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Parisa Zahedi,
Volume 5, Issue 4 (1-2023)
Abstract

The use of tombstones to mark the burial place of the dead is an ancient tradition. Over time, its types, shapes, and sizes depending on the traditions, culture, and religion, as well as the impact that the deceased had on his family and society during his lifetime has been changed. Tombstones also play an important role in preserving history, as they often have inscriptions that provide insight into the people buried beneath them and the cultural practices of that historical period. The tombstones of the Islamic period play an important role in recognizing Islamic culture in the past ages. Ohadi Maragheh is a poet of the late 7th and early 8th century AH, and his tomb is in a cemetery in Maragheh and his tombstone is a sandstone box with decorations and inscriptions. In this article, using field, library, and laboratory studies, the typology, characterization and preservation-digital reconstruction of the tombstone of Ohadi Maraghei have been studied. Using this method before carrying out physical conservation and restoration activities can be helpful in showing what will happen. The restorer can give researchers a general picture of the restored work by performing digital reconstructions.

Mostafa Rakhshandehkhoo, Hamid Fadaei, Masoud Ansari, Leila Razavi,
Volume 6, Issue 1 (6-2023)
Abstract

The Sassanian bas-reliefs are among the most significant historical artifacts of ancient Iran, primarily found in the province of Fars. Approximately 30 Sassanian bas-reliefs exist in Fars, depicting scenes related to power demonstrations, court proceedings, and battles or hunting scenes. Unfortunately, many of these bas-reliefs have suffered damage over the years due to their outdoor exposure and the impact of climatic conditions. Depending on the type of stone and their geographical location, they have been gradually eroded. Given their historical importance for Iran's cultural heritage, a comprehensive program involving study, documentation, conservation planning, and restoration is crucial. The Naqsh-e Rostam Relief Complex houses more than 11 bas-reliefs and numerous inscriptions, all situated in open-air environments and vulnerable to environmental factors such as rain, wind, and temperature fluctuations. These elements have contributed to the gradual deterioration of these ancient artworks. The central question addressed by this article pertains to the process of studying, assessing damage, documenting, and planning the conservation of a rock relief. To answer this, a combination of field and laboratory methods has been employed, including petrography, X-ray diffraction (XRD), and X-ray fluorescence (XRF). The results indicate both physical and chemical weathering in the limestone structure, leading to various forms of damage such as erosion, flaking, cracking, and breakage. Therefore, protective and conservation measures for these prominent bas-reliefs should focus on strengthening and preserving their surfaces against deteriorating agents.

Mahsa Saidi Mehrabad, Ali Nemati-Babaylou, Hakime Afsharinezhad,
Volume 6, Issue 1 (6-2023)
Abstract

Alki Caravanserai – Near Marand is considered one of the most important buildings on the way in north-west regen- Iran due to its special position in archaeological studies. It was located on the side of the ancient Silk Road and was built by the order of Khawja Rashid al-Din Fazl-Allah (Fazllullah) Hamadani. The ornaments used in the Entrance gate of this building are a combination of tiles and bricks, which have special and important place in the north of the country not only from the archeological point but also because of their position in the evolution process of making tile arrays. This shows the importance of recognition, conservation, and restoration of Alaki caravanserai. Due to the full destruction of this caravanserai building over time, some ornaments and part of the architectural plan of this caravanserai have been discovered during archaeological excavations. In Current research, the process of recognizing and classifying these ornaments has been done based on historical and decorations remain studies that lead to the protection, restoration, and revival of the caravanserai building regarding the health of the plan and the foundations of its structures. First, the separated and broken decorations were classified according to historical studies and their location was identified in the old pictures of the caravanserai. This matter was done in the feasibility of revitalizing entrance gate Then, according to the available images and parts, the geometric nodes related to the two types of designs are drawn, then according to the available parts, it is possible to check the geometric frame of a tile and brick combination frame as an example of the works of this renovation.

Mehdi Razani, Zahre Shojai Maleki,
Volume 6, Issue 1 (6-2023)
Abstract

the issue of forgery is of great importance in studying the authenticity of artistic and historical objects in the field of cultural artifacts. Ceramic, has been one of the most important human achievements that has subjected to various forms of forgery throughout history. Determining the authenticity of ceramic works requires understanding the multi-faceted nature of the material composition, construction methods, and decoration of the objects, as well as recognizing different types of forgery. Evaluating forgery in ceramic objects requires an assessment of the artistic-historical and aesthetic aspects of the crafted object, the authenticity of the manufacturing technology and production component, and the authenticity of subsequent interventions and additions. Therefore, determining authenticity in the face of forgery requires a specialized perspective and approach towards suspicious objects. This article aims to explore the various types of forgery in ceramics and examine the typology and methods of forgery in historical and cultural ceramics of Iran. The results, regardless of the historical context of forgery, indicate the development of forgery in ceramic objects during recent centuries and its presence in the antique market and the conservation of historical artifacts.

Fezeh Rahimi, Alireza Razaghi,
Volume 6, Issue 1 (6-2023)
Abstract

Identity is one of the concepts with a broad range of meaning within the humanities. Its importance lies in the fact that it is impossible to find an individual, person, or object that has no identity. For this reason, it has been a subject of study across most of the different branches of humanities. It is also important in the field of cultural heritage, which is directly linked to the cultural identity of communities, and for this reason many documents have been prepared in this regard. Due to the importance of the issue, this article conducts a content analysis of international documents related to cultural heritage. For this purpose, the concept of identity was selected from several international documents related to cultural heritage. Based on the content analysis, the concept of identity in these documents can be examined under two main categories: the definition of identity and the domains of identity. Each of these categories has subcategories, that are classified in this article under the title of category and subcategory. However, how each of these categories and subcategories is prioritized within these documents, along with recommendations for improving the handling of the issue of identity in future documents, is addressed in this article. The importance of using the hierarchical analysis of subcategories in these documents is that, in addition to being effective in decision-making, it will also be helpful in compiling newer documents about identity. After identifying the categories and subcategories related to the concept of identity, they were prioritized. This means that after analyzing the content of the documents, their rank analysis was conducted, to determine the ranking of each category.

Shaiba Khadir,
Volume 6, Issue 1 (6-2023)
Abstract

Identifying the material and the main substrate of a cultural artifact, as well as the surface sediments in the process of conservation and restoration plays a significant role in determining the appropriate methods and ensuring the longevity of the artifact. To achieve this, the use of laboratory-based, instrumental, and microscopic techniques is indispensable. While some experts might be able to recognize the nature of the coin at a glance, this is not always possible, especially when it covered with substantial deposits or when its authenticity is in question.  Therefore, in addition to experimental knowledge and comparative studies, precise laboratory methods are necessary. In the research has been carried out in the workshop of conservation and restoration of metal works of the Research Center for Conservation of Cultural Relies, we encountered instances familiar to many dealing with coin collections. For example, coins with a silver appearance that have become darkened and tarnished due to deposits caused by the surrounding environment and wear and tear, might initially seem to be silver.  However, further investigation often reveals that they are of different alloy or have a Silver coating, or they have been silver-copper coins buried in soil, where deposits and extensive copper corrosion products sometimes make the identification more challenging. Various methods are employed in the study of coins to clarify the economic, social, and political conditions at the time of their minting. Techniques such as PIXE (Particle-Induced X-ray Emission) and XRF (X-ray fluorescence) have attracted more attention from researchers for reasons such as accuracy and non-destructiveness nature. However, it should be considered that in order to obtain a clear and accurate results, the surface of the coin needs to be clean and free of any kind of contamination before conducting these analyses. This underscores the importance of adhering to proper restoration processes for these historical artifacts. Before commencing cleaning, the conservator must consider factors such as the identification of the coin, its surrounding environment or burial and storage conditions, structural aspects, precision in coin minting, and its pathology. Assessment of these factors, not only helps numismatic studies and determining the authenticity of coin, but also assists in selecting the optimal method of cleaning. It should be kept in mind that the inappropriate selection of chemicals or the use of unsuitable mechanical tools can cause serious damage to the artifact's surface and disturb subsequent studies. this research introduces various methods used in the field of study of coins, both hammered and machine-struck, tend highlights the role and importance of laboratory studies in this context.

Tahereh Shihebori, Elahe Khakbaz Alvandiyan,
Volume 6, Issue 1 (6-2023)
Abstract

Historical monuments have always had a special place in historical-cultural studies as one of the indicators of identifying the cultural heritage of nations. The following paper aims to present a report on the restoration andconservation of metal objects of the cultural heritage treasure of Yazd city. Protection of this treasure which is one of the richest collections in terms of the variety of historical works, which put the restoration and conservation of the present objects on the agenda in the past years, and restoration and conservation operations were carried out on these valuable works. For this purpose, an effort was performed in this research during 7 years at different times to select metal objects with special features from this rich collection, and its report is presented in this article. Various types of objects such as silver, iron, and bronze objects were restored and protected. Improper maintenance conditions in the past have caused these works to be covered by environmental sediments or corrosion products, which sediments and corrosion products cause the illegibility of designs and patterns and sometimes the complete destruction of objects. So, in the operation procedure of restoration and conservation observing theoretical principles, cleaning operation was done as far as possible mechanically and chemically if needed. Low percentages of consumable materials were used and materials were selected that do not harm the environment as much as possible. The most important step after the restoration operation is the conservation of objects in desirable conditions and periodic reviews, so that if any damage is observed, it should be repaired immediately. The following paper describes the steps of restoration and conservation of metal objects of different types and protects them to keep them in standard conditions to be shown in the museum.
 
Mohammad Yaghizaei,
Volume 6, Issue 1 (6-2023)
Abstract

Pottery is one of the most important man-made artifacts, and with time, its manufacturing and application technology has also changed. Therefore, in most archaeological excavations, pottery artifacts occupy a major part of the discoveries, and most of these artifacts have special damages. Some of these damages are common, such as fractures and cracks, and some are special due to the burial conditions and low quality in the construction technique; Such as body layering damage that requires special protection and restoration studies. In this study, a sample of terracotta cauldron hanging on the Segzabad hill of Qazvin Plain belonging to the Iron Age period was studied. This study aimed to understand the construction technique, investigate the damages on the pottery body and the cause of these damages. To answer these questions, instrumental tests, such as XRF, and comparative historical studies have been used. All these studies will ultimately help in the way of conservation and restoration that should be done. After all the protective steps to prevent secondary damage that may occur after its restoration, a box is designed to store the pottery and, in some cases, even display it. The result obtained from all the steps was the recognition of the construction technique and the documentation of the damage in the body, which ultimately led to the protection and restoration of this historical and cultural work.

Negar Raeisnia, Mohammad Haddadi,
Volume 6, Issue 2 (9-2023)
Abstract

Environmental factors have a key role in increasing the durability of documented and written heritage. Therefore, in order to create favorable environmental conditions in archives and libraries, it is necessary to determine the goals related to environmental management to meet the preservation needs of these collections; and protective measures (to prevent or slow down the process of deterioration of materials) in these institutions should be planned and implemented. The most important environmental factors affecting the durability of library and archive collections include temperature, relative humidity, light, airborne particles, chemical gases, and biological factors. Control and regulation of these factors is the most cost-effective way to increase the useful life of collections. Therefore, it is necessary to evaluate the environmental conditions continuously, by recording and processing the data. In this study, the requirements, optimal scope, and preventive protection measures contained in some standards and guidelines for the protection and  maintenance of archival and library materials have been investigated. The aim is ensuring the safe preservation of materials and objects sensitive to deterioration. It seems that physical, chemical, and biological mechanisms depend on temperature and humidity which affect the collections in different ways. So, it is impossible to find a safe temperature and humidity range for all collections. Establishing international standards should be recognized as
a long-term strategy that helps to raise the quality of protection processes and improve resource protection knowledge. Based on the studies and experiences gained, the permissible limits can be determined which depend on the material's physical condition, its proper durability over time, and the environmental conditions of storage during the historical period.

Mehdi Razani, Ali Mirzaei, Ramin Mohammadi Sefidkhani,
Volume 6, Issue 2 (9-2023)
Abstract

This article examines and identifies the tombstone of the late Seyyed Rouhollah Kashfi Darabi and discusses how to carry out its restoration, reconstruction, and display. The necessity and importance of this research is the attention to the conservation and restoration of outdoor stone artefacts in the museum that are exposed to environmental factors in open areas. This has been accomplished through laboratory studies identifying stones using petrographic methods and examining similar past experiences in the region through field and library research. After documenting, analyzing, and evaluating the intervention and reconstruction methods, the incomplete interventions of previous restorations were cleaned up and rectified. In continuation, the reconstruction of the tombstone was carried out using silicone molds and polyester resin. The restoration intervention was done by examining and comparing various reconstruction methods for such works and the less-considered idea was innovatively implemented by reconstructing the missing parts with polyester resin (simulating marble stone) while considering technical and aesthetic principles. Finally, conservation and restoration measures were carried out using 4% Paraloid B-72 as a coating-stabilizer and it was entrusted to the technical office of Tabriz Islamic Art University with arrangements for display and conceptual space. Despite the positive aspects of the reconstruction measures in terms of technical and aesthetic principles, due to the location of the artifact in the outdoor environment and exposed to destructive environmental factors, follow-up researches are needed to investigate the behaviour of stone and restoration materials.

Zahra Morovaty Pour Ghalhe Sheykhy, Hamid Fadaie,
Volume 6, Issue 2 (9-2023)
Abstract

On the slopes of Mount Rahmat, located in the southern section of the Throne of Persepolis, between it and the unfinished tomb attributed to Darius III, lies a complex of structures architecturally similar to those situated on the throne itself, sharing the same axis with a deviation of 20 to 25 degrees westward. This complex, known as the Barzan-e Jonoobi, comprises eight separate structures interconnected by designed pathways and corridors and generally features columned halls and porticos. The measures taken to address various climatic challenges in this area, such as managing the slope of the land,
controlling floods from the mountains, establishing order in the form and structures, access routes, and passageways, as well as architectural and urban design elements, reflect the application of urban planning and design knowledge in its development. Unfortunately, after initial excavation and a few preliminary conservation efforts, the structures in the Barzan-e Jonoobi site have been left unattended. The predominant material used in this area is Mudbrick, and the lack of ongoing maintenance has led to the deterioration and decay of these mudbrick structures. The inherently unstable nature of these mud brick structures highlights the importance and necessity of continuous preservation and maintenance of this valuable site. Therefore, in this study, after examining the factors causing damage, a conservation plan was proposed within the framework of a comprehensive protection plan. This plan aims to reduce the rate of erosion and address the damages caused by the identified harmful factors. The research methodology employed in this article is applied and field-based in terms of its purpose and approach, and the data were analyzed qualitatively based on logical reasoning. Data collection tools included library research (note-taking, maps, sketches) and field methods (observations, interviews, photography).

Saeid Mehriar, Abdolalizade Abdolalizade, Zahra Talischianazar, Mehdi Razani,
Volume 6, Issue 2 (9-2023)
Abstract

The preservation and restoration of historical monuments are among the most crucial objectives worldwide, aiming to pass cultural heritage on to future generations. These efforts encompass a wide range of activities carried out by specialists while adhering to various aspects, including the theoretical principles of historical restoration. The Sadiq Al Saltaneh Mansion, located in the Maqsoudiyeh neighborhood of Tabriz, is one of the notable buildings from the Qajar period. In addition to its unique architectural layout, the mansion features stucco decorations on the columns and fireplaces. During the restoration process, evidence from various historical periods was uncovered, highlighting the alterations the building has undergone over time. A significant challenge arose when a historical fireplace in the northwest room of the mansion,s first floor was discovered, along with a stuccoed wall dating back to the late Safavid and early Zand periods hidden behind it. This presented a dilemma regarding how to display both significant historical features. After thorough examination of the site and assessment of the artifacts, it was decided to relocate the fireplace within its original space. The goal was to enhance the understanding of the building and to better showcase both valuable historical elements. Given the historical significance and aesthetic value of both features, the relocation of the fireplace and the subsequent exposure of the historical wall behind it were deemed necessary. The technical process of relocation involved framing and supporting the fireplace, followed by carefully detaching it from the wall according to a pre-designed method. After securing the artifact with an iron frame and clearing the surrounding area, the connection to the wall was severed step by step, with reinforcement measures implemented throughout the procedure. The fireplace was then moved to its new location using a crane and installed in such a way that both features could be fully observed. It should be noted that all actions were planned and carried out based on technical and theoretical principles of historical
monument restoration.

Sanaz Aliakbari, Alireza Koochakzaei,
Volume 6, Issue 2 (9-2023)
Abstract

Lacquer paintings hold not only historical significance but also aesthetic value. The motifs and materials used in these artworks can vary depending on the cultural context of the society. Examining these types of works can provide valuable insights into the culture, economy, technology, and native materials of different ethnic groups. Lacquered paintings are considered highly valuable and require careful conservation measures. The purpose of this report is to present the protective process carried out on a lacquered bookbinding from the Qajar era. The initial investigation revealed the need for consolidation, separation of the leather from the bookbinding, surface cleaning, patching, restoration of the corners, priming, coloring, and final coating. To achieve this, the following materials and methods were employed: 5% Plextol for consolidation, a mixture of tissue paper pulp with gelatin and marble dust as a putty to restore the corners, a combination of HV360 adhesive with distilled water and marble dust for the primer layer, acrylic paint for coloring, and a final 3% polyvinyl butyral layer for further protection of the paint layers.

Morteza Rezvanfar,
Volume 6, Issue 2 (9-2023)
Abstract

Caucasus is the region between the Caspian and Black seas. The Caucasus Mountains divide it into northern and southern parts. The North Caucasus is a part of Russia where has seven autonomous republics and two krais. From the east, the republics are: 1- Dagestan, 2- Chechnya, 3- Ingushetia, 4- North Ossetia, 5- Kabardino-Balkaria, 6- , Karachay-Cherkessia, and 7- Adygea, and the krais are Krasnodar Krai and Stavropol Krai. South Caucasus also includes 3 countries, the Republic of Azerbaijan, Armenia and Georgia. This text describes a research trip to Derbent, Dagestan. The goal was to find and prepare identity card from Persian inscriptions and some buildings with inscriptions in this city. Derbent is a small coastal city that was separated from Iran by the Golestan Treaty. This city has 150 registered artifacts and about 100 Persian inscriptions (Pahlavi and Dari Persian) from the Sassanid, Safavid, and Qajar periods. Juma Mosque in Derbend, after Narin Castle and Hesar, is the most important heritage work in the city of Derbend, which has always been
the focus of regional governments, so it has valuable inscriptions from the Mongol, Turkish, Arab and Iranian governments. The mosque's 1330-year-old age, as well as its architectural style, were the criteria for registering this valuable work under the Derbend World File in UNESCO.

Faramarz Rostami Charati, Parastoo Erfanmenesh, Fathollah Niyazi,
Volume 6, Issue 3 (12-2023)
Abstract

 In this research, the chemical and antimicrobial analysis of the essential oil extracted from coal smoke was investigated. The operation of collecting wood vinegar by condensing the smoke exhaust gases resulting from pyrolysis of citrus and lemon trees in the coal production process in the north of the country was carried out in three stages. By performing the necessary chemical analyzes on these extractive materials, the presence of various organic compounds such as saturated and unsaturated hydrocarbons and aromatic compounds is visible. At the end, checking the anti-micron effects of these extracted substances with samples of fungi and bacteria available in the laboratory has been tested initially. The use of plant compounds, especially plant extracts, is one of the most promising alternatives to chemical pesticides. Plant extracts have a wide range of secondary metabolites that play an important role in plant-pest interactions. which due to its antimicrobial, antioxidant, anti-inflammatory and anti-cancer properties can be considered a suitable alternative in the field of agricultural food and medicine. They are produced from plant or microbial sources that have less risks for the environment and human health and can be used in two ways. The use of natural pesticides as an environmentally friendly approach in preserving cultural heritage can be considered as an innovation in this field. be considered Essential oils such as peppermint oil, rosemary oil and other oils with antimicrobial and sunscreen properties can be used to preserve cultural works against the growth of microbes and insect spawning. It is important that when using natural pesticides to preserve cultural works, it is important to be careful and know the characteristics of each substance and how to use them correctly to ensure of prevent any damage to cultural historical monuments. The wood species considered for the preparation of vinegar was lemon tree from the north of the country. The organic solvents used in the extraction process were dichloromethane, ethyl acetate, diethyl chloroform, and THF, which were obtained from the Indian company
Loba Chem. The devices used in this research are NMR, FTIRGC-Mass and TLC.
Microbial tests are performed with two types of strains. The fungus was Spexillus niger and Penicillium. In this experiment, the pyrolysis process of lemon tree wood has been tested in the coal production furnace in the north of the country. During the entire production process, a batch of production was carried out in a controlled manner. The wood was collected with three different cuts. The first cut was watery and transparent, which was not the target of the study. The middle cut was the target composition that was collected. It is mainly composed of organic materials and its investigation is not included in this project. The composition of the red colored liquid of the wood extracted from the middle section was transferred to the laboratory in the next step with organic solvents such as dichloromethane and other pairs of organic solvents into two phases. Aqueous and organic were purified and separated. After that each of the extracted phases have been subjected to necessary chemical and microbial analyses. The use of extractive materials of natural compounds is of particular importance due to its environmental friendliness. Essential oils and plant extracts can be used as natural and safe pesticides. Since ancient
times, producing charcoal from wood as a heat source has been a very common method. However, the extraction and burning of coal smoke has not been addressed until many applications of coal smoke have been reported in the present era. The use of essential oil from coal smoke in agricultural industries is also possible because it can be used as a fertilizer due to the rich source of organic carbon. However, in many articles, this essential oil has been mentioned as a control agent for biological and anti-fungal and bacterial agents. Based on this, the current research has been designed to extract aromatic and essential oils with a natural base, especially from waste materials such as charcoal smoke, which is a valuable branch in the direction of extracting and using biocompatible materials to control fungal and microbial factors in the field of heritage. Based on the investigations and the results of chemical and analytical analyzes as well as microbial tests, the targeted essential oil (from lemon tree charcoal) has aliphatic and aromatic compounds that are effective
in controlling microbial agents. The effectiveness of this test is different for different types of wood and different microbial strains. Depending on the concentration of the extracted smoke sample, different results will be output. It is likely that charcoal essential oil is more effective at higher concentrations and should be tested.

Fatemeh Alimirzaei,
Volume 6, Issue 3 (12-2023)
Abstract

In this report we wanted to remind parts of principles and methods of conservation and restoration of pottery objects, and to present reconstruction process of two large pottery Jar (Khomreh) belong to Sassanian period during a written and illustrated report. also, we explained the difference created when choosing materials and methods. The jars were obtained from excavating Varamin Plain by Dr. Morteza Hesari in 2017. They were restored at the conservation pottery workshop of the Research Institute of Cultural Heritage & Tourism Research center for conservation and restoration of relics (RCCCR).

Sayede Elahe Alavi Dehkordi,
Volume 6, Issue 3 (12-2023)
Abstract

The "Illustrated Atlas of Pathology of Historical-Cultural Textiles" by Fatemeh Alimirzaei and Shahrzad Aminshirazi is specially designed for conservators,
restorers, students, museum curators, and collectors handling different categories of textiles. The book is divided into three chapters, addressing the pathology of historical textiles from three perspectives: physical-mechanical, chemical, and photochemical. However, the distinction of photochemical from chemical is rejected as unjustified since photochemical reactions are a subtype of chemical reactions induced by photons. A more suitable third type could be biological effects, which involve harm inflicted with the help of living organisms, including microbes, rodents, and insects.

Nasrin Noohi Babajan, Farah Madani, Manijeh Hadian Dehkordi,
Volume 6, Issue 3 (12-2023)
Abstract

Valuable cultural heritage is always exposed to the invasion of biological agents and the resulting destruction, especially when the physical and chemical conditions of the work and its surrounding environment are compatible with the characteristics of an organism or a microorganism. Therefore, preventing the occurrence of such conditions and limiting the invasion of biological agents should be among the main and primary goals of every center. Over the years, various methods such as the use of disinfectants have been used to control biological agents in various historical and cultural collections. With the passage of time and increasing awareness of the harmful effects of these substances on the treated works, the environment and the users, nowadays the use of non-toxic alternative methods is more recommended. Experience has shown that the method that causes the least damage to collections and employees is preventive methods and regular control, which is possible through monitoring and managing the environment. Integrated pest management with the ultimate goal of removing harmful biological agents from a place is one of the long-term preventives and non-toxic methods of controlling biological agents that is used in many museums, archives, and libraries. In this article, along with a brief overview of biological deterioration and its preventive and control strategies, microbiological monitoring of the air inside 4 storerooms in the world heritage complex of Golestan Palace Museum including: the anthropological clothing, the manuscripts, the carpets, and the Painting storerooms was carried out. For this purpose, air sampling was done by sedimentation method and isolated microbial colonies on the culture media were investigated and identified. The results of the microbiological monitoring of the air inside the storerooms in this study showed that except for the carpet storeroom, other studied storerooms, including the anthropological clothing, the manuscript and the painting storerooms, are acceptable in terms of the number of microorganisms in the air.

Masoome Amighpey, Fatemeh Ghoraiyan, Akram Molayi,
Volume 6, Issue 3 (12-2023)
Abstract

Antiquities and cultural heritage are the birth certificates of any country. Since the ancient works define any land's age, history, and civilization, it is necessary to protect cultural historical works by combining science and art. Iran is one of the first in the world to have ancient monuments and historical and cultural buildings and has the oldest culture and civilization. Climate changes around the world and their consequences in the form of continuous droughts, water shortages, and seasonal floods have cast a shadow on the country's cultural heritage in the past few years. One of the consequences of
climate change has been water scarcity and pressure on underground water resources. The lack of management of underground water resources and their indiscriminate extraction has caused widespread subsidence in the world and Iran. On the one hand, subsidence is considered an environmental threat that destroys the aquifer and soil, and on the other hand, it destroys the buildings and structures located in the place. Many subsidence has spread to urban areas and caused destruction and damage to ancient monuments. Geodetic data and methods such as radar interferometry, GPS data, accurate leveling
observations, and gravimeters are used to diagnose and monitor the areas affected by the risk of subsidence. Radar interferometry with wide coverage and high spatial resolution, along with GPS with high temporal resolution, as well as accurate leveling observations and high-precision gravimeters, can be a suitable source for changing the shape of the earth's surface in the region. GonbadKavos Tower, the tallest brick tower in the world, is one of the most important ancient monuments of Iran in Golestan province. Considering the importance of protecting ancient and historical monuments, it is important to investigate the amount of subsidence of the Gorgan Plain in the area of this tower to evaluate its effect on the shape of the tower.
To investigate the area and extent of subsidence of Gorgan Plain, the integration of geodetic observations in the region, including radar interferometry, leveling, and GPS was used. To investigate the subsidence range of this province, 53 sensor radar images were obtained from the Sentinel-1 satellite from the European Space Center between July 2017 and June 2019. The results show that due to the lack of management of the process of extracting  underground water sources in the Gorgan Plain, unfortunately, this plain has experienced extensive land surface subsidence with a maximum rate of 22 cm per year. One of the sensitive structures located in the subsidence area of the Gorgan Plain is the Gonbad Kavos Tower. The rate of subsidence in the area of this tower is 6 cm per year. Also, the changes in the subsidence rate in the area of the tower and its surroundings are significant. To preserve and maintain this tower, the need to use methods of strengthening the structure in this historical work is something that should be taken into consideration.
On the other hand, it is suggested to manage the use of underground water resources in the Gorgan Plain, modify the cultivation pattern to prohibit the cultivation of water-rich crops in agriculture, and artificially feed the aquifer to stop subsidence in the Gorgan region. It is also suggested to use micro geodesy observations and calculations to investigate and monitor the shape change of this historical tower.
 
Moein Poursadegh, Mohsen Mohamadi Achacheloei,
Volume 6, Issue 3 (12-2023)
Abstract

In this research, considering the necessity of conservation and restoration of wooden doors and their significance in Iranian architecture, as well as understanding the structure of historical wooden artifacts, necessary actions were taken to study, restore, and conserve a two-leaf wooden door belonging to the ivan of Sukiass house in Isfahan. Following preliminary damage assessment, various tests (including pH testing, colorimetry, equilibrium moisture content measurement, species identification, and Fourier-transform infrared spectroscopy) were conducted on the study sample. The results indicated the acidic nature of the structure of the sample under study, minimal color changes before and after the restoration process, standard equilibrium moisture content, the use of Oriental Plane tree wood (Platanus orientalis L) in the construction of the artifact, and the absence of significant structural damage on the sample surface. Historical wooden artifacts are typically classified into three main categories of physical, chemical, and biological damages. The study sample exhibited physical damages such as abrasion, cracking, and microcracks, environmental temperature effects resulting in color changes on the artifact,s surface, as well as the impacts of dust and debris. In the chemical damage category, tissue acidification in the artifact was observed, along with noticeable impacts of pollution. Biological damages caused by insect infestations, categorized under wood biological damages, were visible as multiple
boreholes on the artifact,s surface. Additionally, the presence of a burnt section at the lower part of one of the door leaves is another damage incurred by the study artifact. In line with conservation and aesthetic principles, necessary measures include cleaning the door and its frame, addressing deficiencies and cracks, protecting the artifact from pests, and applying polish and acid treatment.


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