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Showing 2 results for Altaha Bonab

Seyyedeh Samira Altaha Bonab, Ahad Nejad Ebrahimi,
Volume 8, Issue 4 (3-2026)
Abstract

Karbandi is a decorative-structural element of Iranian architecture implemented based on precise geometry that has been used in various and diverse parts of it, and one of the important parts of Karbandi is the application in the construction of the Chapireh. Iranian architects in dome houses used the chapireh to convert the square field into a circle, which has two parts: corner construction and shikanj. The aim of this research is to examine historical examples and categorize the forms of Karbandi implemented in the shikanj in line with the typology and systematic classification of historical examples. Also, the features of each of the implemented Karbandi will be examined in terms of the field and type of Karbandi in order to determine the relationship between the type of Karbandi implemented in the shikanj with the field and sides of the Karbandi.  The research background shows that the Shikanj can be implemented in two ways: arched and karbandi. to achieve this goal, a classification of the form of the Karbandi in the studied Shikanj was presented. This research is a qualitative research that was conducted using a descriptive-analytical method and the necessary information was obtained through library studies, objective observation, and examination of available samples. The results of the research show that the Karbandi in Shikanj can be divided into two categories from a shape perspective: large arch (including simple and with a Sosany) and small arch (including arch with Karbandi, simple Sakonj with Karbandi, and Torbe Filposh with Karbandi), each of which has its own characteristics that can be applied in fields such as half-arches. This research does not directly provide implementation instructions; but its results can help in subsequent studies and the process of recognizing authenticity in the conservation and restoration of the Karbandi implemented in Shikanj.

Seyyedeh Samira Altaha Bonab, Minou Gharehbaglou, Mahshid Mijani,
Volume 9, Issue 1 (6-2026)
Abstract

Historic urban fabrics and architectural heritage are subject to a wide range of international charters and conventions that establish guiding principles for conservation, restoration, documentation, reconstruction, and cultural tourism. Foundational documents such as the Venice Charter, the Nara Document on Authenticity, UNESCO conventions, and the Burra Charter emphasize concepts including authenticity, integrity, accurate documentation, and the responsible use of heritage resources. In practice, however, the implementation of these principles has become increasingly complex due to factors such as physical deterioration, natural hazards, restricted accessibility, and the growing pressures of mass tourism.
In recent years, advances in immersive digital technologies have introduced alternative approaches to addressing these challenges. Among them, the Metaverse understood as a three-dimensional digital environment integrating Virtual Reality (VR) and Augmented Reality (AR) has gained attention as a platform for experiencing, documenting, and interpreting cultural heritage. Unlike conventional visualization or presentation tools, Metaverse-based environments allow users to engage with heritage spaces interactively and remotely, often through digital avatars, thereby expanding possibilities for access and interpretation beyond physical constraints.
Although immersive technologies have been increasingly employed in heritage-related projects, their relationship with the normative frameworks defined by international heritage documents has not been sufficiently examined. Existing studies tend to focus on technical capabilities or user experience, while questions of compatibility with established conservation principles remain underexplored. This study seeks to address this gap by examining how Metaverse-related capabilities correspond to the requirements articulated in international charters and conventions concerning historic environments.


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