Abstract
Qalakamandbeg is one of the most important sites accrued to the Neolithic period and without pottery at the Hersin - in the west of Iran – this site has formed in the proximity a silex outcrop (mine) and at the bank of GamasiAov River. Identification of a site accrued to the middle Paleolithic in the recent surveys in the proximity of Qalakamandbeg clearly shows that forming these ancient sites and presence of the humans after Paleolithic period at this part has two reasons: firstly, availability to these silex outcrops to produce the applicable tools, and secondly a permanent water source in the name of GamasiAov River. The large number of dispersed stony manufactures and also numerous collected samples indicate that this site could be called as a camp site accrued to the middle Paleolithic, a site that has been formed to produce the various tools by the silex outcrop at the bank of GamasiAov River. 
Keywords: Hersin, GamasiAov, Middle Paleolithic, Qalakamandbeg, Raw Materials, Tools Stone.

Introduction
GamasiAov River in the Hersin and Bistoon regions has always caused that the east and southeast areas of Kermanshah province to be one of the most important areas in Iran having survey about the Paleolithic period. Stanly Cown’s excavations (1949) in the cave of Shekarchian (hunters) Bistoon are the first surveys in this region and Iran (Cown 1959-60), these surveys paved the way to the next studies. Philip Smith has researches in the Kher Cave and also was completed the past researches made by Cown in the Bistoon Caves (Young and Smith 1966). In 1977, Mortensen and Smith were identified some of the places accrued to middle Paleolithic in the west of Hersin including a big workshop for cutting and producing the tools (Mortensen and Smith 1977, 1980). In the recent decades, the trend of studies has been promoted objectively and the same has led to more identified and excavated sites (Biglari and Taheri 2001, Shidrang2005, Jaubert et.al 2009, Chehri 2009, Biglari 2004, 2007). Recently, a visit to the old Neolithic sites at the peripheral areas of Hersin and Passer village was led to accidentally identification of a range of the tools accrued to the middle Paleolithic at around the Neolithic site of Qalakamandbeg, this subject shows that this site has relics accrued to the Old Neolithic along with the relics from the middle Paleolithic period as well.

Question, Theory and Research Method
The main question in this research is: which elements have been affected the forming of the middle Paleolithic site of Qalakamandbeg and also could attract the humans to come around the GamasiAov River at the Hersin plain, despite there is not any stony cave or shelter to have a permanent habitat here, because this region has a harsh situations during night time and also winter. The different studies have showed this site is an open and outdoor camp; there is a theory that says the most important item to attract the humans here is the same silex outcrops (in north of the site) to produce the applicable tools and also GamasiAov River, since we could not ignore this vital water source and existed aquatic creatures in it to constructe the interim and outdoor habitats here. This research method has concentrated on the surveys to collect the middle Paleolithic tools of this site and finally this research has used the library method to have complete study about the typology and producing the tools and its comparison with the similar discovered samples from the other middle Paleolithic areas in the central Zagros (Kermanshah).

Paleolithic Site of Qalakamandbeg
The Neolithic Tappeh, without the pottery of Qalakamandbeg, has located in a 1329m height of the sea level and also is 1500m away from the west point of Passar Village and about the 15km away of the west point of Hersin town (map.1). This Tappeh has been firstly found by Mortensen and Smith in 1977. Based on various studies and surveys, this site has two types of the relics accrued to the Islamic and Old Neolithic periods (Ibid) and there is not any study about the older relics here. Also other people had various studies such as Abbas Motarjem and Yahghob Mohammadifar (2002), Mohammad Eghbal Chehri (2009) but they pointed out that there is not any relic older than the Neolithic period. The recent visits and surveys on the north part of this tepe were led to find a series of the Levallois tools accrued to the middle Paleolithic, moreover other silex outcrops were also found in the several parts as well – it seems this site could have been used as the raw material to make the applicable tools – this site has located between the old truss over GamasiAov River and silex outcrop of Passar village, therefore Qalakamandbeg site has been possibly as an open and outdoor camp to produce the stony tools in the middle Paleolithic period.

Conclusion
The comprehensive (recently) studies and surveys in the Kermanshah region shows the important of utilization methods accrued to the societies of Paleolithic period from their environment and also displacement models of these societies in particular. It is worthy to note that identification of this Qalakamandbeg site at the bank of GamasiAov River would be seen in the same framework, since it has been formed in proximity of the Hersin’s silex outcrops, therefore the regions (Kermanshah) where having raw materials to produce the applicable tools, should be carefully considered. The results of performed studies in this site point out this site had been taken as a tool-producing camp at the bank of the river due to the numerous Levallois tools accrued to the middle Paleolithic period in this site, finally in fact this site has been as a tool-producing workshop from the Paleolithic to the Neolithic period and after this period on, instead only an important Paleolithic site for the people of the Hersin region – Qalakamandbeg Neolithic Tappeh can confirm this claim.

Abstract
There are important events in Ebraham’s life in Babylon - Mesopotamia so, his name was familiar to Babylonians. Babylon is one of the civilizations and cities in Southern Mesopotamia the people of Babylon did not know the alone and grand God and worship stony idols. Abraham defeated idols with his presence in this city. For this reason, to Nimrod command throw up him to the mountain of fire. Fire became to “Golestan” for him. He was a pure Muslim except the grand creator he did not prostration anything else. The prophet who was tested many times and proudly came out of it. One of Abraham’s experiments is to kill his son Ismail. After this test, he reached a high ranking and set on the head the crown of Khalilullah. The events of his life are detailed in the holy Quran. The effect of registered stamps, including visual and writing resources, is one of the ways gets acquainted with ancient times and their social transformations. We can by examining the effect of their stamp become familiar with the social life of prehistoric people and all kinds of activities, customs, beliefs traditions and characteristics of their lives. One of the most important findings of the ancient archaeological excavation is “seal impression”. The engraved role on this pieces depicts the story of cutting of a personal head that is comparable to the slaughter of Islam. The main question of this research is, what is the meaningful relationship between the historical event of the slaughter Ismail and the seal impression of Babylon? Considering a semantic relationship in the content of both stories, this article this is the historical event of the most important parts of the Holy Quran and the religious and mystical literary source. The relationship between two events should be presented with one of the most important finding of the picture of Babylon (including the seal impression on the altar scene similar to the slaughter of Ismail).
Keywords: Seal Effect, Babylon, Hazrat Ismail, Slaughter, Hazrat Ebraham.  

Introduction
The commentators on the Quran interpret the verses related to the life of Hazrat Ebraham has descripted the various parts of his life. The Holy Quran has consistently inspired a great deal of spirituality in the hearts of Muslim mystics, so many Quranic patterns have been reflected in our mystical literature. The clay tablets left over from flat and cylindrical seals, including visual and written sources, have narrated the social and cultural developments of various historical eras from the fourth millennium BC to the late Sassanids period. The main question of this research is, what is the meaningful relationship between the historical event of the slaughter Ismail and the seal impression of Babylon? Considering a semantic relationship in the content of both stories, this article this is the historical event of the most important parts of the Holy Quran and the religious and mystical literary source. The relationship between two events should be presented with one of the most important finding of the picture of Babylon (including the seal impression on the altar scene similar to the slaughter of Ismail).

The Seal Impression Under Study
One of these seal effects has obtained from Babylon in Mesopotamia. This stamp by Jeanne Diemer Nijhowne has been studied in his Ph.D. thesis with title: “The study of symbols of political, religion, and the seal of Mesopotamian cylinders in the second millennium BC”. On the clay tab of this seal impression we are see the stamped role of 6 human figures and a scene this is comparable to the historical fact of the slaughter of Hazrat Ismail. This role do not exactly correspond to the historical fact quoted in the Quran, and only the contents of the stories are comparable to each other.

Conclusion
We start the result with “Roger bayside’s” sentence: for a long time, we have found that the art of a simple interval personal is not fruitless but affects the collective life of humans and can transform the fate of human societies. In order to better understand, the nature of thoughts and beliefs and the social status of human societies one can receive through their study of art. Religious designs in different cultures have a status beyond the apparent beauty. Although the beauty and beauty of art work is an important feature of art, but these roles have higher values. Each role is not just beauty color, and shape it also has a meaning the appearance of many roles in different motifs at the start of seeing is an invisible and in word maiming study and research in various aspects of art will deserve the recognition of many of the signs and roles of various arts. Otherwise, you cannot get enough interest from the art work unfortunately, the study of this image of religious and ritual art (various parts, such as the historical event of slaughter Ismail) is located less discussed in comparison with historical dimension. This issue, addressed in this writing, is primarily aimed at introducing a historical event from past documentation in the context of history that in the Quran and historical sources are mentioned. And attempted to drow on the two - sided (decorative and semantic) relationship of an effect (painted muddy bred discovery from Babylon- Iraq) artistic found to this paid historic event that has been neglected in Persiam source. And in no way intends to make a new claim to the events events that occurred in this historical event. The Babylonian muddy bred repeat the impact of the historical event has been one the beliefs of the people of Babylon in their period. In any event the end result is this with all the probabilities and doubts in the story of Babylonian muddy bred only the themed of both stories can have a meaningful relationship with each other.

Abstract
Tuyserkan plain is one of the middy mountain and highland plains in Alvand Range, strategically one of the most important connector plains of western Iran and throughout history, especially the Islamic period, the path of the great Khorasan has been of considerable importance. This plain has been studied and identified during the winter of 2012. This study has been studied at random by collecting cultural material from the area of the site in order to identify and record ancient sites and monuments. The results of the study include 44 sites from the copper and stone Age to the late Islamic period, and according to the identified surface artifacts 14 of these sites have artifacts from different Islamic times, this area has shown importance in the Islamic era but so far the plain has not been explored in terms of the cultural developments of the Islamic settlements. The question now is, what are the characteristics of Islamic period in Tuyserkan plain and what is their pattern of distribution and expansion, and in what periods has it grown and expanded? The main purpose of the research is to study the archaeology of the Tuyserkan plain with the typology of cultural changes in the works and settlements of the Islamic periods and it is an appropriate pattern of distribution in the Tuyserkan plain. The research method utilizes spatial analysis and field and library, analysis of cultural works and materials collected from archaeological survey and study of Islamic settlements of Tuyserkan plain, it will be based on current theories of settlement patterns and archaeological landscape. The results show that the settlements of Islamic period of this plain are distributed in all parts of the plain, consisting of large enclosures as the main dwelling cores and small enclosures formed as small bases dependent on roads and arable land, in the Safavid period, the Tuyserkan plain also witnessed a growing number of settlements with the Carvansara and Bridge Farasfaj  being one of the most significant monuments of that period, and finally in the Zandieh and Qajar period expanding population and settlement. 
Keywords: Archaeology Study, Tuyserkan, Islamic Period, Archaeology Aspect.

Introduction
One of the most fundamental archaeological studies (archaeology surveys) to identify and deter mine the location of archaeological sites and settlement characteristics. Archaeological surveys are carried out to find out general information about settlement developments in different areas. This is a forerunner to archaeological excavation, which in fact means reconstructing and accurately identifying communities and their cultural achievements, archaeological studies are an important step in the analytical programs of the historical evolution of human societies and the selection of index sites for exploration. Based on the above, the Tuyserkan plain has been investigated and identified during the winter 2012. This study was conducted in a randomized manner by collecting cultural material from the enclosures at random to identify and record ancient sites and monuments stone age and copper period, and identified by surface artifacts, there are 14 sites from various Islamic periods that indicate the importance of this area in this period. Prior to this research, the Islamic period sites of Tuyserkan plain were not explored and it was necessary to study them. The lack of studies of Islamic settlements in the Tuysrkan plain provides the motivation for studying and comparing population- based settlements as well as their relevance to ancient habitats.

Identified Traces 
There are various definitions for the concept of landscape but all of these definitions are in common sense, and they include the structures created by humans between their own space and their natural structure. Obviously, human tissues in different societies are made in accordance with their environment. Many of today’s concepts and meanings of landscape come from the writings of German geographer otto schuler written in the early 20th century. He believes that geographical studies should be dedicated to the visible landscape. Human societies and natural geography are the two major factors that make up the Archaeological landscape structure. Since two- thirds of the world’s vegetation is made up of fields, pastures and artificial forests, one can understand the crucial role of humans in creating landscapes. Human societies are constantly changing and experiencing space throughout their lives, and the place is always confronted with the effects of human behavior. Tuserkan is a subsidiary city of Hamedan province with one area of about 1480 sq. K. M. Which covers 7.7.7. Of the area of Hamedan province. As we know in the year 21AH when the war of Nahavand occurred and led to the defeat of the Iranians against the Arabs, all areas of Hamedan including Tuserkan were captured. On the urban situation and the situation of the people in the Tuy and Serkan from the seventh to the tenth century AH there is no precise information, but since the tenth century, the rise of the Safavid dynasty, your village is known as Tuserkan while the Serkan remained with its old name.
Of course, there are no credible sources to show exactly what date Tuy name was converted to Tuserkan and the reason that the possibility of renaming this name whit the Safavid period should be known is that there are books related to this period that their authors have the reputation of Tyserkan while none of the works before the Safavid era have the reputation of Tuserkan. The few people in this place who are mentioned in some of the Safavid works are known as Tuyi and this shows that at first this village was famous under the same name as Tuyi.

Conclusion
 By studying Tuyserkan plain, 14 sites have been identified from different periods of the early Islamic to the later ages. Environmental factors have played an important role in the process of formation and expansion of these sites, factors such as height, suitable soil, access to communication, access to water resources and access to range lands. Most of this sites in this period were formed in lowland and mid- mountain and fertile lands in susceptible grassland areas. The impact of cultural and human factors on the pattern of settlement in Tuyserkan plain has not been affected. The peak of the flourishing and growing of settlements dates back to the early and middle centuries of Islam and its decline in later Islamic times. In recent centuries the number of sites has diminished and never reaches the boom of the early and middle ages. The reason for this was the growth of population in the main sites and surrounding areas, which have become large cities and villages today, and their lives continue. The results show that the settlements of the Islamic period of Tuyserkan plain are distributed in all parts of plain, consisting of large sites as the main center of settlement and small sites as bases of roads and arable land.

Abstract
Since there are few works of painting from the Seljuk period, and on the other hand, most of them were written without data and place, so there are no common opinion about most of the painting works of this period. On the other hand, because most researchers, do not use the correct scientific method in their research, it adds to the existing problems in this field. One of the painting works of this period, which is the subject of this research and has a writing data, is the Al-Tariaq book attributed to Galen, which has written in 595 AH/1199 AD, written and kept in the National Library of Paris. Due to the fact that the place of its writing is not included in this manuscript, there is a difference of opinion about where the said version was written and illustrated. This version has been attributed by different people to different places such as Iran, Jazireh, Dyarbakr, Mousel and Baghdad. Therefore, the basis of the main problem of the current research is the location of the place of writing and illustration of this manuscript, which is analyzed and criticized by descriptive-analytical and comparative methods based on library studies, and the views of researchers will be examined with comparison, it will be shown that the version of Al-Tariaq cannot be attributed to any other country than Iran. By examining and comparing the illustrations of this book and other Iranian works of arts, especially pottery and metalwork, it can be said that the view of most researchers of the illustrations of Al-Tariaq book is more similar to the way of recording Iranian art than to Iraq, so, it can be said that the origin of this manuscript is Iran and other views are incorrect. 
Keywords: Al-Tariaq, , Iran, Jazireh, Baghdad Method, Mosul.

Introduction
Since there are few works left about book painting and illustration in Seljuk period Iran, and on the other hand, most of them are without date and place of writing, so most of the works of painting of this period are discussed and disputed. Apart from these problems, the failure to apply the correct scientific method and also the involvement of some prejudices, which of course are not worthy of a scientific research, have caused the existing problems in the field of painting in this period to be added, one of the works of this periods, which fortunately has a writing date, is a copy of the Al-Tariaq book attributed to Galen, which was written in 595 AH and is kept in the National library of Paris. Due to the fact that the place of writing is not mentioned in this manuscript, most of the researchers, if it is found in the text in its entirety, argued with very weak reasons and without scientific basis that this version was written in the Jazireh or Mosul and has nothing to do with Iranian art, so the purpose of this the research is a complete review of the writing and illustration of the Al-Tariaq book.
Research question and hypothesis: The main proposition of the research is to locate the place where the manuscript of Al-Tariaq was written and illustrated in Paris, and by examining the artistic style and the role of the materials used in the illustrations of the Al-Tariaq book, the question is raised, which one of the most similar styles and materials of this book are there art school? By assuming the connection and compatibility of the motifs illustrated in the mentioned book with various works of art, including the paintings of Iran’s enameled and gold-colored pottery, as well as the motifs used on the metal works of the Seljuk and Khwarazmshahi periods, it is possible to determine the place of its writing and illustration, attributed to Iran. 
Research Method: The research method in this research is a descriptive-analytical and comparative method based on library studies in criticizing the views of the researchers about the Al-Tariaq manuscript, which is related to the enameled and golden pottery and also the role of the materials used on the metal works of this period in Iran. The research problem has been discussed. 

Inroduction of the Manuscript of Al-Tariaq
The book of Al-Tariaq is a translation from the book of Galen, a Greek physician and pharmacist who lived in the second century AD. This book was translated from Greek to Arabic by Ibn-Ishaq in the 9th century AD. The subject of the book is written about toxicology and antidotes, which the author narrates with legendary stories. There are two illustrated versions of this book. The first version was written in 595 AH and is kept in the National library of Paris. The second version is undated and it is attributed to the middle of the 13th century. This manuscript is kept in the Vienna National Library. In this research, the dated version of the National library of Paris will be examined. This version has 12 images, the first of which begins with an image that is repeated twice. In the middle of the painting, a woman is sitting holding a moon crescent and two people are standing on either side of her. This page is surrounded by a frame made of intertwined dragons. 4-winged people can be seen on the four sides of this frame (Fig 1). After that, nine doctors of the period, including Galen himself, have been settled along with their names and biographies (Fig 2).

Conclusion
Based on the investigations and the comparison made between the pictures of Al-Tariaq book with the paintings of Zarinfam enamel pottery and Iranian metal vessels, it was found that there is a complete similarity in terms of stylistics, the way the pictures are drawn and the composition between the Al-Tariaq book and these works. Therefore, attributing this manuscript to the Jazireh is incorrect. The only reasons mentioned by some researchers are human monographs and other interwined dragons, however, if it is mentioned in full, similar to it has been seen in other regions, the image of two interwined dragons, a completely similar example of which is depicted in Mianrodan, but on the golden bowl from Kashan, so based on what has been described, this manuscript is Iranian and has the characteristics of Iranian art of Seljuk and Khwarazmshahi periods. The titles of the book are also written in Kufic script, which all researchers agree that it is Iranian. It is appropriate to attribute ir to Iran rather than to the Jazireh. It is necessary to remember that based on the available evidence, it has sometimes been seen that a copy has the artistic characteristics of one region but was illustrated for ruler another land. In such examples, the issue is not out of two situations, or that the copy in question was made outside the territory of the said ruler and was given to him or written on his order. There are many examples of this type. Like Ferdowsi’s Shahnameh, which was written in Tus and sent to Sultan Masoud’s court in Qazneh. Or, an artist migrated from one place to another and painted there, in which case he followed the style of his origin and his art shoud be attributed to his origin, to the place where the art is performed. Apart from all of these, the examples of paintings that are attributed to the Mousel or the Jazireh, were mostly influenced by the style of Baghdad, although the influence of Seljuk painting can also be seen in some of them, like the ways of drawing clothes, there are two ways of working in the paintings of this area, one is Baghdad style and the other is a combination of Baghdad style and Iranian painting. This method is mostly seen after the Mongol attack on Iran. In this method, some clothes are made in the style of Baghdad, which are pleated and shaded and others are drawn in the Iranian way. In Iranian paintings, the clothes are mostly simple or geometric and plant designs can be seen on them, however, in some examples the influence of Baghdad style pleated clothes can be seen. The faces are also influenced by Iranian art, but they are drawn a little more formally and seriously. As mentioned earlier, among the examples of mixed works illustrated in Mosul, we can mention the copy of Al-Aghani’s book, in which the clothes of the clothes of the courtiers are painted in the style of Iran. The expression of the faces is also influenced by Seljuk art, but it has differences from it, which can be clearly seen by comparing them with the Al-Tariaq version. Therefore, if this version was painted in Mosul or on the Jazireh, these clothes or a part of them should be pleated in the style of Baghdad, if such a thing is not visible in them. (Fig 28). But where was this version written and painted, finally, it can be said that it was during the Seljuk and Khwarazmshahi periods, according to the illustrations in the Al-Tariaq book and the examples compared with Iranian pottery and metal vessels. It is believed that this version was mostly likely painted by an artist in the Isfahan region, especially Kashan, less likely elsewhere in Iran.