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Showing 7 results for Miri
A report Of Conservation and Restoration of the Hunting Scene Stucco Relief in Haj Saleh Bathhouse, Saqqez
Kaveh Bahramzadeh, Davoud Asadollahvash Aali, Najmeh Khatoun Miri,
Volume 1, Issue 1 (Special Issue 1.1 2018)
Abstract
Haj Saleh Bathhouse, located in the historical fabric of Saqqez city, dates back to the Zand period. Its entrance is situated in the city's traditional bazaar. The construction style of the building is Isfahani and features unique stucco decorations. One of the notable and significant stucco reliefs in the bathhouse is the hunting scene, which has undergone extensive deterioration. This relief consists of three layers: two lime-based layers and one paint layer.
In this study, through laboratory examination, the materials used in the stratigraphy of the relief were technically identified. Subsequently, the deterioration patterns affecting the artwork were analyzed. The conservation and restoration process of the hunting scene is also detailed: following mechanical and chemical cleaning, delaminated areas were consolidated using an injection method. A slurry made from dental gypsum combined with 5% Plextol in water was injected with the aid of a pillow (bladder) technique to reattach and strengthen the lifted layers.
The missing parts were reconstructed using a mixture of gypsum and 5% Plextol, followed by chromatic reintegration with watercolors to match the surrounding areas and faded pigments. Finally, the entire artwork underwent final consolidation using 5% Plextol solution.

A Structural Study of Buff Ware from Shahr-i Sokhta Using Petrography and XRPD
Najmeh Khatoun Miri, Elham Heydari-Karbaski ,
Volume 1, Issue 1 (Special Issue 1.1 2018)
Abstract
Shahr-i Sokhta in Sistan is one of the most significant and pivotal archaeological sites in southeastern Iran, with initial settlement dating back to the Bronze Age (3200 BCE). The site spans an area of approximately 151 hectares, of which 120 hectares contain material and cultural remains. It consists of three major parts: the central area, the industrial zone, and the cemetery. Excavation results indicate four cultural-occupational phases (I–IV), which are further subdivided into eleven sub-phases. Pottery, being the most abundant cultural-historical artifact found across many archaeological sites in southeastern Iran, including Shahr-i Sokhta, holds considerable importance in archaeological studies. It is the only category of ancient object that has survived through millennia with minimal alteration. Archaeologists believe that most of the pottery discovered at Shahr-i Sokhta was produced locally, either within the site or in satellite workshop areas. To evaluate this hypothesis, the present study employed laboratory methods, including petrographic thin section analysis using a polarizing microscope (OPM) and X-ray Powder Diffraction (XRPD), on three buff pottery samples recovered from grave no. 8525 NFB at the site. The analytical results, when compared with the local geology, indicate that the buff pottery from this site is of local origin. Furthermore, based on structural analysis and the presence of calcite grains, a firing temperature of approximately 800°C is suggested for some samples, while others likely underwent firing at around 900°C.

Technical Study, Pathology and Preservation and Restoration of Inlaid Mirror Frame Belonging to the Qajar period
Alireza Amiri Baghbahadorani, Fariba Majidi , Mohsen Charesaz ,
Volume 4, Issue 3 (12-2021)
Abstract
Khatamkari is a type of decoration created by the intricate arrangement of triangles made from wood, bone and metal, which together form geometric patterns. The object under discussion is a square mirror related to the Qajar period and is privately owned. According to the experiments carried out to identify the materials comprising the artifact, it was found that it consists of wood (jujube, walnut, Iranian pine, poplar or Tabrizi and plantain), bone, and metal (silver and brass), and the triangles were made of Brass, bone and wood, and the layers used are of silver, and underlying structure is of wood. The damages observed on this artifact include corrosion products forming in the parts where the silver metal has been applied, darkening of the polish, distortion and separation of connections in the underlying structure, and distortion and separation and shedding in some parts, which these damages have led to the deterioration of patterns. After removing the previous incorrect repairs and cleaning the darkened polish and strengthening the distortion of the underlying structure and inlay decorations, reconstruction, balancing and final strengthening have been done.


 
Documentation and Conservation Analysis of the Entrance Inscription of Talibiya School, Tabriz
Leyli Nemani Khiyavi, Alireza Amiri Baghbadorani, Naser Zavari,
Volume 4, Issue 3 (12-2021)
Abstract
Historical inscriptions, especially in religious and educational buildings, are considered prominent and unique cultural and historical heritage symbols. One of these inscriptions, located at the entrance of the Talebiyyeh School in Tabriz, is a remarkable example of Iranian Islamic calligraphy and architecture. These stone carvings, with their writings and texts, bear profound messages about their time's history, culture, and social and political status. This paper focuses on the detailed analysis and reading of the inscription on the facade of the Talebiyyeh School, located at the entrance of Tabriz's covered bazaar. The inscription, written in the Thuluth script, offers important information not only on the artistic and architectural values but also on the endowment deeds and governmental orders of the time. The inscription, created in 1216 AH by the order of the ruling authorities of Tabriz and signed by prominent figures of the era, contains significant legal and religious concepts reflecting the spiritual and social dimensions of the period. This study, from the perspectives of linguistics, epigraphy, and the analysis of historical implications, introduces and explains the inscription, aiming to reveal its complex meanings through a deep examination of the actions taken on the monument, including the color harmonization. The main research questions are: What are the texts and writings of the inscription on the facade of the Talebiyyeh School in Tabriz, and what information does it convey? What changes have occurred on the inscription over time? How can the stone inscription be replicated to extract the maximum amount of information from this monument? To answer these questions, historical studies, field investigations, and modern documentation methods, including photogrammetry and digital design of the inscription's text, were employed. After completing these stages, the re-reading of the inscription text and examining its changes over time were accomplished. Preserving and maintaining this cultural heritage can pave the way for future research in the fields of conservation and the history of Islamic art.

 
Organization and Restoration the Qalamkar Fabrics of the Golestan Palace World Collection and Provide Solutions for the Preservation and Restoration of Historical Textiles
Azam Soheilipour, Mohammad Reza Miri, Roghayeh Chenari,
Volume 4, Issue 4 (2-2022)
Abstract
The Qajar-era Qalamkar cloths belonging to the Golestan Palace had been folded in wooden boxes in the warehouses for a long time. In alignment with the objective of preventing physical and biological damage to the fabrics, the process of organizing and restoring them was investigated. This was accomplished through library studies and the performance of necessary analyses, which will be explained quantitatively throughout the article. The
activities carried out to achieve the goals of the mentioned project are as follows: after photographing and documenting the fabrics, a technical and restoration certificate was prepared, and labels made from cotton fabric were sewn onto the cloth. Additionally, cleaning and dusting were performed, and the process of smoothing the folds was conducted to prevent deformation and physical damage at the fold points. Subsequently, the pH level was checked using pH meter strips. Fungal cultivation was carried out on Qalamkar works suspected of having fungi, and fungi cultivation was also performed in both the former and new storage areas. A fiber identification test was conducted to determine the type of fiber present. The results of the analyses indicate that the pH of the fabrics is within the neutral range. The fungal culture analysis revealed that Aspergillus niger grew on one of the fabrics and the door of a wooden box used for storage. Due to the presence of this type of fungus, periodic monitoring was recommended. The fiber identification analysis also confirmed that the fabric is made of cotton cellulose fiber. Finally, the Qalamkar fabrics were covered with cotton fabric and secured. Identification tags
were attached to the works, and with sufficient care and precision, they were transferred to the standard reservoir of Golestan Palace. Furthermore, protection and restoration solutions were provided to maintain the fabrics in the best possible condition.

Reproduction of the Inscriptions of the Portal of the Hasan Pādshāh Complex in Tabriz
Alireza Amiri Baghbadorani , Leyli Nemani Khiyavi, Mehdi Razani,
Volume 7, Issue 2 (9-2024)
Abstract
Reliefs and Inscriptions are among the most important historical documents, serving as carriers of diverse narratives, such as wars, victories, conquests, notable events, or memorials. These artifacts provide a direct and transparent expression of a certain historical moment. Over time, understanding the durability of stone, humans have recorded events on this precious material using various techniques. This practice began with primitive depictions on natural rocks; and evolved into elaborate carvings designed to document contemporary events. Early inscriptions, often executed on natural rocks, using scripts such as cuneiform; gradually along with development of skills and tools, they developed into detailed and artistic engravings, taking the form of decorative inscriptions or reliefs. This article presents a new transcription of the stone on the portal of the Hasan Pādshāh Mosque and School Complex, located in the central district of Tabriz, East Azerbaijan province, in Sahib-al-Amar Square, within the UNESCO-listed Tabriz Covered Bazaar. The inscription, carved into a stone surface dating back to the late 8th century A.H., features Thuluth script and has suffered damage due to various factors over time. The most important questions of the research are: What is the content of the inscription on the portal of Hasan Padshah Complex, and what information does it convey? What changes have occurred to the inscription over time? How can the transcription of the inscription be conducted to retrieve the maximum amount of information?  To address these questions, historical and archeological studies, were complemented by fieldwork, and advanced documentation methods, including photogrammetry and digital design of the inscription text. Following these steps, a re-reading of the inscription text, along with an analysis of the changes it has undergone over time, was achieved.

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