the Tame Maroun has red and orange paste. This type of pottery in Bushehr has orange color and with gravel temper. Also, Namord ware is obtained in surveys conducted in Damb Koh and Qeshm Island.

Pottery dispersion of Namord in the southeast of Saudi Arabia and the south beaches of Persian Gulf
The Namord ware is obtained in Alganam Island, Addor, Koush, Meliha, and Tal Abrak. From the Meliha fort has been obtained a few glasses of delicate and painted from the type of Namord. The paste of this pottery in Meliha is so stiff and has orange color. In surveys of northern Oman in the peninsula of Mosandam has been obtained samples similar to painted pottery of Namord.

Conclusion
Due to Widespread of Namord ware in southeastern Iran and northern and southern beaches of the Persian Gulf, probably, this pottery as a commodity has been exchanged between the north and south of the Persian Gulf. Trade this pottery have probably been for the quality this type of pottery. Namord ware has been obtained most from areas the eastern of the Persian Gulf, especially from Alganam Island, Addor, Koush, Meliha, and Tal Abrak. It seems, this type of pottery has been produced in one or two small areas (probably in Minab plain and Halil Roud), and has been exported to other places as a valuable commodity.

Khosrow Ahmadi-Khoei, Morteza Hessari, Alireza Khosrowzadeh,
year 4, Issue 13 (11-2020)
Abstract

Abstract
In The studying of the settlement layout of an area, the environment and its contexts landscape is considered. most attention is toward to natural Geography and humans relations to locations and living in geographical region. The archaeological and geographical data, is used to analysis of settlement patterns of Bacun communities in the high Zagros. So, the main research questions is to: What factors impacted on the Location Patterns of the High zagros′s Bacun Sites? How is impacts of this Factors on the site numbers? There For, By considering of applicable nature of the subjects and the research mettods. The authors by plaing of theoretical  fram includs of theoretical basis and site visit, will be to study of survey and Excavation evidences. In total the bacon site numbers are 106 in this region. The main factors such as ASL-(altitude of sea level). Site distance to roads and waters water sources, accessibility to agriculture lands vegetation Types, Slope and its directions is considered as independent, and, Bacun site areas as Dependent variable. the relationship of variables are 1 to -1 in the correlation coefficient. the high correlation is showed by closeness to +1, and lowe correlation indicated by closeness to. If the correlation is -1, so the result is convers. The results shows that the variables such as site distance to roads, water supply and land use taype is more important than other variables in the formation of Bacun Sites. 
Keywords: Settlement Pattern, Bacun Period, High Zagros Region, Chaharmahal and Bakhtiari.

Introduction
Always, the choice of settlementlocations depend to a large extent on environmental characteristics. In studying the arrangement of settlements in an area, the role of the environment and its contexts in a geographical landscape is important (Rostaei, 2010: 8). In this regard, one of the main goals of archaeological activities is to study how the interaction between human societies and environmental diversity, which ultimately led to habitation and location. Important environmental variables affect the location, distribution, sphere of influence, physical development and appearance of human settlements- (Dark, 1995: 134). Therefore, in spatial analysis, since “Landscape” represents the area of human interaction with the environment, the relationship between location and environmental characteristics is considered¬(Clarke, 1976: 119). In fact, by understanding the geographical space, the capacities and potentials present in the area have influenced the new type of settlement (migration, sedentism, or a combination of both). The high Zagros region, which overlaps the current political borders of Chaharmahal and Bakhtiari province, is a defined area that we live in because of our habitat. The High Zagros, in fact, includes the highest part of the Zagros Mountains, and for this reason, it is called “High Zagros”(Darvishzadeh, 1991:175). This region is mountainous and about 76% of it is made up of mountains and hills; While only 24% of it consists of alluvial plains and valleys (Heidari et al, 2014:4). Leading research on this area, which has long been considered as a suitable place for nomadic communities, farmers and pastorals have always been considered by human communities:
The Main Questions Are: What factors impacted on the Location Patterns of the High zagros′s Bacun Sites? How is impacts of this Factors on the site numbers?
Research Method: In this regard, according to the practical nature of the subject and the studied components of the research method, after the theoretical design of the subject, which included reviewing the theoretical foundations and selecting and visiting the sites, to study the documents obtained from the studies and explore archaeological excavations were carried out.

Archaeological Evidence of Bacun Culture in the High Zagros
Due to the fact that most of the archeological activities in the high Zagros region have been focused on the survey; as a result, most of the data and documents are related to potteries. A total of 420 potterysherdsrelated to the Bacun period were identified and studied. Buffswares tempered by sand and fine sand are common, both wheelmade and handmade. This pottery is often in the form of a bowl with a circular bottom and has embellished ornaments with a compositional pattern in the form of wide stripes, circles patterned with dots around it, rounded lines, square textures, and ornaments. Intersecting with the lattice pattern and motif of the sun disk, they are black in color. These include one to three horizontal sections, half or a large section of the container.

Relation and Distribution of Sites to Environmental Variables
The study area has an undeniable role due to its special strategic location in the path of the well-known cultures of central and southern Zagros and their connection with both their position and role. These factors, along with the perspective of the region, play an effective role in creating the tissues of establishment in any period of time. On this basis, human societies have developed adaptive strategies in the habitat of various ecosystems. It is clear that the climate of the area under study is cold and humid with a variety of calcareous and shallow soils that are not so suitable for agriculture. These environmental and biological conditions prevailing in the region have led to the formation of a nomadic livelihood based on traditional livestock and agriculture. Unlike farmers, settlers whose location depends on livestock are not dependent on specific locations or environmental factors. They set up their own camps in places that, in addition to their own safety and that of livestock (against the sedents and predatory animals), had enough pastures for grazing. This new way of life has long been practiced in the highlands, and the area has been used seasonally by nomads. One of the most important shreds of evidence for proving this issue is the low correlation between environmental factors and areas, which indicates that the areas under consideration should be taken into light of the consideration. In the evaluation and study of settlements, altitude, distance, or proximity of sites to communication routes and water resources, the possibility of access to arable land, type of vegetation, slope, and slope direction are considered as independent variables, and the area of Bacun region as the dependent variables. Examining this number of sites, it was concluded that the altitude of 2000 to 2500 meters above sea level has been one of the most suitable elevations for the settlements of the Bacun Zagros; Because these heights have more fertile pastures than areas with lower altitudes at which, there is more evidence of migration in the area. It is clear that slopes less than 15 degrees are suitable for agricultural activities, and lands that have a high slope are in the form of pastures that are not usable for agriculture. This factor indicates that most of the ancient sites, which are located on higher slopes and have a relatively steep slope, did not matter to their inhabitants. This factor, along with the large distribution of cultural findings over a large area, indicates the temporary and seasonal use of these places, which can be related to nomadic communities. In addition, the slope direction factor indicates that no specific direction has been used. It seems that the use of different slope directions indicates temporary residences that have been used for nomads in the summer and the proper slope for their settlement has not been very important. The water and road factor indicates that most areas are close to water sources and roads. The study of land-use variables also shows that lands with poorer vegetation are smaller areas and vice versa. Even today, the distribution of villages is directly related to the type of uses. However, based on a superficial review, it is not possible to comment definitively in this regard, and more evidence is needed. However, it is understood that human beings in this region have long been dependent on places that can, in addition to suitable pasture, also provide the possibility of hunting or gathering food. 

Conclusion
High Zagros in different prehistoric and historic periods due to its strategic positioning and being located in the route of known cultures in central and southern Bacun, and the role of their relationship together,  enjoys an undeniable role and situation. These factors, together with the perspective of the region, play an effective role in creating the tissues of establishment in any period of time. On this basis, human societies have adaptive strategies in various bios. It is clear that the climate of the study area is cold and humid with a variety of calcareous and shallow soils that are not desirable for agriculture. These environmental and biological conditions throughout the region have led to the formation of a nomadic lifestyle based on a limited version of traditional livestock and agriculture. Unlike farmers, nomads, whose location depends on livestock, are not dependent on specific locations or environmental factors. They set up their own camps in places that, in addition to their own safety and that of livestock (against the sedents and predatory animals), had enough pastures for grazing. This type of lifestyle had existed from Bacun period in High Zagros and has been used by nomads in a seasonal manner. Among the most important documents to prove this, is the low correlation between environmental factors and landscaping that indicates that the areas under study have been used for short-term deployment. According to Pearson correlation analysis, the distribution of settlements in the study area in Bacun period, there is a relatively positive correlation between water sources, roads, and the function of the lands but this correlation is mediocre while in regression studies, other factors such as slope and distance to communication paths were also effective with low and medium effect. It is noteworthy that the intensity of the influence of these factors in relation to the Bacun periods of the high Zagros area using multiple linear regression analyzes is equal to 0.336. This number also strongly expresses the correlation between the set of environmental factors and the area of the sites. The results of the correlation and regression coefficients indicate that the distribution of the studied habitats is regulated in relation to the capabilities and constraints of the ecosystem, but its effects are limited.

Mohsen Bahraminia, Kamal Aldin Niknami, Alireza Khosrowzadeh,
year 6, Issue 20 (9-2022)
Abstract

Abstract
Miankouh Area is contractually known as a district of southern part of the Central Zagros in the southwest of Iran. Despite its small area (680 km2), due to its location between highlands there are two distinct micro ecozones with natural resources and an abundance of plant and animal species and has been suitable for the vertical seasonal movements throughout the year in order to access to various resources in the subsistence from the Pleistocene to the present. Our knowledge of its Mousterian cultures is derived from three-season field surveys between 2009 and 2011 years in both Low Altitude (LAZ) and High Altitude Zones (HAZ) with an average altitude of 1510 and 2601 meters above sea level (m.a.s.l). This paper seeks to answer (1) what is the position of Miankouh’s MP cultures among the well-known Mousterian cultures in the Zagros Mountains of Iran? And (2) what is the radius of movement of MP hunter-gatherers of in the landscape of Miankouh through the study of the stone assemblage of both LAZ and HAZ? Totally, 1454 stone artifacts were collected from the Middle Paleolithic Open-air sites of both zones. Preliminary results show that the MP hunter-gatherers of Miankouh exploited both zones with relatively a homogeneous tool kit influenced by the permanent rivers in LAZ and pool resources available in HAZ within the daily radius of movement at a distance of 5 to 20 km, which had often been turned into flakes and various tools using several techniques. They also used the type of tools that are commonly recognizable in the stone industries of other MP cultures of Zagros.
Keywords: Zagros, Bakhtiari Highlands, Stone Industries, Mousterian.

Introduction
One of the largest bodies of research on montane adaptation comes from the Zagros Mountains of Iran and Iraq. Most of the Palaeolithic archaeological researches of Zagros have focused on, north, south (Azadi, 2017; Dashtizadeh & Hosseini, 2008; Conard et al., 2006; Rosenberg, 1985) as well as the north parts of Central Zagros (see Abdi, 1999; Adams, 1954; Biglari & Abdi, 1999; Coon, 1951; Dibble, 1984; Jaubert et al., 2009; Trinkaus & Biglari, 2006; Young & Smith, 1966; Roustaei et al., 2002; Roustaei et al., 2004). Broadly, it can be declared that there is no comprehensive evidence about conditions of the Palaeolithic sites in the Bakhtiari region in Southern part of the central Zagros.
This paper presents an analysis of a group of MP lithic assemblages collected from a set of open-air localities during field surveys conducted in both Lower Altitude (LAZ) and Higher Altitude Zones (HAZ) of Miankouh District with an area of approximately 680 km2 and an average elevation of 1510 and 2601 meters above sea level (m.a.s.l) in Chaharmahal and Bakhtiari (ChB) Province, Iran (Khosrowzadeh, 2011, 2010a, 2009).
For the aims, these assemblages provide insights into mobility, landscape-use, and lithic technological decision-making in high-altitude environments by the MP hunter-gatherers in the Zagros Mountains and beyond.
These data presented in the current paper originates from the area of the Miankouh highlands (Bahraminia et al., 2022) from where MP evidence can help further elucidate the issues identified with the Zagros Mousterian as an explanatory framework for MP seasonal mobility and land-use patterns in the Zagros Mountains (Lindly, 1997; Skinner, 1965).
This paper seeks to answer (1) what is the position of Miankouh’s MP cultures among the well-known Mousterian cultures in the Zagros Mountains of Iran? And (2) what is the radius of movement of MP hunter-gatherers of in the landscape of Miankouh through the study of the stone assemblage of both LAZ and HAZ?

Materials and Methods
To record the surface findings, as soon as the first artefact was found, a radius of 200 meters around the point of this find was evaluated in different directions by a group of five people. By focusing on the MP period, 177 MPO locales in the form of points with XY coordinates incorporating 1454 stone artefact were analyzed. In order to assess the techno-typological aspects of the lithic assemblages in the region we used advanced analytical tools (SPSS tool boxes) at the local landscape level. 

Results
From the surface of both ecozones a low density of lithic artefacts ranging from 1 to 36 pieces was identified for the MP each identified here as a specific “locale”. The area under study provided a large number of cultural materials including lithic artefacts from MP UP and EP as well as a considerable amount of potteries from the Neolithic, Chalcolithic as well as the Late Islamic period. For the purpose of this paper, we only examined stone assemblage of the MP period. 
A total of 1454 lithic artefacts (whole and fragmented) were collected during the Miankouh survey, with 874 pieces from 113 MPO locales coming from LAZ, and 580 pieces from 63 MPO locales from HAZ. We identified four main groups including core, tool, unretouched flake, and debris.
In terms of lithic technology, preferential and recurrent Levallois methods are clearly used in the production of flakes. Recurrent methods of unipolar, bipolar, and centripetal were used to knap the flakes. Moreover, the dorsal scar patterns among the cores, tools and unretouched flakes indicate non-Levallois semi-pyramidal and discoidal methods are other debitage techniques in the MP stone industry of Miankouh.
For 970 artefacts which were categorized as tool, scrapers and blades represent highest frequency of tool types in assemblage which were followed by retouched flakes, points, notch/denticulates, borer/burins, and hand axes. In process of tool-making have generally been used the Plain/flat and faceted platforms more than other types. Points of both LAZ and HAZ are the end products in this group because about 82 % of them do not have any cortex on their dorsal face. Also, 50.88 % of total unretouched whole flakes have cortex on the dorsal face. Geneste has already classified such samples in the early stages of the reduction system in the tool production cycle (Geneste, 1985). 

Conclusion
The use of Levallois technique was initially reported not to be present in the Mousterian Zagros assemblages (Skinner, 1965). Its widespread use within Zagros Middle Palaeolithic assemblages was however eventually confirmed by Dibble (1984) (Bahraminia et al., 2022) (and papers in Olszewski and Dibble, 1993). That the utilization of Levallois technique in the region cannot however be expected to be universal has recently been established through excavations at Qaleh Bozi close to the Miankouh field survey area, where a relative absence of Levallois technique was reported (Biglari et al., 2009).
Unfortunately, we do not have reliable metric core data and other lithic artefacts from other MP sites of the Zagros in order to support our results. In order to better understand the effects of elevation on size and weight as well as its effect on the quality and quantity of MP toolkits, we need to measure metric values of lithic assemblages from other sites/locales within the Zagros Mountains at different elevations from a ‘landscape-oriented’ or ‘siteless’ approach.
The overall composition of the Miankouh lithic assemblage from a techno-typological point of view includes relatively short flakes. Retouched pieces on flake are other features of this collection. A glance at all cores from Miankouh reveal that in LAZ usually larger stone cobbles have been used as cores in comparison with HAZ. The mean weight of those from LAZ is 56.66 grams while in HAZ it is 41.98. In the case of core reduction strategies, the high frequency of cortical flakes, unretouched flakes, irregular retouched flakes, and typical tools suggest that the knapping processes were accomplished at some of localities of LAZ. It seems that the production of tools on cortical flakes (for example notch/denticulates) has been a common tool making tradition in the study area. The presence of short flakes in the Miankouh lithic assemblage may reflect the fact that the use of short flakes had been a common tradition at the MP sites in high-altitude environments. It can be raised that some Mousterian debitage strategies for the production of flakes and tools were commonly presented in Miankouh where stone raw material in the form of river pebbles and chert nodules of limestone outcrops were available in this mountainous region.

Mlilad Baghsheikhi, Mohammad Esmail Esmaeli Jelodar, Leila Khosravi, Alireza Khosrowzadeh,
year 8, Issue 29 (12-2024)
Abstract

Abstract
Gorieh site located in Zarneh section of Ivan Gharb city is one of the important Sassanid and early Islamic sites in archeological studies of the west of the country which has been excavated in 2015. During a season of excavation in this ancient site, a variety of cultural artifacts were found, including pottery, and due to the importance of pottery and its role in archaeological studies, this cultural material was studied in this article. Therefore, for this study, 127 pieces of pottery from the Sassanid era, from 1500 pieces of pottery obtained from excavation, were selected for study. Initially, these pottery were classified typologically based on their technical characteristics and shape or form. This research has a fundamental nature with a descriptive-analytical approach and the method of this research has two parts: library and field studies (pottery). The main purpose of this article is to study the quantity and quality of Sassanid pottery in Gorieh area, then their typology, classification and relative chronology. Chronology has been done comparatively and cultural relations with adjacent areas have been explained based on comparative studies of pottery. The results showed that among the identified forms among the pottery of Gorieh area, including Ewer, jug, bowl, cup and plate and the most common decorative patterns of pottery are carved patterns. Pottery is often suitable for baking and a sign of oven temperature control for baking pottery, and the quality of their construction is generally average. Also, a comparative comparison showed that in terms of relative chronology, Sassanid Gorieh pottery is relatively similar to the areas of the late period. Therefore, while having some local characteristics, the pottery of this area with areas such as, Qasr-e-Bonsar, Hajiabad, Sassanian sites identified in the survey of the Mahneshan of Zanjan, North Khuzestan, Mianab Shushtar, Bushehr, Ras al-Khaimah and Tal-e mahuz sites, Abu Sharifa in Iraq They are comparable and in addition to the influences of regional style, it is most similar to the cultural sphere of southwestern Iran.
Keywords: Typology, Classification, Sasanian Potteries, Gorieh Site, Ilam.

Introduction
Gorieh area is located in geographical coordinates of 38s x: 605380 and Y: 37522210. This site is located 50 km northwest of Ilam, Zarneh district in Ivan city, about 800 meters south and southwest of lower Sartang village. (Khosravi, 1395: 32) Gorieh region drowned in water after impounding of Kangir dam in year of 1394 AH. (Fig. 2) Part of the Zagros Mountains, which overlooks to Mesopotamia and the plains of Khuzestan, is now called Ilam Province. Pottery is the most abundant cultural material in archaeological excavations and studies. Pottery is mostly used for relative dating and to know the cultural and trade relations of the ancient sites. (Khosrozadeh et al., 1399: 119) Therefore, in the present study, the Authors try to introduce and study the pottery findings as one of the cultural materials discovered from the excavation of Gorieh site, which was excavated by one of the Authors of the article, with other sites at the same contemporary.

Discussion 
Masbezan was one of the Sassanian provinces during the rule of Ardeshir Babakan (ruled 244-241 AD) (Rawlinson, 1362: 44); in historical books, this province has been recorded in two forms: ((Masbezan)) and ((Mah, sebzan)). The word Mah or May in the word ((sabzan)) is the changed form of the word ((Mad)) which means city (Qara Chanlu, 1360: 31-32) and the change of the word Mad to Mah and May, which was done during the Parthian and Sassanian eras, was also a common word in the Islamic period for refer to Iraq and non-Arabic places. (Ibid: 32) During the early centuries of Islam, western Iran in the terms of geographical divisions was considered as Jabal province (mountain) in. (Fig. 1) among the cultural findings of the excavation in the Gorieh site, a number of pottery obtained from different spaces. In the present study, from hundreds of Sassanian pottery pieces obtained by screening method, Index pottery was selected from 127 pieces and then categorization, typology and chronology were proposed. Most pottery was made using the wheel-making technique and most of them are sufficiently baked; the pottery s are made entirely of mineral chamotte (sand). In terms of the quality of the pottery s, the earthenware of Gorieh area can be divided into three groups: 1. medium 2. Average 3. Rough. In the present study, the studied samples are pottery s from ancient textures and spaces which cognitively obtained and representative of all classes and species, these potteries were selected accordingly and then discussed and analyzed. Therefore, from a comparative study conducted in a chapter of archeological excavations in Gorieh area, the number of pieces was selected separately: 96 rim, 1 pipe, 4 handles, 18 body and 8 pottery bottom Sassanian unglazed pottery s in terms of color of the dough are divided in three main groups: pea near to green (79 of 127 pieces), pea (20 of 127 pieces), red (19 of 127 pieces), brown (7 from 127 pieces) and gray (3 out of 127 pieces). In addition to the above, for the classification of pottery s which studied in Gorieh, the shape of their rims has also been considered. Accordingly, the rim founded pieces are classified into separate groups: gutters shape, triple, compact, standing and round, round inward or outward, quadruple, and flat .The highest rim diameter among Ceramics is 400 mm and the lowest is 40 mm, in terms of rim type’s number, the highest type of rim is the rounded rim. The pottery bottoms are divided into three groups: flat (Table6, numbers 1 and 3), legged bottom (Table6, number 4 to 7) and upright bottom (Table6, number 2), and handles are in two circular shapes (Table6, number 9 to 11) button shapes, (Table6 number 8) and a container tube (Table6 number 12) are separable Motifs and decorative elements of Gorieh pottery’s can be divided into four categories: 1. Simple patterns (stump) 2. Composite patterns 3. Added patterns and 4. Compression patterns.
The studied potteries, as mentioned before, is placed in common (simple) type in terms of construction and technical characteristics. In the present study dishes, based on the general shape of the earthenware and the type of edge are divided into different shapes of jug, crock, bowls, plates and cups.

Conclusion 
In each cultural region, the quality and quantity of archaeological data provide the basis for archaeological evaluations. The exploration, typology, and chronology of the potteries of a Guriyeh region were carried out to answer the research questions. The technical characteristics of the pottery show that sand is used in its composition. What is clear is that most of the potteries were fired sufficiently, and some of them were fired insufficiently, which indicates the lack of heat control in the pottery kilns. Most of the potteries studied in the present study were in the medium group, showing the tendency of the residents of Guriyeh to use vessels with medium elegance. The majority of the pottery has been made through wheel throwing, demonstrating the use of the potter’s wheel in making pottery; only a few of them are handmade. Wet hand polishing is also observed on the inner and outer walls of most of the pottery. In addition to the polishing of some earthenware, a thin or thick mud layer was also applied on the inner or outer wall and even both walls. In total, several types of pottery, including jugs, crocks, bowls, cups, and plates, were obtained from the Guriyeh area. The comparison of the kinds of pottery with those of other regions showed that pottery with general use, such as jugs (48.96%), is the primary type used by people living in this region. In terms of decorative diversity, Guriyeh’s pottery includes engraved, embossed, and combined motifs. Among them, the use of fingernail pressure to design the pottery seems to be indigenous to the Western region of Iran, and it has not been observed in other areas. Since there is very little archaeological information about Sassanid pottery in the Western region of Iran, the pottery of the Guriyeh area was compared with other regions. Based on comparisons, it was found that the potteries of the Guriyeh area have relative similarity with those of regions at the end of this period, such as (Abu Nasr Palace in Fars, Abu Sharifah Hill in Iraq, and Bushehr surveys). In general, the Guriyeh area was located on two ancient communication routes from Iran to Mesopotamia, as well as a route to the West and Southwest of Iran. Accordingly, Guriyeh’s pottery is comparable to that of other cultural regions of Iran. It can be concluded that based on the available documents, the area of Guriyeh seems to be culturally influenced by the cultural region of Southwest and South Iran, which can be attributed to its specific regional style.

Ahmadreza Hasani Satehi, Alireza Khosrowzadeh, Ali Asgar Noroozi,
year 9, Issue 32 (8-2025)
Abstract

Abstract
The picture of various animals is among the themes we see on bullae in Tape Bardnakoon. During the two seasons of exploration in Tape Bardnakoon, a large number of bullae were found, of which 150 bullae have animal motifs, and only quadruped was studied in this research.  Many of the animals are real and many others can be categorized as transcendental, mythical, or unreal animals in general. These animals are embossed on the bullae according to taste or function The aim of the research was to investigate and analyze animal motifs of these bullae. We separate them and investigate the concepts of each of these pictures and find out the various functions of each of these motifs. The general question of the research is the investigation into and analysis of animals’ motifs, whether which animals’ motifs exist on the bullae and which concepts with. The motifs created on them had different functions not to mention the bullae actual function. Aesthetics application or talisman can be considered for example. Many of the motifs have different concepts and foundations. Animals’ motif associated various symbols of goddess of Sasanian period for then people. bullae played a very important role in revision of official and trade ties and the motifs engraved on the bullae had a significant relation to mythical, astronomical, and religious concepts according to the research results. Therefore, they provide important information such as mythical and religious beliefs and thoughts of then people with us.
Keywords: Bllae, Motifs, Tape Bardnakon, Sasanian, Chaharmahal and Bakhtiari.

Introduction
The images engraved on the bullae were used to store and transmit information, many of them are concave and a string trace can be seen in the form of a cross behind them, and this feature was used in the process of administrative management. They were considered to be one of the main lines of Sasanian Iranian art. Seals also served other symbolic purposes and acted as talismans as well as votive objects and suitable objects as burial goods. Recent studies on textual and archeological evidence indicate the widespread use of Sasanian seals in both private and official sectors. bullae, which meant the act of sealing, and the seal itself, indicated executive privileges in the Sasanian bureaucracy. Official seals, which are used in commercial and legal procedures, often show more delicate and complex designs and inscriptions than private seals. Be and considering the animal motifs on the bullae, what function can be imagined for them, and what was the relationship of the quadrupeds on the Sasanian bullae of Tape Bardenkoon with the religious beliefs and mythology of the Sasanian period? The motifs of the bullae of Tape Berdankoon are influenced by the art of the Sassanid period and each pattern contains a meaning. The function of these motifs, in addition to the aesthetic aspect, other aspects such as talismans, religious function, and personalization for each person can be imagined for them. The motifs of the bullae of Tape Berdankon had a religious and religious aspect and were influenced by the beliefs of the Sassanid period. Every god has a symbol and the manifestation of gods in the form of animals, so every animal’s image can be a sign of a religious concept.

Discussion
The Tape Ber Bardnakoon bullae are a collection of 150 bullae featuring both real and imaginary animals. So far, of these, about 32 real and fake animals have been identified. Next to the animal motifs, inscriptions can be seen in the Sassanid Pahlavi script. The bullae are made of clay and consist of quartz and mica particles. Some of them have been baked, while others have been naturally dried after stamping. The motifs on the bullae are actually the impression of the common flat seal motif in this period. In this article, the motifs of the bulla of Tepe Bardnakoon are sometimes compared with the motifs of the bullae of this period. 
The quadruped motifs on the Tape Bardnakoon bullae include a variety of animals, such as lions, cows, goats, rams, tigers, wolves, dogs, deer, bears, rabbits, elephants, and camels. The stamps also feature images of winged horses and winged lions. In many of the Bullae, animal motifs appear in both primary and secondary forms. For example, the lion image is typically the main image on the bullae, but it also appears as a secondary image on several stamps. Some stamps even depict two animals as the main characters together. The bullae found at Tape Bardnakoon are influenced by the art of the Sassanid period and each pattern carries a symbolic meaning. These motifs serve not only an aesthetic purpose, but also function as talismans, religious symbols, and personalized marks. Seals were commonly used during this period across various social levels, both in official administrative settings and in personal contexts.

Conclusion
The images of animals on Sassanid bullae are numerous, depending on their political, social, and religious environment, these motifs are mainly composed of animals and mythological creatures. We can assume that many bullae motifs had a religious function because the role of these animals proves this hypothesis due to their religious meanings and foundations. Some motifs have a clear connection with Sassanid period rituals such as Zoroastrianism and Mithraism. Naturally, symbolism has played a fundamental role in recognizing these features and imagining that they evoke the protection of gods and goddesses. Bahram, who is one of the gods of Mazdaism, can be well seen in his incarnations (horse, cow, camel, male goat, ram...) on the stamps. This is derived from the religious beliefs of the people and the Sasanian government. Several other animals, as they did not have a place in religious matters, were considered purely based on visual or aesthetic issues (for example: elephant, duck, pheasant, peacock). While other animals probably have a meaningful connection with the religious and folklore aspects of the Sasanian period. In a way, it can be said that a bullae has all the functions at the same time. A bullae has three main purposes, including Suhail in exchanges (the owner and the place of production of goods were specified), identifying the owner of the work or his beliefs, and asking for the protection of a god. Tape Bardnakoon is located on the main road of communication between the central plateau and the lowlands of Khuzestan. The location and extent of Tape Bardnakoon probably indicate its important role in the internal communication between the highlands of Bakhtiari and the lowlands of Khuzestan, Isfahan, and Fars in the Sassanid period. This issue can be cited due to the large number of bullae obtained from this area. The reason for this can be considered the great value of Golmehr in the administrative system, in a centralized system with the growth of the Sassanid bureaucracy. With the expansion of cities, the economy of the urban and rural society also underwent changes and transformations, and as a result, the use of bullae in exchanges increased. Animal motifs on the Tape Bardnakoon stamps are influenced by the culture and beliefs of the time. These motifs evoke ideology, which is consistent with its political and social structure.


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