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Showing 2 results for Amin Shirazi

Maryam Askari Arami, Mohammad Taghi Ashouri, Shahrazad Amin Shirazi, Fatemeh Alimirzaei,
Volume 2, Issue 3 (ویژه نامه 2020)
Abstract

Accessories such as hats are integral components of traditional attire, and undoubtedly, hats rank among the most significant elements of historical and local clothing for both men and women. The diversity and variety of clothing accessories, including hats, preclude the application of a single, universal solution for their care. Improper display or storage of these items—due to folding, environmental contaminants, unsuitable temperature, dust, inadequate lighting, etc.—can cause severe and irreversible damage, altering their structure and form. A tailored approach to conservation, display, and storage, considering each hat’s material, form, and specific vulnerabilities, is crucial for their preservation. Moreover, systematic storage and appropriate display methods can protect hats from numerous degrading factors. This article describes the procedures performed on hats from an ethnographic collection, culminating in the implementation of a conservation plan for these artifacts. The plan included surface and mechanical cleaning, structural stabilization, and provided recommendations for optimal storage and display of the collection.

Mohammad Reza Alikhah, Anisa Shiri , Shahrazad Amin Shirazi , Mohammad Hossein Boroumand,
Volume 7, Issue 2 (9-2024)
Abstract

Restoration of historical monuments relies heavily on comprehensive documentation conducted both before and after conservation and restoration processes. This study focused on documenting the cleaning process of Iran's Salt Men through the integration of various photographic techniques and specialized focus stacking software. Specifically, it examined the documentation of Salt Man, No. 1, housed in the National Museum of Iran by utilizing a combination of focus stacking and panorama techniques. The project aimed to produce high-resolution images from 5 different angles, capturing the complete depth of field before and after cleaning. The largest image generated in this project boasted a pixel density of 649.4 megapixels, showcasing the frontal view of the artifact. Several challenges arose during the project. The presence of hair on the head and face of Salt Man, No. 1, posed difficulties in photo alignment. Additionally, documenting the gold earrings using macrography presented another set of challenges. It is important to note that the documentation, conservation, and restoration of the artifact were carried out simultaneously. Consequently, close coordination with other members of the conservation and restoration team was crucial and meticulous recording of lighting angles, camera settings, and photometry were prioritized. Detailed documentation was carefully recorded both before and after the cleaning process, taking special care to note the conditions during photography and ensuring accurate color, light, and texture matching. This comprehensive approach established a robust foundation for artifact's future scientific monitoring.


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