Showing 8 results for Petrography
Yasin Sedghi, Mohammadamin Emami, Nasir Eskandri Damaneh,
Volume 1, Issue 1 (6-2018)
Abstract
This study aims to examine seven pottery sherds attributed to the Aliabad cultural horizon (4th millennium BCE) from the Mokhtarabad site in Shahdad, southeastern Iran. The research focuses on analyzing their structural and mineralogical similarities and differences, identifying the raw and temper materials used, and ultimately determining the origin and manufacturing techniques. Thin-section petrography and X-ray diffraction (XRD) methods were employed for this purpose. All samples exhibit similar petrographic fabrics characterized by fine-grained homogeneous clay matrices. Mineralogically, the pottery contains similar inclusions such as angular quartz grains, plagioclase with polysynthetic twinning, feldspar, fine-grained muscovite, as well as carbonate and calcareous particles. The shared mineralogical features suggest a common source, and comparison with the local geological outcrops supports the conclusion of a regional and indigenous origin for the raw materials used.
Fezeh Rahimi, ,
Volume 2, Issue 1 (6-2019)
Abstract
Many literatures have been published about decorative motif and the colors used in these motifs in manuscripts. These studies can be suitable sources for more information about such decorations; still more accurate studies are necessary in the field of identifying the applied pigments in order to have a better understanding of historical objects. The applications of gold in decorative motif of manuscripts is what this study has focused on, in some similar dated works. Many specialists have reported the golden color as gold in catalogs and property IDs and with regard to this point that using gold in historical works and objects of Islamic period was restricted, this question arises whether gold was restricted to be used in Quran manuscripts; Or if other materials were used instead. This research aims to study golden color used in Quran manuscripts of Qajar era in order to determine what material has been used in such valuable works.
Five samples of golden parts were taken from five gilded and inlayed manuscripts recorded in the List of National Works. These works are being kept in National Museum of Quran. To achieve our purpose we have used Polarized Light Microscopy (PLM) and Scanning Electron Microscopy with Energy Dispersive Spectroscopy (SEM-EDS). We discovered that gold was used as pigment in golden decorations of our case studies.
Sana Kazemzad Bagha, Mahdi Razani,
Volume 5, Issue 1 (3-2022)
Abstract
The following article aims to conserve and restore a part of the rock door and stone tower of the Pasargad World Heritage Site. The rock piece belongs to the right wing of the stone tower and is decorated with six lotus flowers. This object had much damage that caused the preservation and protection of the work to problems such as fracture and lack of integrity. Therefore, the restoration practice started on the stone piece. The best intervention method is selected after the historical, physical, and chemical knowledge of the effect. In this regard, studies have been conducted in the field of knowing and investigating the political history, architecture, nature, and use of the rock tower, and instrumental analyses such as petrography, X-ray diffraction (XRD), X-ray fluorescence (XRF) have been performed to identify the physical and chemical dimension of the object. The results show that the work belonged to the stone tower and was probably built during the reign of Darius. The rock used to build the artefact is dolomitic limestone. Finally, with the help of the mentioned analyses and according to the restoration principles of restoration, practical procedure, and preventive conservation were carried out on the stone piece. Finally, the work was placed inside a frame made of Teflon sheet for display so that the work has both visual integrity and can be reversed for future restorations.
Samin Eshaghi Fesqendisi,
Volume 5, Issue 1 (3-2022)
Abstract
The present study examines and identifies the tombstone belonging to the cultural heritage department of Oskou city. The city of Oskou, located in the west of East Azerbaijan province, has many historical monuments, and gravestones are one of them. These symbols are considered as one of the cultural and social values of the region and the process of formation of different types of patterns and decorations can be carefully studied in them. The tombstone studied in this research was obtained from the historical cemetery of Khosraq neighborhood and is currently located in the cultural heritage office of Oskou city. During this research, the pathological condition of this stone has been examined and historical and comparative studies have been conducted to identify the period of the effect and match it with similar stones. Also, attention has been paid to its technology, type of motifs and stone carving method. To identify the type of rock, thin sections have been prepared and analyzed by petrography (petrography). Finally, after taking actions such as documenting, cleaning, patching and reconstructing the missing parts, a proposed plan for protection, restoration, display and maintenance of the work has been presented.
Masoud Bater, Malieh Saberniya ,
Volume 5, Issue 2 (9-2022)
Abstract
The Mosalla of Paein Khiaban of Mashhad is one of the largest and most beautiful historic mosallas in Iran, built at the order of King Suleiman I during the Safavid era. according to inscription on the tile of the central porch, the date of construction and completion of the building is 1087 A.H. The architectural structure of the building consists of a high central porch in the middle and two domed porticoes on the sides. Both the internal and external surfaces of the building are decorated with various architectural elements, such as stucco work, tile work, painting and muqarnas. Among the various decorative employed in this structure, the mosaic tiles of the mihrab are unparalleled in terms of beauty and sophistication. Laboratory analysis of the chemical composition of the glaze of the altar tiles using SEM-EDX method demonstrated strong agreement with findings from other researchers, indicating a continuity of the tile-making tradition and glaze production with similar technology throughout the Safavid era across various r regions of Iran. A petrological study of the mineral composition of the body of the tiles also revealed the use of a similar and appropriate mineralogical composition, paired with good firing in their production, which contributed to the strength and durability of the tiles. The pathology of the building and its decorations indicated that a combination of different physical, chemical and human factors caused the destruction and erosion of the structure and its decorations, including the mosaic tiles. Among these, human activities and irregular urban development surrounding the building, along withimproper and careless restorations, played the main role in the destruction and erosion of the tiles. Considering the importance and sophistication of the mosaic tiles of the altar, following laboratory studies, the tiles of this part of the building were conserved and restored. For this purpose, after the primary conservation measures through cleaning and consolidation, the missing parts were restored according to the principles and theoretical foundations of restoration in the method of complementary restoration through color-matching.
Hamid Fadaei ,
Volume 5, Issue 2 (9-2022)
Abstract
The Chogha Zanbil world heritage site in Khuzestan is one of the most important Elamite sites, constructed using materials such as mud bricks and baked bricks. Today, the use of petrographic methods holds a special place in archaeometric studies of historical materials like bricks and stones. This cost-effective method allows for the extraction of valuable technical information from historical materials. The main objective of this article is to identify the mineralogical characteristics of historical brick samples from Chogha Zanbil through the microscopic examination of their thin sections. The details examined in the bricks include the types of minerals that make up the bricks, texture (including grain size and shape), porosity, types of impurities, and their distribution, all presented in detail along with relevant images. The results of the studies indicate that the apparent color of the bricks from Chogha Zanbil ranges widely from yellow, brown, and red to green. Microscopic examinations not only introduce some physical characteristics of the bricks from Chogha Zanbil but also identify the main minerals present in their structure, which include iron oxide grains, calcite, quartz, chert, gypsum, fine mica grains, and feldspar. Additionally, the conducted studies provide a clear picture of the weathering processes affecting the bricks, particularly under the influence of soluble salts.
Fatemeh Alimirzaei, Gholamreza Rahmani,
Volume 5, Issue 3 (12-2022)
Abstract
The Iron Age in Iran (550-1450 BC) and beyond, represents a period characterized by significant social, cultural, economic and technological transformations during its evolutionary stages. Zavarehvar is an Iron Age settlement site located in the Varamin plain in central region of Iran, where numerous excavations have been carried out by various archeologists in recent decades. During the 2017 excavation at the Zavarehvar site, a number of gray pottery pieces related to burials were discovered. Given the distribution of the Iron Age cemeteries and the limited technical studies conducted on these potteries, our understanding of the production methods such as texture, components, and manufacturing processes is crucial for comprehending the pottery production technology of this specific period. Therefore, the results from laboratory studies can be beneficial in finding the production process of these artifacts. This research aimed to provide more precise knowledge for conducting comparative studies and determining the local origin of these artifacts by examining nine Iron Age pottery samples from this region using inductively coupled plasma mass spectrometry (ICP-MS) and petrographic analysis of thin sections. The results indicated that the main phases of the potteries, based on petrography, include quartz (SiO2), and calcite. The ICP-MS results also largely confirmed some of the petrographic observations. However, a significant part of the chemical clustering of ceramics was not due to heterogeneity in elemental composition, nor to differences in the clay sources used. Additionally, we can say that the potteries are local origin, since the soils studied showed significant similarities in trace elements with the pottery samples, confirming their local origin.
Seyed Iraj Beheshti, Sheyda Ashrafi, Siamak Sarlak,
Volume 5, Issue 3 (12-2022)
Abstract
Petrographic studies play a significant role in understanding the structural characteristics and compositions of ceramic artifacts, contributing to the identification of cultural transformations and exchanges based on technical changes in these objects. As such, it is consistently a central component of studies on analyzable artifacts. The archaeological site of Qoli Darvish, located 3 km south of the city of Qom, spans over an area of approximately 30 hectares and contains valuable archaeological remains, including distinctive types of pottery ranging from the Early Bronze Age to Iron Age I. In this study, aimed at investigating the texture, components, and classification of the pottery, 37 pieces of ceramic artifacts discovered during the 2015 excavations were analyzed. Thin-section petrographic analysis, focusing on identifying microscopic structures and existing minerals, was used for this purpose. The results revealed three distinct textures in the pottery samples: coarse-grained heterogeneous or porphyritic texture, fine-grained or silty texture, and clastic texture. The clay matrix of these ceramics shows minimal sorting of its components and contains grog and coarse fillers. Various igneous rock fragments, grog (remnants of silt, clay, or crushed ceramics), calcite, and quartz are visible in the samples. Based on the findings, it can be concluded that the materials used in the production of these ceramics were generally local and sourced from the surrounding region.