fa ﻣـﺨﺎﻃﺐ از ﻧﮕﺎه ﺟـﺎمعه‌ﺷﻨﺎﺳﺎن و ﻣﺮﻣﺘﮕﺮان کاربرد علوم، فناوری‌ها، تجهیزات، مواد و روش‌های نوین Application of modern sciences, technologies, equipment, materials and methods پژوهشي Research, Original, Regular <div style="text-align: justify;">گسترش داﻣﻨﻪ&nbsp; اﻧﺪیﺸﻪ ﻫﺎ و ﻧﯿﺰ ﻣﺒﺎﺣﺚ ﺣﻔﺎﻇﺖ و ﻣﺮﻣﺖ، ﺑﻪ ﻋﻨﻮان زﻣﯿﻨﻪ ای ﻣﯿﺎن ﺑﺨﺸﯽ، در دﻧﯿﺎی اﻣﺮوز ﻫﻤﺎﻫﻨﮓ ﺑﺎ روﻧﺪ رﺷﺪ ﻋﻠﻢ در ﺳﺎیﺮ ﺷﺎﺧﻪ ﻫﺎ و زﻣﯿﻨﻪ ﻫﺎﺳﺖ. ایﻦ ﺣﺮﮐﺖ و ﺟﺮیﺎن ﺑﺎﻋﺚ ﻣﯽ ﺷﻮد ﺗﺎ ﻫﺮ روز ﻣﻘﻮﻟﻪ ﻫﺎ و ﻣﻔﺎﻫﯿﻢ ﺟﺪیﺪی ﺑﻪ ﻣﺒﺎﻧﯽ ﻧﻈﺮی و ادﺑﯿﺎت ایﻦ ﺣﻮزه وارد ﺷﻮد. زایﺶ اﻧﺪیﺸﻪ ﻫﺎ و ﻣﻔﺎﻫﯿﻢ ﺟﺪیﺪ ﺧﻮد ﺑﺎﻋﺚ دﮔﺮﮔﻮﻧﯽ ﻧﮕﺎه ﺑﻪ ﻣﺴﺎﺋﻠﯽ ﻣﯽ ﺷﻮد ﮐﻪ ﺗﺎ ﭘﯿﺶ از ایﻦ ﺑﻪ&nbsp; ﻧﻈﺮ ﺑﺪیﻬﯽ و ﺑﺪون ﺗﻐﯿﯿﺮ ﻣﯽ رﺳﯿﺪ. طبیعت ﺣﺮﮐﺖ ﺑﻪ ﺳﻮی ﮔﺴﺘﺮش ﻣﺮزﻫﺎی اﻧﺪیﺸﻪ و ﻣﻼﺣﻈﺎت در ﻋﻠﻢ ﺣﻔﺎﻇﺖ و ﻣﺮﻣﺖ، ﻣﻮﺟﺐ ﺑﻪ وﺟﻮد آﻣﺪن دیﺪﮔﺎه ﻫﺎ و ﻧﯿﺰ ﻃﺮح ﻣﺴﺎﺋﻠﯽ ﺟﺪیﺪ ﻣﯽ ﺷﻮد ﮐﻪ ﺑﻪ ﻧﻮﺑﻪ ﺧﻮد ﻣﯽ ﺗﻮاﻧﺪ ﺑﺮ ﻗﻀﺎوت و ارزیﺎﺑﯽ اﻗﺪاﻣﺎت ﻃﺮاﺣﯽ ﺷﺪ اﻧﺠﺎم ﮔﺮﻓﺘﻪ ﻣﻮﺛﺮ ﺑﺎﺷﺪ.&nbsp; ﻣﻄﺎﻟﻌﻪ و ﺗﻔﮑﺮ در اﻧﺪیﺸﻪ ﻫﺎ و دیﺪﮔﺎه ﻫﺎی ﺟﺪیﺪ ﻣﻄﺮح ﺷﺪه در ﺣﻮزه ﺣﻔﺎﻇﺖ و ﻣﺮﻣﺖ اﺷﯿﺎء تاریخی- فرهنگی، ﺧﻸ ﺑﺰرﮔﯽ را در ﻣﺠﻤﻮﻋﻪ آﮔﺎﻫﯽ ﻫﺎ و داﻧﺶ ﺣﻔﺎﻇﺖ و ﻣﺮﻣﺖ ﮐﺸﻮر در ﺧﺼﻮص راﺑﻄﻪ ﺑﯿﻦ ﻣﺨﺎﻃﺐ و ﻣﺮﻣﺘﮕﺮ ﻧﺸﺎن ﻣﯽ دﻫﺪ ﮐﻪ ﻋﺎﻣﻞ اﺻﻠﯽ اﻧﺘﺨﺎب و ﭘﺮداﺧﺘﻦ به موضوع ﻣﻘﺎﻟﻪ ﺣﺎﺿﺮ ﺷﺪ. از ﻃﺮﻓﯽ، ﺑﺮﺧﯽ ﺑﻪ ایﻦ ﻧﮑﺘﻪ اﺷﺎره ﮐﺮده اﻧﺪ ﮐﻪ ﺳﺎﺧﺖ ﻣﺨﺎﻃﺐ، یﮏ ﺑﺎر ﺑﺮای ﻫﻤﯿﺸﻪ ﻧﯿﺴﺖ. ﻣﺨﺎﻃﺐ ﻫﻤﻮاره در ﻣﻌﺮض از دﺳﺖ رﻓﺘﻦ و ﺑﻪ&nbsp; دﺳﺖ آﻣﺪن اﺳﺖ و در ﻧﺘﯿﺠﻪ راﺑﻄﻪ ای مستقیم و پایدار میان ﻫﻨﺮﻣﻨﺪ و ﻣﺨﺎﻃﺒﺎﻧﺶ ﺿﺮوری اﺳﺖ. ﺑﺎ ﺳﻨﺠﺶ هریک از این ﻋﻮاﻣﻞ در ایران، ﺑﺎ ﮐﺎﺳﺘﯽﻫﺎی ﻓﺮایﻨﺪ ﻣﺨﺎﻃﺐ ﺳﺎزی ﺧﺼﻮﺻﺎً در زمینه میراث فرهنگی مواجه می‌شویم.</div> <div style="text-align: justify;">The expansion of the scope of ideas and discussions of conservation and restoration, as an interdisciplinary field, in today&#39;s world is in harmony with the growth of science in other branches and fields. This movement and flow cause new categories and concepts to enter the theoretical foundations and literature of this field every day. The birth of new ideas and concepts itself causes a change in the view of issues that previously seemed obvious and unchanged. The nature of the movement towards expanding the boundaries of thought and considerations in the science of conservation and restoration leads to the emergence of new perspectives and the proposal of new issues that, in turn, can be effective in judging and evaluating the measures designed and carried out. Studying and reflecting on the new ideas and perspectives raised in the field of conservation and restoration of historical-cultural objects shows a large gap in the country&#39;s collection of awareness and knowledge of conservation and restoration regarding the relationship between the audience and the restorer, which was the main factor in choosing and addressing the subject of the present article. On the other hand, some have pointed out that building an audience is not a one-time thing. An audience is always subject to loss and gain, and as a result, a direct and lasting relationship between the artist and his audience is essential. By measuring each of these factors in Iran, we encounter shortcomings in the audience-building process, especially in the field of cultural heritage.</div> ﻣﺮﻣﺘﮕﺮ, ﻣﺨﺎﻃﺐ, ﺣﻔﺎﻇﺖ, ﺧﻮاﻧﺶ اﺛﺮ ﻫﻨﺮی. Conservator, audience, conservation, reading of the work of art. 38 47 http://journal.richt.ir/kcr/browse.php?a_code=A-10-1-106&slc_lang=fa&sid=1 Gholamreza Rahmani غلامرضا رحمانی r.rahmani71@gmail.com No Assistant Professor, Research Institute of Cultural Heritage and Tourism (RICHT), Iran. استادیار، ﭘﮋوﻫﺸﮕﺎه میراث فرهنگی و ﮔﺮدﺷﮕﺮی، ایران. Behnam Pedram بهنام پدرام No Faculty Member, Isfahan University of Art, Iran. ﻋﻀﻮ هیئت علمی، داﻧﺸﮕﺎه ﻫﻨﺮ ﺗﻬﺮان، ایران. Mehdi Hosseini مهدی حسینی No Faculty Member, Tehran University of Art, Iran. ﻋﻀﻮ هیئت علمی، داﻧﺸﮕﺎه ﻫﻨﺮ ﺗﻬﺮان، ایران.