Pirouz Hanachi, Sara Taymourtash,
Volume 1, Issue 1 (4-2017)
Abstract
The concept of industrial heritage arose in the middle of 20th century, when several industrial buildings and urban landscapes were destroyed in the UK. Since then, numerous efforts have been put to recognize industrial heritage works. Industrial sites are considered as a milestone in human history; they contain memories from a period which was a nuisance, and at the same time symbolized hope toward a better life. Through their architecture, industrial buildings represent technological developments of countries, and the socio-cultural values of their own period.
Loss of their industrial uses within cities, and their unsuccessful social status put these buildings on the verge of destruction. A shift in the mainstream attitude in terms of work and activities, and an architectural style originating from universal experience highlight the importance of investigation and preservation of these buildings. This is where the knowledge to preserve those building which are unable to secure their own prosperity gains importance. The reason of this inability comes from the fact that these buildings are no longer needed, which turns them into abandoned and unsafe spaces, endangering well-being of the society. Adaptive reuse of an existing historical building and adding an extension to it will create movement, liveliness and visual diversity, while maintaining the building character. Enormous scale of the factory, the rhythmic repetition, the length which points to the infinity and even melancholic colors are key points when seeking for an authentic design in order to reuse the building.
Miss Neda Mohammadi, Miss Zahra Darabi,
Volume 2, Issue 1 (6-2019)
Abstract
Beauty has always been considered as one of the most important dimensions of art and architecture throughout history, and real decoration has also been used as one of the methods of creating beauty in Iranian architecture. Despite the possibility of reaching human written opinions about beauty and decoration, opinions about the philosophy and criterion of the origin of beauty are expressed differently. Decorating in Islamic art is one of the most important and most effective unifying elements. Decoration in Islamic architecture and art, especially in schools, has a special role. This paper tries to analyze the adaptive decorations of Husaynya-school and traditional schools of Shiraz during Qajar period using a descriptive-analytical method and with library and field studies. The study of Husayn-Moshir and Qavam School and Moghimiyeh and Nezamiyeh schools have been analyzed. Research findings show that Husseinieh inscriptions - Qajar schools differ in terms of themes from Qajar schools, but there are no significant differences in other decorations.
Hamid Fadaei, Fardin Naseri,
Volume 5, Issue 1 (3-2022)
Abstract
Persepolis is one of the most prominent remaining stone sites in Iran and the world, showcasing the traditions, culture, and customs of ancient Iranians, and is notable for its structural architecture and visual beauty. The Hundred-Column Hall is the largest columned hall in Persepolis after Apadana and was magnificently adorned with a hundred tall columns. Today, mainly the bases of these columns remain in their original place in this palace. Various stone pieces belonging to other column components, such as column shafts, capitals, and floral motifs, are scattered in the open space of the main hall of the palace, exposed to natural damaging elements and thus urgently requiring conservation efforts. This study focuses on one of the column bases (Base 4D) and, through library, field, and analytical studies and the implementation of an emergency conservation plan, aims to slow the degradation pattern of this limestone base. Previously, most restorations at Persepolis were conducted using sand-cement materials, but with changing perspectives and theoretical foundations in stone conservation, cement use has been discontinued due to its different water absorption and evaporation rates, expansion and contraction coefficients, and irreversibility. XRD analyses indicate that calcium oxide is the predominant component in the samples, with traces of silicate, aluminum, and iron also present in the stone composition. Other oxides are found in minimal amounts, and the stones used are high-purity limestone with low silica content. One of the outcomes of this research is the use of hydraulic lime-based materials known as "Ledan," combined with additives and fillers, applied to deficient and actively fractured sections. This protective mortar, highly compatible with limestone, has strengthened the resistance of cracks and fractures against moisture infiltration and significantly reduced erosion rates.
Pouya Sadeghi-Farshbaf,
Volume 5, Issue 1 (3-2022)
Abstract
The purpose of this research is to direct attention to the protection of the Einali historical monument located in the Sorkhab mountain range of Tabriz in terms of finding faults with the potential of destructive earthquakes based on the variogram analysis and spatial correlation pattern zoning of data related to recent earthquakes. Therefore, it is possible to protect the structure of the mentioned building by finding protection and strengthening solutions according to the outputs of the article. For this purpose, first, the faults around the Einali historical monument located in the central sector of the North Tabriz Fault (NTF) are identified based on the variograms related to the spatial data of the recent earthquakes. Direct identification of transverse faults in field studies is influenced by the geological environment of the region. For the study case, this environment includes structural complications such as many fractures and joints around the Einali building and the density of residential structures on the slopes of Sorkhab mountain. Therefore, providing an estimator tool in this study in order to identify and locate the fault segment can be helpful and beneficial because it is possible to choose the correct areas for field studies by having estimated positions with less time and cost. Locations according to the methodology presented in this study include the processing of the spatial position of recent earthquake data based on variograms, which results in the estimation of data with high spatial correlation. Therefore, by proposing a spatial pattern of continuous characteristics from variogram models and checking Kriging interpolation and choosing the best experimental variogram, the spatial correlation between observations was predicted for other unknown values. The results of the study showed a very high correlation of the separation revealed with the field evidence and, as a result, the validation of the method presented in this research. Therefore, it is suggested that the maximum amount of seismic damage to the Einali building is caused by the activity of the transverse fault associated with the NTF.
Amin Allah Kamali,
Volume 5, Issue 1 (3-2022)
Abstract
Iran, with a history spanning over 7,000 years, is considered one of the pioneers of ancient mining and metallurgy in the world. Ancient mining and metallurgy, as part of Iran's engineering and cultural heritage, play a crucial role in understanding the history of these technologies and advancing related knowledge. The study of this field contributes to the preservation of this historical and cultural legacy. Since the 1990s, organized efforts in the field of ancient mining and metallurgy have been initiated in Iran, leading to significant achievements, including the implementation of national and international projects. This research reviews key studies conducted in the field of ancient mining and metallurgy, presenting the outcomes of activities in this area. Moreover, it highlights the values embedded in the heritage of ancient mining and metallurgy, emphasizing the need to preserve this valuable legacy and register significant ancient mining and metallurgy sites as national heritage assets.
Sana Kazemzad Bagha, Mahdi Razani,
Volume 5, Issue 1 (3-2022)
Abstract
The following article aims to conserve and restore a part of the rock door and stone tower of the Pasargad World Heritage Site. The rock piece belongs to the right wing of the stone tower and is decorated with six lotus flowers. This object had much damage that caused the preservation and protection of the work to problems such as fracture and lack of integrity. Therefore, the restoration practice started on the stone piece. The best intervention method is selected after the historical, physical, and chemical knowledge of the effect. In this regard, studies have been conducted in the field of knowing and investigating the political history, architecture, nature, and use of the rock tower, and instrumental analyses such as petrography, X-ray diffraction (XRD), X-ray fluorescence (XRF) have been performed to identify the physical and chemical dimension of the object. The results show that the work belonged to the stone tower and was probably built during the reign of Darius. The rock used to build the artefact is dolomitic limestone. Finally, with the help of the mentioned analyses and according to the restoration principles of restoration, practical procedure, and preventive conservation were carried out on the stone piece. Finally, the work was placed inside a frame made of Teflon sheet for display so that the work has both visual integrity and can be reversed for future restorations.
Abdolmajid Abedi , Maryam Ferasat ,
Volume 5, Issue 1 (3-2022)
Abstract
values and the necessary actions to preserve and transfer these values to the future. These strategies are known in conservation and restoration literature in various terms, including conservation management planning. Undoubtedly, presenting a conservation and restoration plan for a site with extensive material value is the reason for this research and restoration report. By collecting primary information related to the recognition of the site and conservation, a program will be presented as general solutions for conservation and introduction of the site. Although such research and conservation efforts are preliminary, they can be considered as the first step towards serious national and international actions to protect, restore, and introduce valuable ancient sites
Samin Eshaghi Fesqendisi,
Volume 5, Issue 1 (3-2022)
Abstract
The present study examines and identifies the tombstone belonging to the cultural heritage department of Oskou city. The city of Oskou, located in the west of East Azerbaijan province, has many historical monuments, and gravestones are one of them. These symbols are considered as one of the cultural and social values of the region and the process of formation of different types of patterns and decorations can be carefully studied in them. The tombstone studied in this research was obtained from the historical cemetery of Khosraq neighborhood and is currently located in the cultural heritage office of Oskou city. During this research, the pathological condition of this stone has been examined and historical and comparative studies have been conducted to identify the period of the effect and match it with similar stones. Also, attention has been paid to its technology, type of motifs and stone carving method. To identify the type of rock, thin sections have been prepared and analyzed by petrography (petrography). Finally, after taking actions such as documenting, cleaning, patching and reconstructing the missing parts, a proposed plan for protection, restoration, display and maintenance of the work has been presented.
Masoud Bater, Malieh Saberniya ,
Volume 5, Issue 2 (9-2022)
Abstract
The Mosalla of Paein Khiaban of Mashhad is one of the largest and most beautiful historic mosallas in Iran, built at the order of King Suleiman I during the Safavid era. according to inscription on the tile of the central porch, the date of construction and completion of the building is 1087 A.H. The architectural structure of the building consists of a high central porch in the middle and two domed porticoes on the sides. Both the internal and external surfaces of the building are decorated with various architectural elements, such as stucco work, tile work, painting and muqarnas. Among the various decorative employed in this structure, the mosaic tiles of the mihrab are unparalleled in terms of beauty and sophistication. Laboratory analysis of the chemical composition of the glaze of the altar tiles using SEM-EDX method demonstrated strong agreement with findings from other researchers, indicating a continuity of the tile-making tradition and glaze production with similar technology throughout the Safavid era across various r regions of Iran. A petrological study of the mineral composition of the body of the tiles also revealed the use of a similar and appropriate mineralogical composition, paired with good firing in their production, which contributed to the strength and durability of the tiles. The pathology of the building and its decorations indicated that a combination of different physical, chemical and human factors caused the destruction and erosion of the structure and its decorations, including the mosaic tiles. Among these, human activities and irregular urban development surrounding the building, along withimproper and careless restorations, played the main role in the destruction and erosion of the tiles. Considering the importance and sophistication of the mosaic tiles of the altar, following laboratory studies, the tiles of this part of the building were conserved and restored. For this purpose, after the primary conservation measures through cleaning and consolidation, the missing parts were restored according to the principles and theoretical foundations of restoration in the method of complementary restoration through color-matching.
Mohammad Yaghizayi, Mehdi Razani, Atefeh Fazel Najafabadi,
Volume 5, Issue 2 (9-2022)
Abstract
The pathology of pottery works is considered one of the most fundamental pillars of conservation and restoration, as understanding the damage will pave the way for its preservation and restoration. Pottery works are generally more stable than many other materials found in archaeological excavations. However, when these works are buried in inappropriate conditions and unfavorable factors, they can suffer from significant damage. Without proper care in their protection, the result may be complete deterioration of the pottery. Damage to ceramic bodies occurs in two forms: Physical and chemical, along with mechanical factors, can accelerate these processes. In the pathology of clay bodies, it is essential to identify the origins and causes of these damages to implement the effective treatments aimed to enhance the longevity of the ceramics., In the pathology of clay bodies, we can refer to cracks, fractures, crystallization of various salts, damages from firing processes, biological damages, stains, delamination, and more. This research, will provide an overview of the most prevalent damages of clay bodies and the factors that cause them, and the relationship between the formation of one type of damage and its influence on the emergence of other damages. Recognizing these connections can inform more effective methods for the protection and restoration of pottery artifacts.
Hamid Fadaei ,
Volume 5, Issue 2 (9-2022)
Abstract
The Chogha Zanbil world heritage site in Khuzestan is one of the most important Elamite sites, constructed using materials such as mud bricks and baked bricks. Today, the use of petrographic methods holds a special place in archaeometric studies of historical materials like bricks and stones. This cost-effective method allows for the extraction of valuable technical information from historical materials. The main objective of this article is to identify the mineralogical characteristics of historical brick samples from Chogha Zanbil through the microscopic examination of their thin sections. The details examined in the bricks include the types of minerals that make up the bricks, texture (including grain size and shape), porosity, types of impurities, and their distribution, all presented in detail along with relevant images. The results of the studies indicate that the apparent color of the bricks from Chogha Zanbil ranges widely from yellow, brown, and red to green. Microscopic examinations not only introduce some physical characteristics of the bricks from Chogha Zanbil but also identify the main minerals present in their structure, which include iron oxide grains, calcite, quartz, chert, gypsum, fine mica grains, and feldspar. Additionally, the conducted studies provide a clear picture of the weathering processes affecting the bricks, particularly under the influence of soluble salts.
Sarvin Moradi, Muhammad Yaghizahi ,
Volume 5, Issue 2 (9-2022)
Abstract
Glaze is a layer of glossy or matte glass that is applied to the surface of pottery, which not only enhances its beauty but also provides strength and impermeability to the surface. Glazes are divided into several categories according to the type of ingredients as well as the temperature and type of firing. Glazes made from silica are transparent and colorless, which metal oxides such as copper oxide or cobalt, etc. are added to color the glaze. In the primary division, the opaqueness or transparency of the glaze is relevant, which depends on the lead or alkalinity of the glaze. Other classifications of glaze are based on the type of materials used and the firing temperature as well as the firing environment of the glaze. Knowing the types of materials used in the glazes significantly aids in better examination and identification, as well as in recognizing existing defects in the glaze, the type of damage, and the preservation of historical objects. One of the materials used in the structure of historical glazes is silica or flint, which is also used in modern glazes. This substance exists in nature in the form of quartz stones, of which different types have been identified in different parts of the world, plays an important role in the glaze structure. It enhances the bonding between the body and the glaze, and when combined with other materials, it makes the glaze glassy. It plays an important role in the strength of the glaze, and therefore its existence is necessary in the glaze, especially at high temperatures. This research aims to study the physical and chemical structure of silica and its role and importance in glaze formulation. To achieve this, it is necessary first to examine the type and structure of silica, and then discuss its advantages and disadvantages in the structure of the glaze and its importance in the glaze. By studying books and articles this research tries to familiarize the audience with one of the most basic materials used in glaze, which is silica, and how the quantity and type of silica used affects the type of glaze produced.
Fatemeh Alimirzaei , Nilofar Chalabi ,
Volume 5, Issue 2 (9-2022)
Abstract
Due to the instability and sometimes sensitivity of archaeological objects, conservation and restoration of them usually require a complex procedure along with basic studies and pathology in the restoration process. Since pottery objects are more stable than other objects, they can be restored after preliminary investigation regarding the level of strength and hardness of surface sediments, if there is no special problem. In this report, we introduce and describe the conservation and restoration process of a number of Zanjan salt men collection pottery, transferred from the Zulfiqari Museum of Zanjan to the pottery department of the Research Center for Conservation of Cultural Relics for conservation and restoration operations. These objects, which were sometimes cleaned and temporarily patched at the excavation site, were thoroughly checked and all connections were opened. The parts were cleaned separately using various mechanical and chemical methods and after finding the correct parts, the connection was made again. Finally, the parts that needed to be reconstructed were reconstructed with plaster following the pattern designed for this collection and considering the basics of restoration.
Ali Meirzai , Noushin Bensloo,
Volume 5, Issue 2 (9-2022)
Abstract
The ceramic objects are one of the most important evidence of the Neolithic era. Due to the physical and mechanical damages, they need proper conservative strategies. The reconstruction of historical ceramic objects with a large number of missing parts has been a challenge for conservators. The importance of this matter is owing to the historical, technological, and aesthetic values of objects. So, their conservation and reconstruction must be in line with the conservation protocols to conserve their integrity. In this paper, we describe reconstructing process of a historical ceramic object belonging to the Neolithic period recovered from Silve Tepe in Piranshahr City in the northwest of Iran. In this process, we are trying a new method for casting on a sample with numerous missing parts. After preliminary studies of the sample, the reconstruction of it is described.
Ahmad Shakery,
Volume 5, Issue 2 (9-2022)
Abstract
The Tepe Silveh site is one of the ancient sites in the Piranshahr region. During excavations conducted in 2015, several terracotta pots were uncovered. The purpose of this project is to restore and protect two terracotta artifacts belonging to this site, This project is therefore of great importance Silweh hill has been completely destroyed in the exploitation plan of Silweh dam and these pottery are the only remaining information from this ancient site. The project aims to prevent further damage to these artifacts in the future by adopting the most appropriate conservation methods.These pottery pieces were found in a very poor and unstable condition, and immediate strengthening was among the most essential initial measures. After conducting the necessary comparative historical studies, efforts were made to adopt the most efficient intervention methods. These pottery were found in a very disorderly and unstable condition, and immediate strengthening was among the most essential initial measures. After conducting the necessary comparative historical studies, efforts were made to adopt the most efficient intervention methods.
Anisa Shiri , Hamid Fadaei, Leila Razavi, Mostafa Rakhshandehkhoo, Mohammad Reza Alikhah, Zeinab Mohtasham,
Volume 6, Issue 4 (3-2024)
Abstract
Stone structures are susceptible to weathering and erosion over time, necessitating the identification and elimination of damaging factors to ensure their preservation. This research focused on diagnosing the damage to the tomb of Xerxes located at the historical site of Naqsh-e Rostam through a multidisciplinary approach encompassing library research, field observations, laboratory analyses, and geological studies. Petrographic studies revealed that the rocks comprising the tomb belong to the Seruk Formation. The sedimentary sequence within this formation exhibited thick and light-colored limestone layers. Utilizing the geophysical technique of Ground Penetrating Radar (GPR), two major fractures were identified along the boundaries of the tomb. These fractures predominantly followed north-south and east-west orientations. The intersection of these fracture sets, combined with the layering surfaces, resulted in the development of dissolution phenomena, leading to the formation of dissolution holes and cavernous porosity on the structure. Additionally, field studies investigated the presence of plants and cyanobacterial lichens on the tomb.
Yaser Hamzavi,
Volume 8, Issue 1 (6-2025)
Abstract
The present research investigates the authenticity and probable date of execution of the dated inscription in the central part of the mihrab of the Jameh Mosque of Urmia. At first glance, the date 676 AH inscribed on the inscription attributes its origin to this period. However, this research begins by posing the fundamental question of whether the current inscription is the same original inscription belonging to the 13th century CE (7th century AH) or whether it was reconstructed in later periods based on an older inscription that was likely damaged or destroyed. The main objective of this research is to determine or refute the authenticity of the dated inscription of the mihrab of the Jameh Mosque of Urmia. This article will analyze the mihrab inscription of the Jameh Mosque of Urmia using an analytical-historical approach and drawing upon fieldwork and artistic and historical analyses. The results of field investigations and observations of the stucco decorations in various parts of the dome chamber of the Jameh Mosque of Urmia indicate that the inscription in the central part of the mihrab, executed in 676 AH, was sketched and recorded during the Safavid period (likely). Subsequently, the inscription in question was completely destroyed (and possibly some reinforcement work was done on the underlying layer), and then the same original text that had been sketched was transferred onto a new stucco base and the stucco work was carried out. In fact, the construction date of the mihrab is indeed 676 AH, but the inscription under discussion was executed in the late Safavid period. The final section of the inscription, related to Surah Al-Fath, also dates from the restorations of this period. A noteworthy point in the intervention is that the text of the inscription was reconstructed exactly to ensure that the construction date of the mihrab and the artist who created it would not be forgotten. In essence, during a certain period (likely Safavid), a stucco master executed the dated inscription of the mihrab and the final section of the Al-Fath inscription using a specific type of stucco, a particular processing method, and a distinct cutting technique, which differ from the Ilkhanid and Qajar sections.
Eskandar Mokhtari Taleghani,
Volume 8, Issue 1 (6-2025)
Abstract
This note reviews the book "The Interaction of Restoration and Architectural History in Iran" by Zaatollah Nikzad. The author highlights that this book, emphasizing the relationship between restoration and architectural history, addresses the necessity of preserving architectural works, especially from the perspective of understanding and transmitting the embedded messages within them. The author argues that restoration should not merely be seen as an executive task but as an interpretive and research process, aiming to understand both the architecture and its history. Restorers must benefit from diverse sciences and, in addition to their artistic skills, should possess a proper understanding of architectural history and the creators of historical works. Mokhtari emphasizes that restorers, along with their scientific and technical skills, should engage with historiography and cultural understanding of architectural works, and this understanding should be incorporated into the restoration process. Architectural history must be documented precisely in interaction with the performed restorations to provide primary data for researchers. Ultimately, Mokhtari introduces the restorer as a custodian of architectural history and science, arguing that they should, with precision and responsibility, preserve historical information and evidence and pass them on to future generations. The book "The Interaction of Restoration and Architectural History in Iran" highlights the significance of this new approach in restoration, which should be regarded as the first step in research on Iranian architectural conservation and history.