Somayeh Samadian, Mehdi Razani, Volume 4, Issue 3 (12-2021)
Abstract
Carpet, as a piled and knotted hand-woven with a structure consisting of organic materials, is always exposed to damages during the various time processes of weaving, consumption, and storage. These can generally be divided into two categories of internal damages (how primary actions for preparing and dying fibers and also knitting are done) and external ones (defects during use and maintenance). Considering that the scope of the attitude is more on the samples in the museum and private collections, which apart from the aspect of consumption need favorable conditions for long-term protection, in this research, we tried to describe the four harmful factors and their sub-categories, which includes physical factors (light, atmospheric pollution and two factors of temperature and humidity), chemical factors (effect of acids, alkalis, oxidants), macroscopic biological agents (insects and rodents) and microscopic ones (fungi, molds and bacteria), to create a wider insight into the process of keeping these exquisite objects and prevent them from entering the structure.
Mehdi Razani, Somayeh Samadian, Volume 9, Issue 2 (9-2026)
Abstract
Historic Persian carpets represent one of the most significant categories of movable cultural heritage and are internationally recognized for their artistic, historical, and cultural values. Owing to their dual functional and museum roles, conservation and restoration practices have long been influenced by both traditional market-oriented repair methods and modern museum conservation approaches. Consequently, the absence of a comprehensive scientific guideline for the conservation and restoration of historic carpets remains an important challenge. This study aimed to identify the principal scientific stages involved in the conservation of historic carpets and to formulate a practical guideline based on expert knowledge and existing conservation practices. Data were collected through documentary research, field investigations, and semi-structured interviews with traditional carpet repairers, museum conservators, researchers, collectors, and university educators. The findings indicate that traditional carpet repair primarily emphasizes reconstructing the original appearance and restoring visual integrity, whereas contemporary museum conservation focuses on preserving authenticity through documentation, minimum intervention, reversibility, and preventive conservation. The study concludes that conservation of historic carpets should follow a systematic sequence beginning with documentation and technical assessment, followed by appropriate cleaning, structural stabilization, and long-term preventive conservation. This framework provides a scientific basis for conservation decision-making while preserving the historical and cultural significance of Persian carpets.