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Showing 3 results for Mortazavi

Mohammad Mortazavi, Ahmad Salehi Kakhki , Mohammad Ali Golozar , Hassan Tala’i ,
Volume 1, Issue 2 (Special Issue 1.1 2017)
Abstract

One of the most widely used terms in the conservation and restoration of cultural and historical artifacts, particularly in the field of ancient metal objects, is patina. Although, this term is also applied to other historical materials, such as paintings and stones, its frequent used in the context of ancient bronzes makes it essential to develop a clear and accurate understanding of its meaning and implications. From the perspective of the studying deterioration of the artifacts, patina-as corrosion products in bronze artifacts-can significantly impact both the tangible and intangible aspects of the objects. on the one hand, it contributes certain values, such as age and aesthetics. On the other hand, it serves as an important criterion in conservation and restoration practices. However, the lack of comprehensive and precise definition of this term leads to complexity in conservation decision-making. In this paper, based on a literature review, the differing and similarity viewpoints on patina have been investigated. Following this, the term is reviewed in relation to different corrosion morphologies, and issue related to its current definitions are discussed. The different values of the patina are debated, and its role in the principles of conservation is reevaluated. In this field, confusion arising from the application of the term patina in the conservation of archaeological bronzes have been highlighted. Finally, considering the unique properties of corrosion phenomena in archaeological bronzes, the concept of the “original surface” is discussed as an approach to addressing this issue.  

Faramarz Azadbakht, Mohammad Mortazavi,
Volume 2, Issue 2 (Special Issue 1.1 2019)
Abstract

Understanding ancient metallurgy is achieved through the study and analysis of metal artifacts and evidence related to extraction and metalworking processes. Examining metal objects provides valuable information about the type of metal or alloy used, manufacturing and decoration techniques, and, in some cases, the type of ore employed. Therefore, analyzing alloy composition and forming techniques is of great importance in archaeometallurgy. This article presents a technical investigation of a bronze lion figurine from the Yazd Museum collection, obtained through illicit excavations. Alloy composition analysis was conducted using Atomic Absorption Spectroscopy (AAS), and X-ray imaging was employed to investigate the construction method. The results revealed that the figurine is made of a copper-tin alloy (bronze) with the presence of lead. Radiographic images indicated that the figurine is hollow, with its front rod extending into the internal section. Based on these findings, it was determined that the figurine was crafted using the lost-wax technique. Furthermore, the probable shape of the mold used, the manufacturing stages, and its various components are proposed.

Elaheh Hajjari, Mohammad Mortazavi, Keyvan Raeissi, Mohammad Hafezi Kahnamoei ,
Volume 8, Issue 4 (3-2026)
Abstract

The inherent instability of archaeological iron objects is due to contaminated with chloride ions from the burial environment, as well as being exposed to oxygen and high relative humidity. Therefore, the removal of chloride ions and the stabilization of active corrosion are essential steps to prevent further deterioration and to preserve these artefacts. Numerous scholars have investigated various methods for the dechlorination of archaeological irons. However, the complexity of the corrosion mechanisms, the varying condition under which artefacts were buried, the specific characteristic of each object, and the ethical principles of conservation and restoration confront conservation scientists with significant challenges. As a result, from the earliest research in this field to the present day, studies in the subjects are still ongoing. A meticulous review of the literature can lead to a better understanding of existing research findings and help identify aspects that more research is needed. The aim of this paper is to review, critique and examine each of the different chlorination methods, while also discussing their disadvantages and limitations. This review discuses different methods of chloride ions removal and stabilization of archaeological iron artefacts, including electrochemical techniques, immersion in alkaline aqueous solutions, application of subcritical fluids, hydrogen plasma, and biological treatment using bacteria. In addition, factors affecting the process before, during, and after dechlorination, as well as the specific challenges of treating large and composite objects are examined. Finally, by reviewing and comparing the studies conducted in this paper, it was found that there are still gaps in this regard, the analysis of which will ultimately lead to the application and optimization of appropriate dechlorination methods tailored to the specific characteristics of each object and its conservation conditions.


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