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<title> Knowledge of Conservation and Restoration </title>
<link>http://journal.richt.ir/kcr</link>
<description>Knowledge of Conservation and Restoration - Journal articles for year 2020, Volume 3, Number 1</description>
<generator>Yektaweb Collection - https://yektaweb.com</generator>
<language>en</language>
<pubDate>2020/6/12</pubDate>

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						<title>Analytic and Comparative Study of Physical-Historical Changes in Haj Rajab Ali Mosque in Tehran City</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=125&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;&amp;nbsp;  Haj   Rajab   Ali   mosque   is   one   of   the   historic   buildings   in   Tehran   city,   made   in   Qajar   era.   Despite   being   prominent   the   building   has   not   been   studied   very   carefully.   The   existing   literature,   shows   informationonly   about   the   current   status   of   the   construction.   Most   of   the   information   obtained   from   these   researches   isn&amp;rsquo;t   consistent   with   the   information   in   the   historical   documents   of   different   periods,   especially   in   terms   of   physical   form,   and   there   are   contradictions   in   the   shape,   time,   and   also   the   date   of   construction   of   the   building.   In   this   regard,   the   present   study   examines   the   physical   changes   of   the   building.   The   main   purpose   of   this   research   is   to   study   the   historical   developments,   in   particular   from   the   physical   viewpoint   in   different   periods   to   determine   the   time   of   the   origin   and   the   course   of   changes.   For   this   purpose,   a   qualitative   research   method   has   been   used   with   a   descriptive-analytical-comparative   approach.   Data   collection   method   is   document   studies,   field   surveys   and   interviews.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;Unlike   some   sources,   findings   of   the   research   showed   that   the   building   belongs   to   Mohammad   Shah   Qajar   period.   Also,   unlike   the   information   in   sources   the   inscription   in   the   building   doesn&amp;#39;t   show   the   date   of   end   of   construction   and   shows   that   the   completion   process   of   the   building   continues   after   this   date.   Data   analysis   showed   that   physical   form   of   building   has   not   been   changed   from   completion   time   to   mid   -1960s.   Arial   photo   interpretation   determines   that   most   physical   changes   occurred   from   end   of   1960s   to   mid   1980s   which   protruded   heterogeneous   functions   to   the   building.   The   results   of   the   research,   through   analysis   and   interpretation   of   the   data,   which   are   scientifically   and   legally   legit,   have   been   able   to   chronologically   correct   the   changes   and   help   to   redesign   the   changes   and   course   of   the   physical-historical   modifications   of   the   building,   which   is   effective   in   resolving   the   ambiguities.   Finally,   combination   and   analysis   of   data   obtained   from   the   historic   maps   and   Arial   photos   data   led   to   definition   of   four   main   steps   in   physical   changes   in   the   building   which   also   defines   the   physical   authenticity   of   different   parts   of   the   building.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
						<author>Arezu Feizolahbeigi</author>
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						<title>A spectral imaging examination of cultural artifacts: study of three historical artifacts from Great museum of Khorasan</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=126&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;Reflection and fluorescent imaging techniques play a very important role in conservation of cultural heritage. Visible images are the best tool to register and inspect an art work in the absence of it. Nowadays modern digital camera facilitate this process. Additionally, ultraviolet (UV) images are a good tool to analyse painting surface layer and investigate the conservation state of objects. Also, UV florescent reveals information about chemical nature of varnish, pigments, restoration treatment and retouches. This technique is fast, inexpensive and in-situ. In current paper, we investigated the potential of ultra-violet fluorescence and visible reflectance technique to investigate the current conservation state of an oil painting and two manuscripts. The apparent characteristics of the work were examined and recorded by image of Visible light and image of fluorescence. The Florence image has patched up areas that have lost their color or identified areas that had been restored, so the Florence image, in the absence of a history of the effect, gives a clear picture of the condition of the previous restoration and the damage done to the painting. Also, in examining a historical-cultural version, it was possible to identify the areas that had been biologically attacked. Examination of another manuscript with ultraviolet fluorescence radiation showed that the red color used in the prescription is probably a discolored pigment.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Ehsan Harati</author>
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						<title>Recognition Studies in Conservation and Restoration of Historical Canvas-Marouflaged Murals</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=127&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;Murals are the main, media of human culture and civilization and the place and its long history in Iranian art is clear. There are specific forms of mural paintings in some Iranian architecture that are different from other usual wall paintings in materials, methods as well as implementation techniques. Unfortunately, these mural paintings are not studied certainly until now. Therefore, further investigation is needed due to the importance of this issue. Regarding to importance of necessity of art understanding before conservation, it is obvious that common conservation procedures on these relics (without appropriate understanding) have an inappropriate results on authenticity and integrity of the relics. Unfortunately, there is not adequate research about technology and conservation of these relics and related fields. Historical points, manufacturing and used materials, effects of technological problems, as introduction to conservation plan were main questions. The aim of this research is the identification of history of development, and used materials and techniques in these historic paintings by field and literature investigations. Technological understanding of this kind of murals during the time by application of literature review and data explanation. Due to low information in Persian, European Marouflaged Mural has been studied more than Iranian relics. The research subject and case studies are studied in a qualitative and descriptive research method and the subject is considered with ten historical and theoretical aspects. These paintings are executed on the layer of cloth (canvas) and then installed on the wall that is known as a part of the architecture arrays. This research at the first library study is conducted and then according to the results, the field studies are carried out and finally, the data are analyzed. Knowing the number of Marouflage according to literature review, the identification of constituent layers of Marouflage according to field studies, and Understanding the differences between a common wall Paintings and Marouflaged Mural in Iran, are the results of this paper. In this paper, the process of formation of this type of wall painting in Iran was studied and present examples of this method in Iranian architecture are introduced and explained. Some of the architectural interior surfaces are decorated by the textile painting by Marouflaged in Ilkhanid, Safavid and Quajar period; funerary monuments with polygonal plan have the most decorative surfaces such as Soltanieh Dome, Sheykh Safi mausoleum, Maryam church, Golestan palace and etc. According to studies, there was technical change in manufacturing process of large wall paintings and ceiling paintings at Renaissance period. It resulted to production of new kind of murals which known as Marouflaged Mural. The research obtained appropriate results about production, manufacturing, historical samples and effect of technological problems on conservation of Marouflaged Mural.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Yaser Hamzavi</author>
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						<title>Technological Recognition and Damage Study in One of the Three Bronze Rods Excavated from Tehran-Qarchak Pardis Tepe Cemetery</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=128&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;The cemetery of the Pardis Tepe, located in Qarchak of Tehran province, is a valuable historic landmark of the Iron Age which has been discovered in the excavations of these bronze wire objects. Despite the historical importance of the metal objects discovered in Tehran, no independent research has been carried out on the metal objects obtained from this site, in terms of technological and pathological aspects, using laboratory and methodological methods&lt;span dir=&quot;RTL&quot;&gt;.&lt;/span&gt; The aim of this paper was to study a bronze rod found in Tepe Pardis, in terms of species and application, regarding technical questions about elemental combinations and the method of making and technological position of the study area. For this purpose, instrumental analysis methods such as AAS, SEM-EDS were used to identify the alloying technique, the chemical composition of the alloy, and metallography to identify the manufacturing method&lt;span dir=&quot;RTL&quot;&gt;.&lt;/span&gt; Historical studies of the object attributed it to the Iron Age. Based on elemental data analysis, the composition used to make copper-tin alloy objects (bronze) and microstructure analysis by metallography, these objects were made by continuous thermal / mechanical operations. Depending on the results of the XRD test, cuprite, malachite and nantokite compounds were identified in corrosion products. Due to the significant presence of Nantokite, it can be said that the object has active corrosion.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Hamid Reza Bakhshandehfard</author>
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						<title>Evaluation of Nano Zinc Oxide Treatment for Conservation of White Poplar Wood (Populus alba L.) Against Photochemical Weathering</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=129&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;Wood is an organic material which has been used for manufacturing of different historic relics. There are many historic wooden relics in open air spaces under effect of environmental factors. Weathering and its photochemical decay is one of the most important degradation factors of these relics in dry and semi dry climates. Therefore, it is necessary to study different procedures for conservation of these relics. Nano Zinc Oxide characteristics were studied as a conservation treatment for wood against photochemical weathering. Samples were prepared from White Poplar (&lt;em&gt;Populus alba&lt;/em&gt; L.) as a widely used wood in historic relics of Iran. Specimens were treated with Nano Zinc Oxide suspension in isopropanol by surface treatment. Specimens were artificially weathered regarding to ASTM 2565-99 in 300, 800 and 2000 hours as three time levels. Samples were analyzed by evaluation of mass loss, pH measurement, Colorimeter, and ATR-FTIR spectroscopy. Results showed that the treatment does not prevent aesthetical change of wood appearance in weathering process although the alteration was not severe. The treatment reduces weathering effects but does not prevent its structural degradation. During the time and under effect of weathering, Zinc Oxide nanoparticles will lose their function as ultraviolet absorbent due to chemical reactions with wood structures and first degradation products. Therefore, its efficiency won&amp;rsquo;t be enough in long term period.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Mohsen  Mohammadi Achachluei</author>
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						<title>Synthesis of Titanium Nano-particles and Studying Surface Resistance of Cyrus Tomb’s Carbonated Stones</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=130&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;In this study, cheap nanoparticles with the highest hybrid similarity were introduced to increase the surface resistance of ancient Pasargadae (Cyrus Tomb) rocks. As result, the kind of mineral of thin section of sample was detected as calcite and grainstone texture. The physical features of the sample indicated a high porosity. In order to achieve a high compatibility of the intended Nano materials, some powder of the sample was used as pre-material through Mechanical Grinder. After preparation of the powder, Nano material was prepared due to sol-gel method. Calcium Titanate blurs with the phase of Perovskite and Titanium dioxide with the phase of Anatase have been detected as XRD. These compounds were confirmed by FT-IR. The size of spherical and oval blurs prepared in the scale of Nano was confirmed by SEM. The existence of common elements such as Calcium, Titanium, Oxygen and Carbon was detected as EDX spectrometer. In this experience, Ethanol was used as solvent. In 4 hours, the gained Colloidal dissolved was added on the surface of the stone by the capillary specific. So as to module the resistance of the sample, the coated surface was examined under the abrasion test. Along with these experiments, all the levels for pre-material lime were done. The results show a relative improvement in the surface resistance of the sample rock. Meanwhile, there wasn&amp;rsquo;t any remarkable change in the case of the color of the sample.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Morteza Heidari</author>
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						<title>Characterization of Restorative Mortars for Application in The Pasargadae World Heritage Site</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=131&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;In this study, considerations for design, characterization, and in-situ application of sustainable materials for restorative use in the Pasargadae world heritage site are discussed. Based on some prior studies on sustainable waste-based restorative mortars, air lime mortars were made from lime putty, mixture of stones from the site, and additive sesame oils. The mortar samples were characterized in terms of microstructure, carbonation rate, hydric properties, and durability. The characterization aimed at compatibility assessment of mortars with a real situation. Considering the variety of natural conditions parameters compared to the laboratory, the mortar samples were also characterized in the site conditions. The results suggested the laboratory characterization, if done properly, can provide a promising degree of representation for the field conditions.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Parsa  Pahlavan</author>
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						<title>Comparison of the Lead Isotopic Ratios in the Ancient Silver Mines of Iran and Provenance of Silver Vessels</title>
						<link>http://journal.richt.ir/kcr/browse.php?a_id=132&amp;sid=1&amp;slc_lang=en</link>
						<description>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;The geochemical information of the old mines such as lead isotopic ratios has a crucial role in understanding the origin of minerals, especially the evaluation of metal sources. This study was conducted to obtain a pattern or map of the geochemical information of Iran&amp;#39;s lead, zinc and silver reserves. The previous studies on the provenance of Sasanian silver vessels from Quri Qaleh cave, showed the lead isotopic ratio of these vessels conformed to Nakhlak mine, but since these examinations were not done on other old silver mines, it was not possible to make a definitive conclusion. Today, in the archaeometallurgical studies and the determination of the origin, multicollector- inductively coupled plasma mass spectroscopy (MC-ICP-MS) is used. And since these studies are done on a global scale and the obtained information is recorded in the world wide database, it is necessary to use a similar method to carry out these experiments until the obtained information can be compared with each other. As the measurement of isotopes of elements has many applications in various sciences, especially in geological studies, the analysis of lead isotopes is used for dating of ores, provenance of metals and defining a geotectonic environment for ore deposits. Therefore, the results obtained from these studies on the desired mines could be used to calculate the isotopic ratios of lead for provenance and the source determination studies. In this study, the lead isotopic ratios of some of the ancient silver mines in Iran were compared. Comparing the results of analysis of lead isotope ratios for a number of ancient silver mines in Iran showed that the difference in lead isotope ratios of lead, zinc and silver reserves in the zone and geological axes of Iran is such that it can be used in the origin of ancient metalworking sites that mainly contain lead, zinc and silver minerals.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</description>
						<author>Fereshteh Rahimi</author>
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