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Showing 2 results for Dehpahlavan

Talhe Ghodousiyan, Mehdi Razani, Amir Hossein Mehdikhani, Arash Keshtkar, Ali Kh Mirzaie, Alireza Mansouri, Ali Akbar Kiaei , Hossein Shirazi , Mustafa Dehpahlavan, Abdolbasir Hosseinbor,
Volume 7, Issue 3 (11-2024)
Abstract

Artificial intelligence (AI) and machine learning (ML) have emerged as transformative tools in preserving, analyzing, and representing cultural heritage and arts. This article provides a systematic and comprehensive review of AI applications in this domain, exploring their potential to address longstanding challenges such as natural degradation, limited accessibility, and complex documentation. By integrating classical and advanced ML algorithms, we examine case studies including the Time Machine Europe project, the Ithaca model for ancient Greek texts, and metaverse-based heritage digitization. These initiatives demonstrate AI’s capacity to enhance precision, speed, and interactivity in heritage tasks, from virtual reconstruction to multimodal data analysis. However, limitations such as data quality, ethical concerns, and computational complexity pose significant barriers to widespread adoption. Emerging technologies like non-fungible tokens (NFTs), prompt engineering, and quantum AI are highlighted as future directions that promise further innovation. This study underscores the need for interdisciplinary collaboration and ethical frameworks to ensure sustainable advancements, offering a roadmap for researchers and policymakers in the digital era.

Ramin Mohammadi Sefidkhani, Mostafa Dehpahlavan,
Volume 7, Issue 3 (11-2024)
Abstract

Conservation in archaeological excavations involves creative and rapid methods aimed at minimal intervention and maximum preservation of findings until their transfer to well-equipped and specialized laboratories. Given that the first professional interaction with discovered artifacts falls within the realm of conservation and restoration, and considering that all related actions, including comprehensive and scientific sampling, ensure the preservation of both hidden and visible data, it is essential to focus on expanding methods and practices in this field. The lack of reports on practical conservation measures in archaeological excavations, and occasionally the absence of specialists on-site or acceptable specialized actions, highlights the necessity of paying greater attention to this area. This article aims to document the conservation and restoration measures undertaken in Trench 12 of the Qareh Tepe Segaabad cemetery in the Qazvin Plain, detailing the processes of grave block-lifting, ceramic bandaging, stabilization and consolidation of ceramic, metal, and bone artifacts, and their retrieval. The tools used in the conservation and restoration of the mentioned trench include transparent adhesive tape, aluminum foil, various brushes, tweezers, cotton, polyester fibers, banana crates, injection syringes, jute sacks, wooden skewers, scalpel blades, and pipettes. The chemical materials used for joining, stabilization, and consolidation include alcohol, acetone, toluene, transparent epoxy adhesive (Ghaffari brand), Paraloid B72 resin, polyurethane resin, and plaster. Conservation in archaeological excavations involves creative and rapid methods aimed at minimal intervention and maximum preservation of findings until their transfer to well-equipped and specialized laboratories. Given that the first professional interaction with discovered artifacts falls within the realm of conservation and restoration, and considering that all related actions, including comprehensive and scientific sampling, ensure the preservation of both hidden and visible data, it is essential to focus on expanding methods and practices in this field. The lack of reports on practical conservation measures in archaeological excavations, and occasionally the absence of specialists on-site or acceptable specialized actions, highlights the necessity of paying greater attention to this area. This article aims to document the conservation and restoration measures undertaken in Trench 12 of the Qareh Tepe Segaabad cemetery in the Qazvin Plain, detailing the processes of grave block-lifting, ceramic bandaging, stabilization and consolidation of ceramic, metal, and bone artifacts, and their retrieval. The tools used in the conservation and restoration of the mentioned trench include transparent adhesive tape, aluminum foil, various brushes, tweezers, cotton, polyester fibers, banana crates, injection syringes, jute sacks, wooden skewers, scalpel blades, and pipettes. The chemical materials used for joining, stabilization, and consolidation include alcohol, acetone, toluene, transparent epoxy adhesive (Ghaffari brand), Paraloid B72 resin, polyurethane resin, and plaster.


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