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Showing 6 results for Relief

Hamid Fadaei, Azita Mirzaye ,
Volume 3, Issue 3 (12-2020)
Abstract

The Southern Mound of Konar Sandal, situated in the Halil River basin, is one of the most significant prehistoric sites in the Jiroft plain. Among the notable discoveries at this site is a life-sized clay relief positioned within a recessed, doorway-like feature in a large room. This relief, recognized as the oldest known example of a monumental clay relief integrated with architecture in the Middle East, dates back to the third millennium BCE. Since its discovery in 2006, its conservation has posed significant challenges for experts. The history of illegal excavations in the region and the lack of adequate infrastructure for permanent protection and maintenance of the site have exacerbated these challenges, leading to occasional proposals to transfer the artifact to a museum. The primary research question focuses on identifying an appropriate approach for the on-site conservation of the clay relief. Using both library-based research and fieldwork, this study gathered information related to the site and the relief, documented environmental factors contributing to its deterioration, and analyzed the data. The findings indicate that the current protective cover is inadequate. Environmental conditions, particularly moisture rising from the soil containing soluble salts, significantly accelerate the relief's erosion and the deterioration of its surface paint layers. Based on these findings, the study provides recommendations for optimizing the conservation of the relief.

Maryam Shirvani, Sara Zareiyan Jahromi,
Volume 5, Issue 4 (1-2023)
Abstract

The heritage remaining from the short era of Zandiyeh in Shiraz are very diverse and decorated with various decorations. The use of stone can be seen in different parts of these buildings, such that it is used in the external and internal plinths of the building, columns, paving yard and ponds. The plinth walls are sometimes decorated with paintings and sometimes with sculptures, and one of the unique plinths is the battle of Rostam and Ashkboos in the courtyard of Divan Khaneh complex. The purpose of this paper is the scientific pathology of the changes and destructions created in the carvings of Divan Khaneh building. The main question raised is how short-range photogrammetry technology can help accurately document damage to historical relief monuments. The research method is applied and experimental. which has been evaluated using survey and field research. The obtained results state that the use of photogrammetric method is a safe method that is very effective in damage imaging and can show the amount of changes made in the main structure of the stone. In this method, the amount of decay and various destructions of the sculptural effect was evaluated and analyzed, which includes separation, cracks and fissures, material loss, erosion, discoloration, and sedimentation.

Maryam Rahsaz, Mohsen Ghaseminezhad Rayeni,
Volume 5, Issue 4 (1-2023)
Abstract

The present research report describes the rescue operation conservation and restoration of the relief on block No. 4 of the eastern part of the Northwest Gate of the Sad Sotūn (Hundred Pillars) Palace of Persepolis complex that consists of east and west parts. During the years 1980 and 1981, only on western part of this structure, some restoration, anastylosis, reconstruction and consolidation measures were carried out by the conservation specialist office of Persepolis under the supervision of Master Hassan Rahsaz by some traditional masters. Therefore, no actions had been taken regarding the eastern part until 2017. following the monitoring and analysis of the destruction process on the motifs on this part of the gate, conservation and restoration experts decided to run a conservation and restoration workshop and carry-out rescue operations for these motifs. Undertook to act on the basis of modern methods based on new materials and trained by Iranian and Italian expert’s restoration methods. This report will specifically address one of the blocks. The authors hope to describe, analyze, and present a portion of the efforts undertaken to expand modern conservation initiatives at the UNESCO World Heritage site of Persepolis.

Mostafa Rakhshandehkhoo, Hamid Fadaei, Masoud Ansari, Leila Razavi,
Volume 6, Issue 1 (6-2023)
Abstract

The Sassanian bas-reliefs are among the most significant historical artifacts of ancient Iran, primarily found in the province of Fars. Approximately 30 Sassanian bas-reliefs exist in Fars, depicting scenes related to power demonstrations, court proceedings, and battles or hunting scenes. Unfortunately, many of these bas-reliefs have suffered damage over the years due to their outdoor exposure and the impact of climatic conditions. Depending on the type of stone and their geographical location, they have been gradually eroded. Given their historical importance for Iran's cultural heritage, a comprehensive program involving study, documentation, conservation planning, and restoration is crucial. The Naqsh-e Rostam Relief Complex houses more than 11 bas-reliefs and numerous inscriptions, all situated in open-air environments and vulnerable to environmental factors such as rain, wind, and temperature fluctuations. These elements have contributed to the gradual deterioration of these ancient artworks. The central question addressed by this article pertains to the process of studying, assessing damage, documenting, and planning the conservation of a rock relief. To answer this, a combination of field and laboratory methods has been employed, including petrography, X-ray diffraction (XRD), and X-ray fluorescence (XRF). The results indicate both physical and chemical weathering in the limestone structure, leading to various forms of damage such as erosion, flaking, cracking, and breakage. Therefore, protective and conservation measures for these prominent bas-reliefs should focus on strengthening and preserving their surfaces against deteriorating agents.

Anisa Shiri , Hamid Fadaei, Leila Razavi, Mostafa Rakhshandehkhoo, Mohammad Reza Alikhah, Zeinab Mohtasham,
Volume 6, Issue 4 (3-2024)
Abstract

Stone structures are susceptible to weathering and erosion over time, necessitating the identification and elimination of damaging factors to ensure their preservation. This research focused on diagnosing the damage to the tomb of Xerxes located at the historical site of Naqsh-e Rostam through a multidisciplinary approach encompassing library research, field observations, laboratory analyses, and geological studies. Petrographic studies revealed that the rocks comprising the tomb belong to the Seruk Formation. The sedimentary sequence within this formation exhibited thick and light-colored limestone layers. Utilizing the geophysical technique of Ground Penetrating Radar (GPR), two major fractures were identified along the boundaries of the tomb. These fractures predominantly followed north-south and east-west orientations. The intersection of these fracture sets, combined with the layering surfaces, resulted in the development of dissolution phenomena, leading to the formation of dissolution holes and cavernous porosity on the structure. Additionally, field studies investigated the presence of plants and cyanobacterial lichens on the tomb.

Mohammad Reza Rokni, Hamid Fadaei , Marjan Keyfargir ,
Volume 7, Issue 2 (9-2024)
Abstract

Persepolis, as one of Iran's most prominent archaeological sites, symbolizes the grandeur of the Achaemenid Empire's culture and art. The stone carving art and architectural ornaments of this era, drawing from the experiences and knowledge of various cultures, created a novel and artistic style that is evident in the stone reliefs of Persepolis. Due to the delicacy and precision of these reliefs, they have attracted the attention of many researchers, raising questions about their artistic values and execution methods. This study aims to analyze the execution techniques of Persepolis' reliefs by documenting examples of these reliefs on the eastern staircase of Apadana Palace and the northern staircase of the Treasury Palace. To document and create 3D models of the reliefs, advanced photogrammetry methods, with a particular emphasis on photo-scanning technology, were employed. Images were processed using specialized software such as Agisoft, 3D Zephyr, and Reality Capture. The results of this study reveal a part of the creation process of these artworks that has been less explored until now. Furthermore, the effectiveness of the photogrammetry-based documentation method in extracting precise technical and artistic data is confirmed. This method not only enables a more detailed analysis of the reliefs' intricacies and geometric proportions but also contributes to a deeper understanding of their artistic values and their place in the history of art. This approach can serve as a valuable model for future research in the field of documenting and extracting technical and artistic data from historical stone reliefs.

 

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