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Showing 6 results for Fabric

Mina Kakoei, Mahshid Kakoei,
Volume 2, Issue 3 (1-2020)
Abstract

This paper examines a case study of a zari-baft (brocade) fabric with termeh borders, which had sustained damage such as tears and fiber deterioration due to improper use and suboptimal storage conditions. The fabric, utilized as a tablecloth, exhibits intricate details in the weave of its base material, termeh borders, and golabatoon douzi (gold-thread embroidery). Given the vulnerabilities of the silk base and borders, its restoration requires specialized approaches. This article outlines the treatment process—including cleaning, lining, and reconstruction of stitches—following a detailed introduction of the artifact.

Mehri Ghobadi , Mohsen Mohammadi Achachlouei,
Volume 2, Issue 4 (1-2020)
Abstract

Cleaning and washing of historical artifacts and textiles remain one of the most critical and challenging aspects of conservation and restoration. To evaluate the quality of detergents used in the conservation of historical textiles, laboratory samples are required. However, due to the unique characteristics of historical artifacts, existing standardized soiling methods are insufficient for researchers in this field. Therefore, this study aims to prepare artificially soiled cotton fabric samples subjected to accelerated aging. To achieve this goal, the type and amount of soiling were first determined, followed by monitoring and analyzing the degradation of samples during accelerated aging. The research methodology was based on analytical-comparative approaches, with data collected through experiments such as Fourier Transform Infrared (FTIR) spectroscopy, tensile strength testing, equilibrium moisture content, electrical conductivity, color measurement, and pH assessment. The procedure involved preparing, soiling, and aging cotton fabrics, with degradation changes monitored and compared to those of clean samples. Results indicate that after approximately 700 hours of accelerated aging under elevated temperature and humidity (110°C and 90% relative humidity), the samples reached a relatively stable state in terms of degradation changes. This stability allows minor adverse effects of detergents to be clearly detectable. Thus, the minimum time required for aging and preparing laboratory samples of soiled fabrics is approximately 700 hours at 110°C and 90% relative humidity.

Saeedeh Namdar,
Volume 3, Issue 3 (12-2020)
Abstract

Promotional cinema facade paintings were created in the early 1950s to attract audiences to cinemas. With the advent of digital printing technology in the 1980s, these paintings lost their prominence and gradually fell into oblivion. Over time, they have become historical artifacts that require preservation and restoration. This study aims to identify the materials used in cinema facade paintings. The research employs a descriptive methodology, utilizing classical chemical laboratory techniques, digital and polarizing microscopes, and infrared spectroscopy. The results indicate that the paintings consist of three layers: support, base, and pigment. The support layer is made of cotton and fabric fibers, and silk is used in restoration efforts. The base composition includes gypsum, calcite, and white lead, while the pigments contain compounds such as white lead, calcite, Prussian blue, and black iron oxide.

Azam Soheilipour, Mohammad Reza Miri, Roghayeh Chenari,
Volume 4, Issue 4 (2-2022)
Abstract

The Qajar-era Qalamkar cloths belonging to the Golestan Palace had been folded in wooden boxes in the warehouses for a long time. In alignment with the objective of preventing physical and biological damage to the fabrics, the process of organizing and restoring them was investigated. This was accomplished through library studies and the performance of necessary analyses, which will be explained quantitatively throughout the article. The
activities carried out to achieve the goals of the mentioned project are as follows: after photographing and documenting the fabrics, a technical and restoration certificate was prepared, and labels made from cotton fabric were sewn onto the cloth. Additionally, cleaning and dusting were performed, and the process of smoothing the folds was conducted to prevent deformation and physical damage at the fold points. Subsequently, the pH level was checked using pH meter strips. Fungal cultivation was carried out on Qalamkar works suspected of having fungi, and fungi cultivation was also performed in both the former and new storage areas. A fiber identification test was conducted to determine the type of fiber present. The results of the analyses indicate that the pH of the fabrics is within the neutral range. The fungal culture analysis revealed that Aspergillus niger grew on one of the fabrics and the door of a wooden box used for storage. Due to the presence of this type of fungus, periodic monitoring was recommended. The fiber identification analysis also confirmed that the fabric is made of cotton cellulose fiber. Finally, the Qalamkar fabrics were covered with cotton fabric and secured. Identification tags
were attached to the works, and with sufficient care and precision, they were transferred to the standard reservoir of Golestan Palace. Furthermore, protection and restoration solutions were provided to maintain the fabrics in the best possible condition.

Sayede Elahe Alavi Dehkordi,
Volume 6, Issue 3 (12-2023)
Abstract

The "Illustrated Atlas of Pathology of Historical-Cultural Textiles" by Fatemeh Alimirzaei and Shahrzad Aminshirazi is specially designed for conservators,
restorers, students, museum curators, and collectors handling different categories of textiles. The book is divided into three chapters, addressing the pathology of historical textiles from three perspectives: physical-mechanical, chemical, and photochemical. However, the distinction of photochemical from chemical is rejected as unjustified since photochemical reactions are a subtype of chemical reactions induced by photons. A more suitable third type could be biological effects, which involve harm inflicted with the help of living organisms, including microbes, rodents, and insects.

Fatemeh Farhani , Reza Rahimnia,
Volume 8, Issue 3 (11-2025)
Abstract

The conservation of structural and historical integrity in historic cities is a major challenge due to urban growth. Changes in integrity and the loss of authentic historical context have led to a decline in the city's historical identity. This study looks at integrity within the historic areas of Qazvin, focusing on the Rāh-Rey, Khandaq-Bār, and Khīābān neighborhoods. We developed key evaluation indicators based on conservation principles and theories, applying them at both neighborhood and broader levels. The methodology included archival research, historical maps and images from 1918 to today, and field surveys to track spatial and structural changes. The findings show that changes in urban structure have disrupted historical identity and continuity, especially along key historical pathways. The study concludes that strengthening structural integrity and protecting authentic values are vital for balancing heritage preservation with ongoing urban development.
 

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