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Showing 3 results for Silver

Shaiba Khadir, Parastoo Naeimi Taraei,
Volume 1, Issue 2 (10-2017)
Abstract

Given the nature of the chloride ion and its tendency to penetrate the inner layers of the metal, paying attention to it in the field of protection of metal artifacts is of great importance. In this article, the effect of the attacking chloride ion on historical copper and silver-based metals has been discussed, and according to the results of a long-term research project on the pathology of metal artifacts in Iran, various examples of artifacts affected by chloride attacks have been briefly presented and compared. In conducting corrosion studies in the aforementioned project, X-ray imaging, optical microscopy, and scanning electron microscopy, and wet and instrumental analysis methods (EDX, XRD, PIXE) were used to analyze the corrosion process. According to the studies conducted, severe pitting corrosion with progressive conditions was observed in the works of the Rasht Museum, as well as corrosion of the tin-rich phase and its simultaneous release as oxide compounds in many of the mirrors in this museum, which in many cases had a starting point under surface sediments when local conditions were provided. This process in the works in museums in southern Iran with high humidity conditions and with chlorides concentrated in the corrosion products has caused the loss of the metal core in many of the works obtained from Hormuz. The concentration and crystallization of chloride in the corrosion layers and the attacks caused by it in the works of the dry regions of Iran, despite periodic humidity or uncontrolled storage conditions after excavation, is the cause of the loss of the metal core of many of the works obtained from Sites such as Sarm, Qoli Darvish, and Sialk have been affected by chloride attacks through different mechanisms, from chloride penetration into the oxide layer to the dissolution and removal of copper from the outer layers. Silver artifacts obtained from different sites have also been affected by chloride attacks, due to the presence of horn silver chloride compounds (Sialk), severe local corrosion (Hormoz), and intermittent copper deposition and the deposition of its chloride salts (Teppeh-e-Hisar).

Hossein Beygi, Mohsen Mohammadi Achachluei,
Volume 2, Issue 1 (6-2019)
Abstract

Dry plate glass negatives are important part of the cultural, historical and visual heritage in history of Iran. Structural changes due to factors affected them over time, can cause deterioration in the image. Identifying deteriorations in dry plate glass negatives can help to provide better solutions in preserving them. The investigation of sample by Fourier transform infrared spectroscopy (FTIR) and x-ray microprobe analyzer (XPMA) indicated that the technique of sample is gelatin and silver halide on glass, and the chemical damages are fading and silver mirroring. Improper washing after fixing and residual of hypo on the surface of image is the main cause of fading. The formation of the silver mirroring is due to the oxidation of silver ions in the emulsion layer and migrate to the surface of the negative.

Tahereh Shihebori, Elahe Khakbaz Alvandiyan,
Volume 6, Issue 1 (6-2023)
Abstract

Historical monuments have always had a special place in historical-cultural studies as one of the indicators of identifying the cultural heritage of nations. The following paper aims to present a report on the restoration andconservation of metal objects of the cultural heritage treasure of Yazd city. Protection of this treasure which is one of the richest collections in terms of the variety of historical works, which put the restoration and conservation of the present objects on the agenda in the past years, and restoration and conservation operations were carried out on these valuable works. For this purpose, an effort was performed in this research during 7 years at different times to select metal objects with special features from this rich collection, and its report is presented in this article. Various types of objects such as silver, iron, and bronze objects were restored and protected. Improper maintenance conditions in the past have caused these works to be covered by environmental sediments or corrosion products, which sediments and corrosion products cause the illegibility of designs and patterns and sometimes the complete destruction of objects. So, in the operation procedure of restoration and conservation observing theoretical principles, cleaning operation was done as far as possible mechanically and chemically if needed. Low percentages of consumable materials were used and materials were selected that do not harm the environment as much as possible. The most important step after the restoration operation is the conservation of objects in desirable conditions and periodic reviews, so that if any damage is observed, it should be repaired immediately. The following paper describes the steps of restoration and conservation of metal objects of different types and protects them to keep them in standard conditions to be shown in the museum.
 

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