The relationship between literature, art, and operational objects and in this way with the users is the subject that in some crafts like pottery which are so operational could be seen. These objects, as a documentary without any distortion could transfer the science, culture, and historical information. They are also recognized as examples of written and lingual heritage. The pottery of 6 and 7 centuries A.H. especially the luster wares have some motifs derived from the literature of that time, for example the story of »Leila and Majnoun «,and »Bahram gour and Azadeh «,and pottery›s inscriptions, so it›s important to study them in the aspect of art and literature. The Persian poetries that were written on these potteries included Quatrain, Ode, etc. They were written with different kinds of lines and subjects like epic, social, critical, romantic, mandatory and mystical. These poetries were written by famous or anonymous poets of that time and drew by potters. The literature was progressed during that time and the outbreak of Sufism in society and the mass production pottery with Persian poetry was popular, therefore these inscriptions are available as intact documents that had no alteration of written manuscripts, so they can be used for understanding the nature of language of that time. This descriptive research with this hypothesis and by following the meaning and the value of aesthetics of inscriptions with different subjects in static society of pottery with inscription is analyzing the literary features and changes in those centuries. Finally it finds the different aspects and changes in different kinds of literature, literary approaches, and literary changes in method and taste.
Type of Study:
Research |
Subject:
Iran Heritage Received: 2016/04/11 | Accepted: 2017/02/4 | Published: 2017/04/19